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Commercial art --- Art publicitaire --- History --- Histoire --- Grafische vormgeving ; reclame ; affiches ; 20ste eeuw --- Boekdesign ; illustraties ; boekomslagen --- Typografie --- Grafische vormgeving ; tijdschriften --- Hoezen ; grammofoonplaten --- Postzegels --- 766.037 --- 766.038 --- Gebruiksgrafiek ; 1900 - 1950 --- Gebruiksgrafiek ; 1950 - 2000
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Contents:##- Defining the Wolfsonian Collection through objects, presentations, and perceptions / Joel M. Hoffman ##- Stalin as Isis and Ra: socialist realism and the art of design / John E. Bowlt ##- Modernity and tradition in Hungarian furniture, 1900-1938: three generations / Juliet Kinchin ##- W. A. S. Benson, machinery, and the arts and crafts movement in Britain / Alan Crawford ##- Feast of Dutch diversity: Nieuwe Kunst book design / Alston W. Purvis ##- Mobilizing the nation: Italian propaganda in the Great War / Thomas Row ##- The Tripoli Trade Fair and the representation of Italy's African colonies / Brian L. McLaren ##- From World War I to the Popular Front: the art and activism of Hugo Gellert / James Wechsler ##- Looking at labor: images of work in 1930s American art / Erika Doss ##- "Painting Section" in black and white: Ethel Magafan's Cotton Pickers / Susan Valdés-Dapena.
Museumcatalogi ; Miami Beach ; The Wolfsonian-Florida International University --- Beeldende en decoratieve kunsten ; 1885-1945 --- Thema's in de grafische vormgeving ; oorlog en propaganda --- Boekdesign ; illustraties ; boekomslagen --- Sociaal Realisme --- Art Nouveau --- Arts and Crafts --- 7.01 --- Kunst ; theorie, filosofie, esthetica
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All designers will tell you that the design process is one of perserverance, failure, hard work and eventual triumph. Book cover design is no different. The idea for the book stemmed from attending a talk at St. Bride's Foundation, watching Jon Gray and Jamie Keenan present a carousel of beautiful covers that have never seen the cover of a book as they were rejected (for various reasons) along the way. The proverbial lightbulb went up 'why not publish a book about rejected covers?No, No, No, No, Yes: Book Design Uncovered brings together 25 published book covers and 100 alternatives seen in print for the very first time. Drawing on submissions from book cover designers from across the world, the book is part peek behind the curtain of the book cover design process, part alternative history of book covers.https://www.copyrightbookshop.be/shop/no-no-no-no-yes-book-design-uncovered/
Boekvormgeving --- Covers --- Grafische vormgeving --- Book design --- 766:655.53 --- Boekdesign ; illustraties ; boekomslagen --- Design, Book --- Books --- Graphic design (Typography) --- Gebruiksgrafiek ; tijdschriften ; boekdesign --- Format --- Cover --- 766.32.043 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; cover design
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Boekverzorging --- Boekdesign illustraties boekomslagen --- Boekdesign typografie --- 655.3 --- 766:655.26 --- Grafische industrie het drukken van boeken, boekbinden --- Gebruiksgrafiek typografie grafische vormgeving esthetica --- Kuipers, Reinold --- Book design --- Layout (Printing) --- 655.262 --- Printing --- Graphic design (Typography) --- History --- Boekdesign--algemeen --- Printing, Practical --- Layout --- Layout (Printing). --- History. --- Addresses, essays, lectures --- Boekdesign ; illustraties ; boekomslagen --- Boekdesign ; typografie --- Grafische industrie ; het drukken van boeken, boekbinden --- Gebruiksgrafiek ; typografie ; grafische vormgeving ; esthetica --- Printing, Practical - Layout --- Book design - History --- 766.11.01 --- Grafische industrie en ontwerp ; drager ; papier & boek ; theorie, filosofie, esthetica
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We may love books, but do we know what lies behind them? Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages -- of civilizations, empires, human ingenuity, and madness. In a tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today.
Book history --- Graphics industry --- bindings [gathered matter components] --- books --- Books --- History. --- Printing --- Paper --- Illustration of books --- 655.3 --- Boekdesign ; illustraties ; boekomslagen --- Boeken ; geschiedenis ; vervaardiging --- Book illustration --- Art --- Decoration and ornament --- Pictures --- History --- Grafische industrie ; het drukken van boeken, boekbinden --- 766.11(091) --- Grafische industrie en ontwerp ; drager ; papier & boek ; geschiedenis (overzicht)
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Fully Booked : Ink on Paper is a showcase of innovative books and other print products at the vanguard of a new era for printed publications -- one that is likely to be the most exciting in their entire history. This book is structured into five chapters that each represent a key role that print plays today: The Storyteller, The Showmaster, The Teacher, The Businessman, and The Collector. From personal projects with the smallest print runs to premium artist books or brand publications, the selection of work presented here celebrates the tactile experience. Featuring innovative printing and binding techniques as well as radical editorial and design concepts, this work explores the distinctiveness of design, materials, workmanship, and production methods -- and pushes their limits-- Description from publisher summary (inserted).
