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Analyse du genre cinématographique américain de la Blaxploitation, contraction de Black et d'exploitation, produit durant les années 1970, marketé et designé pour le public des Noirs, mettant en scène dans les rôles principaux des acteurs noirs. Ces films sont passés en revue avec leur sujet, leur intrigue et leurs acteurs.

African Americans in motion pictures --- Blaxploitation films --- Sensationalism in motion pictures --- Noirs américains au cinéma --- Cinéma noir américain --- Sensationalisme au cinéma

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Quand on pense au cinéma noir américain des années Obama il nous vient tout de suite à l'esprit des titres comme La Couleur des sentiments, Le Majordome, Selma, Django Unchained ou 12 Years a Slave tous sortis entre 2009 et 2016. Beaucoup de films évoquant l'histoire des Afro-Américains en somme (l'esclavage, le racisme, la ségrégation, la lutte pour les droits civiques). Faut-il y voir une simple coïncidence ou une véritable tendance ? Comment en effet ne pas imaginer que l'élection d'un Noir à la tête d'une nation travaillée depuis toujours par la question raciale n'a pas eu un effet sur la production de films ? Ne parle-t-on pas d'ailleurs communément d'un “cinéma reaganien” pour évoquer la production hollywoodienne des années 80 (Rocky, Rambo, Top Gun...) - synonyme de blockbusters musclés, manichéens et conservateurs - alors pourquoi ne pas parler d'un “cinéma obamanien” ? En explorant les grandes tendances de la période, ce livre tentera ainsi de comprendre comment le cinéma noir de ces dernières années a été influencé thématiquement, voire idéologiquement, par la présidence de Barack Obama.

Cinéma noir américain --- Cinéma -- Aspect social --- Histoire et critique --- Aspect social --- Blaxploitation films --- Motion pictures --- Cinéma --- Social aspects --- Films noirs américains --- Cinéma noir américain --- Cinéma --- Histoire et critique.

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From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as "blaxploitation," the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee?s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986.

Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors?Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince?who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.

African Americans in motion pictures. --- African Americans in the motion picture industry. --- African American motion picture producers and directors. --- Motion pictures --- Blaxploitation films --- History --- History and criticism. --- 2000-2099 --- United States

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African Americans in motion pictures. --- Blaxploitation films --- Sensationalism in motion pictures. --- Noirs américains au cinéma --- Cinéma noir américain --- Sensationalisme au cinéma --- African Americans in motion pictures --- Sensationalism in motion pictures --- #SBIB:309H1327 --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Race films --- Exploitation films --- Action films, Black --- Black action films --- Black exploitation films --- Blacksploitation films --- Exploitation films, Black --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: script

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This is a collection of interviews with many of the men and women who defined blaxploitation-a genre of films produced mainly in the 1970's that were marketed to a predominantly black audience. Among those interviewed are such icons as Jim Brown, Antonio Fargas, Gloria Hendry, Jim Kelly, Rudy Ray Moore, Ron O'Neal, William Marshall, Glynn Turman, Melvin Van Peebles and Fred Williamson.

Blaxploitation films --- African Americans in motion pictures --- African American actors --- African American motion picture producers and directors --- Afro-American motion picture producers and directors --- Motion picture producers and directors, African American --- Motion picture producers and directors --- Actors, African American --- Afro-American actors --- Negro actors --- Actors --- African American entertainers --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Race films --- Action films, Black --- Black action films --- Black exploitation films --- Blacksploitation films --- Exploitation films, Black --- History and criticism --- African American actors. --- African American motion picture producers and directors.