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L'exposition ne se présente pas comme une rétrospective - il y en eut déjà une au Musée de Grenoble en 1999, lors de la donation par l'artiste d'une cinquantaine de dessins - mais comme une mise en espace conçue très précisément par Pierrette Bloch pour les murs du Cabinet d'art graphique. On verra donc un seul exemple, daté de 1968, de la série des grands collages qu'elle réalisa dans les années 50-60, étape importante dans l'évolution de son oeuvre qui, selon ses propres dires, se développa lentement. Seront montrés aussi quelques exemples de dessins des années 70-80, où l'on découvre comment elle utilise, de toutes sortes de manières, l'encre, son médium de prédilection depuis les années 60 : en points, en boucles, en taches, en lignes... puis les fils de crin (ce matériau encore inusité dans l'histoire de l'art) des années 90, comparables à des dessins dans l'espace et enfin ces longues et étroites bandes de papier (l'une de la longueur exacte d'un des murs du Cabinet d'art graphique : 11 mètres), parcourues de petits traits, de signes minuscules, son travail le plus récent et le plus exigeant quant à l'effort de concentration, jusqu'à la limite de l'épuisement, qu'il demande. Faite de matériaux pauvres, de formes simples, totalement abstraite et sans couleur, l'oeuvre de Pierrette Bloch est d'une grande cohérence. Dès ses débuts, elle joue sur des variations presque imperceptibles de tonalité, de rythme, un peu comme la musique répétitive des années 70. Un travail essentiellement sur l'espace, le temps, le mouvement infini des points, des lignes, dans lequel il faut accepter de se laisser dériver. Ni vraiment contrôlée, ni vraiment automatique, ni vraiment minimale, ni vraiment lyrique, ni vraiment constructive, ni vraiment gestuelle, ni vraiment orientalisante, ni vraiment support/surface… l'oeuvre de Pierrette Bloch par sa totale liberté, faite autant de fantaisie que de rigueur, déjoue toutes les catégories esthétiques bien enrégimentées du XXe siècle tout en les rejoignant toutes. Peut-être pourrait-on citer à son propos un de ces aphorismes chinois : «C'est sous les pas que se fait le chemin» http://www.cnac-gp.fr/Pompidou/Communication.nsf/docs/IDB4DA8AB136CDA0FBC1256BFA003000BA/$File/pierrettebloch.pdf
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Bloch, Pierrette --- Douret-D'Hour, Marie-Dominique --- Dupuis, Gilbert --- Fedorenko, Nicolas --- Guitet, James --- Hantaï, Simon --- Luquet, Baudouin --- Michaux, Henri --- Soulages, Pierre
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Art --- Abstract [modern European style] --- studios [work spaces] --- Curie, Parvine --- Adnan, Etel --- Bloch, Pierrette --- Jaffe, Shirley --- Hicks, Sheila --- Claisse, Geneviève --- Molnár, Vera --- Pan, Marta --- Reigl, Judit --- Asse, Geneviève --- Nemours, Aurélie
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Art --- art [discipline] --- symbols --- texts [documents] --- Cordier, Pierre --- Aeschbacher, Arthur --- Ben Bella, Mahdjoub --- Bloch, Pierrette --- Boutibonnes, Philippe --- Collot, Maryvonne --- Devolder, Eddy --- Duchêne, Gérard --- Dupuis, Gilbert --- Fassi Fihri, Mohammed --- Keguenne, Jack --- Moreau, Claire --- Pouillard, Patrick --- Lambotte, André --- Noël, Georges --- Rousseff, Juliette --- Vandeloise, Guy
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Ethnology. Cultural anthropology --- Iconography --- ethnography --- scripts [writing] --- culturele diversiteit (kunst) --- Tal-Coat, Pierre --- LeWitt, Sol --- Penck, A.R. --- Michaux, Henri --- Voss, Jan --- Dubuffet, Jean --- Kaminsky, Thomas --- Johns, Jasper --- Baudart, Johan --- Bloch, Pierrette --- Nadaud, Daniel --- Alechinsky, Pierre --- Francis, Sam --- Thoma, Pierre --- Venet, Jan --- Verstraeten, Sarah --- Trajman, Paul --- Dotremont, Christian --- Mandelbaum, Stéphane --- Velle, Marthe --- Lambotte, André --- Tobey, Mark --- Segui, Antonio --- Wilson, Scottie --- Kolář, Jiří --- Hartung, Hans --- anno 1900-1999 --- Africa
