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Metropolis --- Blade Runner

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The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti had known all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamorous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.--Publisher description.

#SBIB:309H1321 --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Blade runner (Motion picture) --- Bladerunner (Motion picture) --- Scott, Ridley --- Scott, Ridley. --- Blade runner (Motion picture).

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Scott, Ridley --- Scott Bukatman --- filmgeschiedenis --- Scott Ridley --- 791.471 SCOTT --- film --- Blade runner (Motion picture) --- Bladerunner (Motion picture) --- Film

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Paul M. Sammon --- film --- Scott Ridley --- Blade Runner --- Dick Philip K. --- scriptwriting --- scenario's --- cast --- crew --- speciale effecten --- postproductie --- filmmuziek --- director's cut --- 791.471 SCOTT --- Dick Philip K

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This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis. Calum Neill is Associate Professor of Psychoanalysis & Cultural Theory at Edinburgh Napier University, Scotland, and Director of Lacan in Scotland. He has written a number of monographs, including Without Ground: Lacanian Ethics and the Assumption of Subjectivity (2011) and Jacques Lacan: The Basics (2017). He is the co-editor of both the Palgrave Lacan Series the three volume guide Reading Lacan’s Ecrits (2018-2021).

Psychology. --- Motion pictures. --- Psychoanalysis. --- Culture—Study and teaching. --- Philosophy. --- Psychology, general. --- Film Theory. --- Cultural Theory. --- Philosophy of Technology. --- Mental philosophy --- Humanities --- Psychology --- Psychology, Pathological --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Behavioral sciences --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health --- History and criticism --- Philosophy in motion pictures. --- Lacan, Jacques, --- Blade runner 2049 (Motion picture) --- Motion pictures --- Lacan, Jacques --- Bladerunner 2049 (Motion picture) --- Blade runner (Motion picture) --- Technology—Philosophy. --- Behavioral Sciences and Psychology.