766:655.53 --- 766.039 --- 7.05 --- Grafische vormgeving ; boekdesign ; covers --- Boekdesign ; illustraties ; boekomslagen --- Bibliofilie ; bijzondere publicaties --- Boeken ; vormgeving ; boekdesign ; typografie --- Redactionele vormgeving --- Gebruiksgrafiek ; tijdschriften ; boekdesign --- Gebruiksgrafiek ; 2000 - 2050 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Graphics industry --- grafische vormgeving --- graphic design --- boekkunst --- 766.11.039
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This book is published on the occasion of an exhibition of work by Dutch designer Karel Martens at the Royal Academy of Arts in The Hague. Besides offering a closer look at his free work, it also covers his approach to the teaching of graphic design. Comprising a selection of both past work and more recent applied work, it also includes new essays by David Bennewith, who examines Martens' approach to teaching through its history and accounts from students, and Robin Kinross, who offers a meditation on the artist's free work, which demonstrates a consistent line of inquiry through his 54 years in graphic design. Martens was the recipient of the Gerrit Noordzij Prize in 2012. Exhibition: Royal Academy of Art, The Hague, The Netherlands (03.2015).
Martens, Karel --- 766.07 --- 766.039 --- Grafische vormgevers ; typografen ; Karel Martens --- Redactionele vormgeving --- Boekdesign ; illustraties ; boekomslagen --- Martens, Karel °1939 (°Mook en Middelaar, Nederland) --- 766 <492> --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators --- Gebruiksgrafiek ; 2000 - 2050 --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Nederland --- 766 <492> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Nederland --- graphic arts --- commercial art
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De jaarlijkse selectie van de Nederlandse boekverzorging is ditmaal aangevuld met het beste van de Vlaamse boekverzorging. In totaal 50 Best Verzorgde Boeken van Nederland en Vlaanderen. Ontworpen door Irma Boom. Binnenin een presentatie van de boeken, aan de hand van zwart-wit foto's, de bevindingen van de jury en de technische gegevens. Extra: een manifest van Irma Boom. Exhibition: Stedelijk Museum Amsterdam, The Netherlands (26.08. - 30.10.2016).
Boom, Irma --- Lake, Harry --- Book design --- Design, Book --- Books --- Graphic design (Typography) --- Awards --- Format --- Exhibitions --- 766:655.53 --- Best verzorgde boeken ; Nederland en Vlaanderen ; 2015 --- Redactionele vormgeving ; 21ste eeuw --- Boekverzorging --- Boekdesign ; illustraties ; boekomslagen --- Gebruiksgrafiek ; tijdschriften ; boekdesign --- UDC --- 766.11.039(492) --- Grafische industrie en ontwerp ; drager ; papier & boek ; geschiedenis ; 2000 - 2050 (Nederland)
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Bij de meeste kunstliefhebbers zijn ze vrijwel onbekend: de illustraties van Léon Spilliaert (1881-1946) in uitgaven van het werk van Belgische schrijvers als Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys en vele anderen. Spilliaert illustreerde hun dichtbundels en theaterstukken, en zelfs een kinderboek, met tekeningen in Oost-Indische inkt en aquarelverf, of liet zijn inspiratie de vrije loop bij het visualiseren van de droomwereld van de auteurs. Dit rijke deelgebied van zijn kunst wordt door Spilliaertspecialiste Anne Adriaens-Pannier eindelijk voor het publiek ontsloten. 00Exhibition: Het Spilliaert Huis, Oostende, Belgium (19.11.2017-2.4.2018).
Schilderkunst; België; Léon Spilliaert (1881-1946) --- 766.07 --- Boekdesign ; illustraties ; boekomslagen ; 20ste eeuw --- Symbolisme --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators --- Graphics industry --- illustrations [layout features] --- Spilliaert, Leon --- Spilliaert, Léon, --- Grafische industrie --- illustraties --- MAD-faculty 19 --- schilderkunst 19e-20e eeuw --- tekenkunst --- illustratie
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655.262 --- Boekdesign ; illustraties ; boekomslagen --- Grafische vormgeving ; boekdesign ; lay-out ; 1994-2004 --- Boekverzorging ; boekbanden --- 766:655.26 --- compiled and edited by Roger Fawcett-Tang ; introduction and interviews by Caroline Roberts --- grafiek --- boekdesign --- boeken --- illustraties --- grafische vormgeving --- boekontwerp --- 766.044 --- Boekdesign--algemeen --- Gebruiksgrafiek ; typografie ; grafische vormgeving ; esthetica --- Graphic arts
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