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Iconography --- Painting --- Film --- painting [image-making] --- video art --- black [color] --- Arp, Hans --- Andre, Carl --- Baselitz, Georg --- Degottex, Jean --- Dubuffet, Jean --- Ernst, Max --- Blais, Jean-Charles --- Buraglio, Pierre --- Re, Del, Marco --- Bloch, Pierrette --- Chardon, Nicolas --- Convert, Pascal --- Fontana, Lucio --- Delprat, Hélène --- Emmanuel --- Favier, Philippe --- Fiedler, François --- Fleischer, Alain --- Foucault, Henri --- Boltanski, Christian --- Byars, James L. --- Vautier, Benjamin --- Braque, Georges --- Bonnard, Pierre --- Bury, Pol --- Agam, Yaakov --- Chillida, Eduardo --- Boetti, Alighiero --- Dion, Mark --- Fischl, Eric --- Bertrand, Jean Pierre --- Burri, Alberto --- Debré, Olivier --- Kooning, de, Willem --- Arman --- Calder, Alexander --- Art & Language --- BP [Nice]
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Catherine De Zegher is directeur van het Museum voor Schone Kunsten te Gent, maar voordien werkte zij overal ter wereld als curator van tentoonstellingen, zoals “Inside the visible” en “Persistent Vestiges”. In deze reeks essays levert ze een bijdrage voor ons begrip van kunst, meer bepaald met de artistieke expressie van een aantal kunstenaressen waar ze de voorbije jaren mee samenwerkte. Er gaat veel aandacht uit naar de totstandkoming en esthetische praktijken, en ze legt ook de politiek-historische context bloot die aan de grondslag van een bepaald werk ligt. Het unieke van elke artiest en elk project is dan ook van groot belang. De invloed van het feminisme en daaraan gekoppelde intellectuele revolutie van de jaren 60 tot in de jaren 80 leidde tot nieuwe kunstuitingen (o.m. body art, performance, media en bewegende beelden, conceptkunst, gebruik van audiovisuele elementen). Deze anthologie is een kroniek van het feministisch gedachtegoed en ‘actie via de kunst’ over de laatste 25 jaar: “It is what these artists contribute through their individual artistic practices to one collective understanding of the complexity of art in relation to history, subjectivity, and its own materialities and transformations in which the symbolic, imaginary and political effects of gender as hierarchy and gender difference as imaginative resource are in play.”
Aesthetics --- Sociology of the family. Sociology of sexuality --- Art --- Sculpture --- Painting --- Theatrical science --- Poetry --- Thematology --- Feminism --- Feminist art --- Gender --- International --- Artists --- Writers --- Book --- Dancing --- Newman, Avis --- Keersmaeker, de, Anne Teresa --- Gego --- Nicodemus, Everlyn --- Gill, Simryn --- Atkins, Anna --- Bloch, Pierrette --- Grzymala, Monika --- Kot'átková, Eva --- Spero, Nancy --- Janssens, Ann Veronica --- Shettar, Ranjani --- Wright, Judith --- Maiolino, Anna Maria --- Tuerlinckx, Joëlle --- Hatoum, Mona --- Verhaeghe, Ria --- Hesse, Eva --- Rosler, Martha --- Lichtenberg-Ettinger, Bracha --- Iglesias, Cristina --- Gallagher, Ellen --- Vicuña, Cecilia --- Klint, Hilma A.F. --- Kunz, Emma --- Mehretu, Julie --- Martin, Agnes
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Women's Work. Is Never Done' brings together the twenty most important essays by internationally acclaimed art critic and curator Catherine de Zegher. Together with Gerald McMaster, de Zegher has been appointed artistic director of this year's 18th Biennale of Sydney. Her essays on female artists, which have now been collected for the first time, cover a period of thirteen years. Over the years de Zegher's essays launched and consolidated the careers of such artists as Joelle Tuerlinckx, Ann Veronica Janssens, Eva Hesse and Bracha L. Ettinger. Thanks to de Zegher, these artists are now wildly acclaimed and acknowledged in the art world for their cutting edge, groundbreaking artistic activism that has shaped female artistic practice from the late 19th century onwards.
kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.036/039 --- Kunz Emma --- Martin Agnes --- Gill Simryn --- Bloch Pierrette --- Kot'áková Eva --- Wright Judith --- De Keersmaeker Anne Teresa --- Grzymala Monika --- Verhaeghe Ria --- Ettinger Bracha L. --- Shettar Ranjani --- Iglesias Cristina --- Mehretu Julie --- Tuerlinckx Joëlle --- Hesse Eva --- Gego --- af Klint Hilma --- Atkins Anna --- Newman Avis --- Maiolino Anna Maria --- Gallagher Ellen --- Spero Nancy --- Rosler Martha --- Janssens Ann Veronica --- Hatoum Mona --- Vicuña Cecilia --- Nicodemus Everlyn --- gender studies --- feminisme --- Kunst van vrouwen 20ste en 21ste eeuw --- 7.041 --- 7.01 --- 7.038 --- 7.039 --- Gender Studies --- Feminisme --- Iconografie de mens, portretten --- Kunst theorie, filosofie, esthetica --- Kunstgeschiedenis 1950 - 2000 --- Kunstgeschiedenis 2000 - 2050 --- Kunz, Emma --- Gill, Simryn --- Shettar, Ranjani --- Verhaeghe, Ria --- Nicodemus, Everlyn --- Wright, Judith --- Keersmaeker, de, Anne Teresa --- Bloch, Pierrette --- Lichtenberg-Ettinger, Bracha --- Iglesias, Cristina --- Mehretu, Julie --- Grzymala, Monika --- Klint, Hilma A.F. --- Kot'átková, Eva --- Feminism and the arts --- Feminisme en kunst --- Kunstenaressen --- Women as artists --- vrouwelijke kunstenaars --- Atkins, Anna --- Klint, Hilma af --- Ettinger, Bracha L. --- Keersmaeker, Anne Teresa De --- Kot'átkova, Eva --- 21ste eeuw --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Iconografie ; de mens, portretten --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- drawing [image-making] --- video recordings --- Art --- performance art --- installations [visual works] --- painting [image-making] --- sculpting --- Martin, Agnes --- Hatoum, Mona --- Hesse, Eva --- Maiolino, Anna Maria --- Janssens, Ann Veronica --- Gallagher, Ellen --- Vicuña, Cecilia --- Spero, Nancy --- Newman, Avis --- Rosler, Martha --- Tuerlinckx, Joëlle --- women [female humans] --- hedendaagse kunst --- Sociology of the family. Sociology of sexuality --- feminism --- Contemporary [style of art] --- vrouw in de kunst --- Artists --- moderne kunst --- 20ste eeuw --- Arts [Modern ] --- 20th century --- 21st century --- Women artists --- MAD-faculty 15 --- hedendaagse kunstenaars --- Women artists. --- Ettinger Bracha L --- Af Klint, Hilma --- video recordings [physical artifacts] --- vrouwelijke kunstenaar --- vrouwelijke kunstenaars. --- hedendaagse kunst. --- moderne kunst. --- Nicodemus, Everlyn. --- Vicuña, Cecilia. --- Hatoum, Mona. --- Janssens, Ann Veronica. --- Rosler, Martha. --- Spero, Nancy. --- Gallagher, Ellen. --- Maiolino, Anna Maria. --- Newman, Avis. --- Atkins, Anna. --- Af Klint, Hilma. --- Kunz, Emma. --- Martin, Agnes. --- Gego. --- Hesse, Eva. --- Tuerlinckx, Joëlle. --- Mehretu, Julie. --- Iglesias, Cristina. --- Shettar, Ranjani. --- Verhaeghe, Ria. --- Grzymala, Monika. --- Keersmaeker, Anne Teresa De. --- Wright, Judith. --- Kot'átkova, Eva. --- Bloch, Pierrette. --- Gill, Simryn. --- 20ste eeuw. --- 21ste eeuw.
