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Cendrars, Blaise, --- Criticism and interpretation --- Blaise Cendrars International Society --- Blaise Cendrars International Society.

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Ce livre est né d'une intuition et d'une question. L'intuition : il est des textes de poètes qui ne révèlent leur cohérence et leur sens que si on les écoute comme des morceaux de musique. La question : l'écriture poétique peut-elle réellement porter en elle des traces d'écriture musicale, pareil phénomène se prête-t-il à l'analyse ? En s'arrêtant sur certains passages de l'œuvre de trois poètes ayant eux-mêmes pratiqué la musique et la connaissant « de l'intérieur » – Cendrars, Mandelstam, Pasternak –, le livre d'Anne Faivre Dupaigre montre comment une certaine méthode de lecture peut placer le lecteur en un « point d'écoute intermédiaire » où le texte apparaît à la fois dans sa texture littéraire et sa texture musicale.

Music --- Literature (General) --- Blaise Cendrars --- Boris Pasternak --- Osip Mandelstam --- musique --- littérature

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Lichtenstein, Roy ; Calvini, Italo ; Kawara, On ; Delaunay, Sonia ; Cendrars, Blaise ; Burden, Chris ; Jonas, Paul Ramirez ; Schwarz, Michiel ; Viriio, Paul ; Sugimoto Hiroshi ; McCracken, John ; Baart, Theo ; Chasnik, Ilya ; Kluin, Ivan ; Ruscha, Ed ; Wolff, Paul ; Renger-Patzsch, Albert ; Sander, August ; Minton, John ; Gertler, Mark ; Messenger, Tony ; Antonioni, Michelangelo ; Snow, Michael ; Porter, Edwin S. ; Eisenstein, Sergei ; Pudlat, Pudlo ; Manomee, Qavava ; Tuu'luuq, Marion ; Sickert, Walter Richard ; Matisse, Henri ; Duchamp, Marcel ; Riverhead (New York) ; Gabo, Naum ; Epstein, Jacob ; Hamilton, Richard ; Breuer, Marcel ; Picabia, Francis ; Leger, Fernand ; Boccioni, Umberto ; Le Corbusier ; Lewis, Wyndham ; Lissitzky, El ; Gursky, Andreas ; Bertelli, RA ; Nicolas, Christian ; Smithson, Robert ; Sachs, Wolfgang ; Boren, Mark Edelman ; Ruscha, Ed ; Celmins, Vija ; Nowotny, Helga ; Dibbets, Jan ; Graham, Rodney ; Weiner, Lawrence ; Leonov, Alexei ; Exter, Alexandra ; Demuth, Charles ; Creed, Martin

snelheid --- mobiliteit --- photography [process] --- fotografie --- Photography --- auto's --- ed. by Jeremy Millar and Michiel Schwarz ; Blaise Cendrars, Scott McQuire, Paul Virilio [et al.] --- kunst --- twintigste eeuw --- cultuurfilosofie --- Cendrars Blaise --- McQuire Scott --- Virilio Paul --- Sloterdijk Peter --- Musil Robert --- Dimendberg Edward --- Ross Kristin --- Wollen Peter --- Campbell Nancy --- Nasby Judith --- George Susan --- Sachs Wolfgang --- Nowotny Helga --- Kingwell Mark --- Illich Ivan --- Rieger Matthias --- Trapp Sebastian --- kunstfilosofie --- tijd --- 7.01 --- 130.2 --- 7.036 --- Exhibitions --- anno 1900-1999

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Arguing that the comic is a quality of literary works of art in other forms as well as comedy, George McFadden finds its essence in the maintenance of some literary feature--a situation, a character--as itself despite threats to alter it.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comique. --- Comic, The. --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- Absalom and Achitophel. --- Absurdity. --- Aeschylus. --- Ancient Greek comedy. --- Anguish. --- Antinomianism. --- Antithesis. --- Aphorism. --- Apollonian and Dionysian. --- Archetype. --- Aristophanes. --- Aristotle. --- Arthur Schopenhauer. --- Bildungsroman. --- Blaise Cendrars. --- Busybody. --- Classicism. --- Comedy. --- Comic book. --- Consciousness. --- Criticism. --- Cynthia's Revels. --- Donald Barthelme. --- Edmund Husserl. --- Envy. --- Erudition. --- Essay. --- Ethos. --- Existentialism. --- Fabliau. --- Farce. --- Fiction. --- Franz Kafka. --- François Rabelais. --- Gallows humor. --- Genre. --- Good and evil. --- Henri Bergson. --- Hubris. --- Humour. --- Hyperbole. --- Irony. --- Jacques Derrida. --- John Hawkes (novelist). --- Joke. --- Last man. --- Laughter. --- Leveling (philosophy). --- Libido. --- Literary theory. --- Literature. --- Malapropism. --- Max Brod. --- Meanness. --- Melange (fictional drug). --- Metonymy. --- Miasma (Greek mythology). --- Modernity. --- Monomania. --- Narcissism. --- Obscenity. --- Occam's razor. --- Old Comedy. --- Parody. --- Philosophical language. --- Pity. --- Plautus. --- Poetaster. --- Political satire. --- Reality principle. --- Reality. --- Ridicule. --- Roland Barthes. --- Romanticism. --- Satire. --- Schadenfreude. --- Self-Reliance. --- Self-deception. --- Self-interest. --- Sentimentality. --- Seriousness. --- Sexual Desire (book). --- Sick comedy. --- Superiority (short story). --- Søren Kierkegaard. --- Terence. --- The Birth of Tragedy. --- The Man of Mode. --- The Praise of Folly. --- The Realist. --- Thomas Kuhn. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Tragic hero. --- Tragicomedy. --- Uriah Heep. --- Utilitarianism. --- William Shakespeare. --- Writing.