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392 --- Zeden en gebruiken in het particuliere leven --- Body art. --- Chimera (Greek mythology) in art. --- Genetics in art. --- 392 Zeden en gebruiken in het particuliere leven --- Body art --- Chimera (Greek mythology) in art --- Genetics in art --- Art, Body --- Body works (Art) --- Art, Modern --- Performance art --- 392 Customs, manners, usage in private life --- Customs, manners, usage in private life

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The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks—devil’s marks on witches, demon’s marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands—each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

Body art --- 091.14:003 --- 091:003.5 --- Art, Body --- Body works (Art) --- Art, Modern --- Performance art --- 091:003.5 Handschriftenkunde. Handschriftencatalogi-:-Schrijfmaterialen --- Handschriftenkunde. Handschriftencatalogi-:-Schrijfmaterialen --- 091.14:003 Codices--schrift-- Zie ook: {930.272} Paleografie --- Codices--schrift-- Zie ook: {930.272} Paleografie --- History --- E-books --- Body marking --- Signs and symbols --- History. --- France --- Civilization.

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Cataloog bij 'Kiss the future' in Museum Boymans-van Beuningen van kleding van de Belgische modeontwerper Walter van Beirendonck. De Franse kunstenares Orlan voorzag de gezichten van zichzelf en andere modellen van freak-achtige vervormingen: opgeplakte huidkleurige uitstulpingen als verfraaiing, in opzet vergelijkbaar met piercing. Deze gelaatssculptuur is in twee fotoseries mooi vastgelegd door Juergen Teller. De heldere teksten zijn van enkele buitenlandse modejournalisten. Het boek bevat ook kunstwerkjes op papier van Van Beirendonck. De eerste indruk 'weirdo's' verkeert bij nader inzien in 'boeiend experiment gecombineerd met prachtige en draagbare mode geprojecteerd op mensen als kunstwerk'. Het boek is fraai uitgevoerd. Een leuk boek, niet echt belangrijk en nogal prijzig ondanks de vele sjieke sponsors.

cat ed. Thimo te Duits, Walter Van Beirendonck --- van Beirendonck Walter --- kunst --- twintigste eeuw --- mode --- modefotografie --- fotografie --- Orlan --- Teller Juergen --- 7.071 VAN BEIRENDONCK --- 391 T.DUI --- 907.5 --- geschiedenis, klederdrachten, België --- Body art --- Fashion designers --- Fashion design --- Clothing and dress --- Clothing design --- Dress design --- Design --- Clothes designers --- Couturiers --- Custom garment designers --- Dress designers --- Designers --- Art, Body --- Body works (Art) --- Art, Modern --- Performance art --- Beirendonck, Walter van --- Van Beirendonck, Walter --- Porte, Mireille Suzanne Francette --- Exhibitions --- fashion [concept] --- modeontwerpers --- Beirendonck, van, Walter --- fashion [culture-related concept]

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À notre époque, les nouvelles technologies contribuent largement à l'évolution des langages scéniques modifiant profondément les conditions de représentation et intensifiant toujours davantage les effets de présence et les effets de réel. Ces technologies sont souvent liées à l'émergence de nouvelles formes scéniques qui transgressent les limites des disciplines et se caractérisent par des spectacles à l'identité instable, mouvante, en perpétuelle redéfinition. Projections, installations interactives, environnements immersifs, spectacles sur la toile, les sens(ations) sont plus que jamais sollicité(e)s. Le performeur y est confronté à un Autre virtuel, à la fois personnage et partenaire. Quant au corps, charnel, physique, palpable, il constitue encore la trace incontestée de l'homme dans ces espaces où la déréalisation fait loi. Contrepoint d'une culture du virtuel, le corps semble rester au coeur des dispositifs (scénique, interactif, immersif). Quel(s) corps ces oeuvres convoquent-elles ? Comment ces dernières renouvellent-elles la dynamique entre performeurs, spectateurs et dispositifs ? Quelles sont les diverses modalités d'interpénétration entre le virtuel et le réel dans ces formes d'art ? Voilà autant de questions auxquelles ce livre tente de répondre. Celles-ci sont le résultat de plusieurs années de recherche consacrées aux effets de présence et aux effets de réel. C'est le résultat de ces explorations effectuées par l'équipe de recherche "Performativité et effets de présence" de l'université du Québec à Montréal (sous la direction de Josette Féral et Louise Poissant), que le lecteur pourra trouver dans ce premier volume consacré au corps. Body Remix reprend le titre du spectacle de la chorégraphe Marie Chouinard présenté en 2005.

Performing arts --- Theater --- Aesthetics --- Arts du spectacle --- Théâtre --- Esthétique --- Technological innovations --- Production and direction --- Innovations --- Production et mise en scène --- Art and technology --- Arts du spectacle et technologie --- Art corporel. --- Art de performance. --- Art et technologie. --- Dans l'art --- Au théâtre --- Theatrical science --- anno 1900-1999 --- Corps humain --- Arts --- Body art --- Performance art --- Arts, Modern --- Arts du spectacle et technologie. --- Dans l'art. --- Au théâtre. --- Performance --- Corps humain, thème --- Technologie et art --- Body art. --- Performance art. --- Art and technology. --- Technology and art --- Technology --- Happenings (Art) --- Art, Body --- Body works (Art) --- Art, Modern --- Arts, Modern - 20th century --- Arts, Modern - 21st century

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"This major new Yves Klein overview shows how Klein transformed his life into a myth that blurred the boundary between art and biography. It includes around 300 unearthed archival photographs--many of which are published for the first time--of Klein, his works, and their production. Always an innovator, Klein spanned many mediums, boldly exploring musical composition, sculpture, performance, photography, theater, film and theoretical writing, in addition to the blue monochrome painting for which he is so famed. Reproductions of artworks are interspersed with photographs of and quotations by Klein, guiding readers through a personal history of key works such as "Leap into the Void" and the Monochrome and Feuer exhibition. Most importantly, this book offers a new look behind the scenes of his performances, uncovers the genesis of his famous Anthropometries and Fire Paintings and portrays Klein at work in his studio, in private settings and on his travels. There are also numerous contact prints with lesser-known photos and snapshots that are not among the more famous pictures released for publication. Unlike most of his contemporaries, Klein always viewed photography as a lens through which to dramatize his subjects, and chose carefully who could photograph him. The imagery in this monograph blurs the artist?s work and life in a way that both maintains and deconstructs the myth of Yves Klein."--Distributor's website.

Art --- photographs --- sculpture [visual works] --- performance art --- easel paintings [paintings by form] --- nudes [representations] --- studios [work spaces] --- burning --- Klein, Yves --- Body art --- Performance art --- Conceptual art --- 7.07 --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Earthworks (Art) --- Sky art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art, Body --- Body works (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Klein, Yves, --- 75.07 --- Nouveau Réalisme --- Performances ; Body Art --- Klein, Yves 1928-1962 (°Nice, Frankrijk) --- Happenings --- Monochrome schilderkunst ; Yves Klein --- Schilderkunst ; schilders A-Z --- paintings [visual works]