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The digitalization of the world seems to require manual compensation. Everywhere, people are crocheting, embroidering, knitting, and weaving. The boundary between arts and crafts appears to be blurring. As early as 1878, Gottfried Semper referred to textiles as the original art form. The Wiener Werkstätte and the Bauhaus broke through the barriers—a decisive impulse for the masters of modernism. Thread, weave, network, and pattern are simultaneously foundation, result, and inspiration and spill over into the areas painting, sculpture, installation, and media art. This opulently designed volume presents both an artistic and an intercultural dialogue, comparing works by Gustav Klimt, Edgar Degas, Jackson Pollock, Eva Hesse, Chiharu Shiota, and Sergei Jensen to historical textiles from centuries past. Interdisciplinary essays provide extensive discussions of the materials and ideas utilized in work with textiles. Artists featured (selection): Magdalena Abakanowicz, Anni Albers, Joseph Beuys, Louise Bourgeois, Edgar Degas, Sonia Delaunay, Lucio Fontana, Mona Hatoum, Eva Hesse, Josef Hoffmann, Sergei Jensen, Mike Kelley, Kimsooja, Paul Klee, Peter Kogler, Piero Manzoni, Agnes Martin, William Morris, Robert Morris, Blinky Palermo, Sigmar Polke, Gerhard Richter, Chiharu Shiota, Yinka Shonibare, Sophie Taeuber-Arp, Dorothea Tanning, Lenore Tawney, Rosemarie Trockel, Édouard Vuillard, Pae White Exhibition schedule: Kunstmuseum Wolfsburg, October 12, 2013–March 2, 2014 | Staatsgalerie Stuttgart March 21–June 22, 2014
textile materials --- Art --- painting [image-making] --- installations [visual works] --- sculpting --- Man Ray --- Gogh, van, Vincent --- Jensen, Sergej --- Gnoli, Domenico --- El Anatsui --- Knoebel, Imi --- Moser, Koloman --- Morellet, François --- Warhol, Andy --- Rauschenberg, Robert --- Ruthenbeck, Reiner --- Arndt, Gertrud --- Bonnard, Pierre --- Kelley, Mike --- Reich, Lilly --- Mellan, Claude --- Soulages, Pierre --- Shiota, Chiharu --- Klimt, Gustav --- Tanning, Dorothea --- Mies van der Rohe, Ludwig --- Hoffmann, Josef Franz Maria --- Palermo, Blinky --- Champaigne, de, Philippe --- Sieverding, Katharina --- Amer, Ghada --- Hatoum, Mona --- Larner, Liz --- Itten, Johannes --- Hesse, Eva --- Aladağ, Nevin --- Kher, Bharti --- Kiefer, Anselm --- Beuys, Joseph --- Tawney, Lenore --- Bourgeois, Louise --- Vallotton, Felix --- Ryman, Robert --- Cane, Louis --- Bloch, Pierrette --- Hammwöhner, Sebastian --- Pistoletto, Michelangelo --- Kogler, Peter --- Merz, Mario --- Morris, Robert --- Velde, Van de, Henry --- Holzapfel, Olaf --- Pollock, Jackson --- Manzoni, Piero --- Polke, Sigmar --- Sandback, Frederick Laue --- Klee, Paul --- Vuillard, Edouard --- Feldmann, Friederike --- Morris, William --- Marden, Brice --- Degas, Edgar --- Kusama, Yayoi --- Rankin, Jessica --- Delaunay, Sonia --- Martin, Agnes --- Torres Garcia, Joaquin --- Boetti, Alighiero --- Abakanowicz, Magdalena --- Rohlfs, Christian --- Matisse, Henri --- Risch, Jens --- Shonibare, Yinka --- Albers, Anni --- Richter, Gerhard --- Trockel, Rosemarie --- Kimsooja --- Wols --- White, Pae --- Mondriaan, Piet --- Liebermann, Max --- Hugo, Pieter --- Textile fabrics in art --- Textiles et tissus dans l'art --- Exhibitions --- Expositions --- textielkunst --- etnische kunst --- toegepaste kunsten --- gender --- sociale geschiedenis --- cultuurgeschiedenis --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- White Pae --- Warhol Andy --- Vuillard Edouard --- van de Velde Henry --- Vallotton Felix --- Trübner Heinrich Wilhelm --- Trockel Rosemaire --- Torres García Joaquin --- Tawney Lenore --- Tanning Dorothea --- Taeuber-Arp Sophie --- 7.036 --- 745.52 --- Soulages Pierre --- Sieverding Katharina --- Shonibare Yinka --- Shiota Chiharu --- Sassen Vivian --- Sandback Fred --- Ryman Robert --- Ruthenbeck Reiner --- Rohlfs Christian --- Risch Jens --- Richter Gerhard --- Rauschenberg Robert --- Rankin Jessica --- Polke Sigmar --- Pistoletto Michelangelo --- Passehl Janet --- Palermo Blinky --- Moser Koloman --- Morris William --- Morellet François --- Mondriaan Piet --- Mondrian Piet --- Reich Lilly --- Mies van der Rohe Ludwig --- Merz Mario --- Mellan Claude --- Matisse Henri --- Martin Agnes --- Manzoni Piero --- Ray Man --- Liebermann Max --- Larner Liz --- Kusama Yayoi --- Kogler Peter --- Knoebel Imi --- Klimt Gustav --- Klee Paul --- Kiefer Anselm --- Kher Bharti --- Kelley Mike --- Jensen Sergej --- Itten Johannes --- Hugo Pieter --- Holzapfel Olaf --- Hatoum Mona --- Hammwörther Sebastian --- Gomes Sonia --- van Gogh Vincent --- Gnoli Domenico --- Giese Imi --- Fortuny Mariano --- Fontana Lucio --- Feldmann Friederike --- Eshkol Noa --- Eigen Frauke --- Dieker Birgit --- Delaunay-Terk Sonia --- Degas Edgard --- de Champaigne Philippe --- Cane Louis --- Bourgeois Louise --- Bonnard Pierre --- Boetti Alighiero --- Alighiero e Boetti --- Bloch Pierrette --- Beuys Joseph --- Arndt Gertrud --- Arikan Burak --- Anatsui El --- Amer Ghada --- Albers Anni --- Aladag Nevin --- Abakanowicz Magdalena --- textiel --- 746.038 --- 746.037 --- 746(03) --- Textiel ; kunstenaars werken met --- Textiel ; in de kunst ; als materiaal ; als onderwerp --- Thema's in de kunst ; textiel ; weefsels ; stoffen --- Kunstmaterialen ; textiel --- Tentoonstellingscatalogi ; Wolfsburg ; Kunstmuseum --- 779.8 --- conceptuele kunst --- Textielkunst ; 1950 - 2000 --- Textielkunst ; 1900 - 1950 --- Textielkunst ; encyclopedieën --- textielkunst, overige --- Torres García, Joaquín --- Hoffmann, Josef --- textielkunst. --- etnische kunst. --- gender. --- sociale geschiedenis. --- cultuurgeschiedenis. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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