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"Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.
Blacks in literature. --- Blacks in motion pictures. --- Blacks in popular culture --- Blacks in popular culture. --- Blacks --- German literature --- German literature. --- Masculinity in literature. --- Masculinity in motion pictures. --- Motion pictures --- Motion pictures. --- Whites --- History --- Race identity --- Race identity. --- Black authors --- History and criticism. --- History and criticism --- 1900-1999. --- Germany.
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African Americans --- Historiography --- Internationalism. --- Blacks --- Radicalism. --- African Americans in popular culture. --- Blacks in popular culture. --- Popular culture --- Afro-Americans in popular culture --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Intellectual cooperation --- International cooperation --- Cosmopolitanism --- International education --- Nationalism --- Historical criticism --- History --- Authorship --- Politics and government. --- Social aspects. --- Social conditions. --- Economic conditions. --- Civil rights --- Criticism --- United States --- Race relations. --- Foreign relations. --- Race question --- Blacks in popular culture --- Black persons --- Negroes --- Ethnology --- Black people --- Black people in popular culture.
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Africans --- Blacks in advertising --- Blacks in popular culture --- Blacks --- Public opinion --- Racism --- Negroes --- Ethnology --- Popular culture --- Advertising --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Race relations --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Social psychology --- Attitude (Psychology) --- Focus groups --- Reputation --- History --- Africa --- Eastern Hemisphere --- Foreign public opinion, Swiss. --- Critical race theory --- Black persons
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In the nineteenth and early twentieth centuries African and pseudo-African performers were displayed as curiosities throughout Europe and America. Appearing in circuses, ethnographic exhibitions, and traveling shows, these individuals and troupes drew large crowds. As Bernth Lindfors shows, the showmen, impresarios, and even scientists who brought supposedly representative inhabitants of the ""Dark Continent"" to a gaping public often selected the performers for their sensational impact. Spotlighting and exaggerating physical, mental, or cultural differences, the resulting displays reinforced pernicious racial stereotypes and left a disturbing legacy. Using period illustrations and texts, Early African Entertainments Abroad illuminates the mindset of the era's largely white audiences as they viewed wax models of Africans with tails and watched athletic competitions showcasing hungry cannibals. White spectators were thus assured of their racial superiority. And blacks were made to appear less than fully human precisely at the time when abolitionists were fighting to end slavery and establish equality.
Africans --- Blacks in popular culture --- Racism in popular culture --- Sideshows --- Africains --- Noirs dans la culture populaire --- Racisme dans la culture populaire --- Attractions (Spectacles) --- Public opinion --- History --- Opinion publique --- Histoire --- Africa --- Afrique dans la culture populaire --- In popular culture. --- Sideshows. --- Side shows --- Amusements --- Popular culture --- Ethnology --- History. --- Black people in popular culture
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"Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.
German literature --- Blacks in literature. --- Masculinity in literature. --- Blacks in popular culture --- Motion pictures --- Blacks in motion pictures. --- Masculinity in motion pictures. --- Blacks --- Whites --- History and criticism. --- Black authors --- History --- Black people in motion pictures. --- Black people in literature. --- Black people in popular culture --- Black people --- White people
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Cet ouvrage offre une version inédite, traduite en français et commentée des 110 planches qui composent la version originale de "Kuifje in Congo" parue dans le journal "Het Laatste Nieuws", de 1940 à 1941.
Cartoonists --- Comic books, strips, etc --- Blacks in popular culture --- Popular culture --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Caricaturists --- Cartoon artists --- Artists --- Criticism and interpretation --- History and criticism --- Tintin --- Hergé, --- Remi, Georges, --- Remy, Georges, --- Эржэ, --- Ėrzhė, --- 埃尔热 --- Themes, motives. --- Congo (Democratic Republic) --- Congo (Leopoldville) --- République du Congo (Leopoldville) --- Republic of the Congo (Leopoldville) --- Republic of Congo (Leopoldville) --- République démocratique du Congo --- Democratic Republic of the Congo --- Demokraticheskai︠a︡ Respublika Kongo --- Kongo --- Congo (Kinshasa) --- RDC (République démocratique du Congo) --- DRC (Democratic Republic of the Congo) --- DRK (Demokraticheskai︠a︡ Respublika Kongo) --- Democratic Republic of Congo --- DR Congo --- RD Congo --- Belgian Congo --- Zaire --- In popular culture. --- 82-931 --- 840 "19" HERGE --- 655.41 <493> CASTERMAN --- 316.347 <6> --- 840 "19" HERGE Franse literatuur--20e eeuw. Periode 1900-1999--HERGE --- Franse literatuur--20e eeuw. Periode 1900-1999--HERGE --- 82-931 Stripverhaal --- Stripverhaal --- 316.347 <6> Stratificatie volgens ras, cultuur, nationaliteit--Afrika --- Stratificatie volgens ras, cultuur, nationaliteit--Afrika --- 655.41 <493> CASTERMAN Publishing in general. Publishing houses. Publishers--België--CASTERMAN --- 655.41 <493> CASTERMAN Uitgeverij--algemeen--België--CASTERMAN --- Publishing in general. Publishing houses. Publishers--België--CASTERMAN --- Uitgeverij--algemeen--België--CASTERMAN --- Book history --- Graphic arts --- comic books --- Hergé --- Tintin [Fictitious character] --- Belgium --- Comic books, strips, etc. --- Hergé, --- Themes, motives --- In popular culture --- Cartoonists - Belgium - Criticism and interpretation --- Comic books, strips, etc. - Belgium - History and criticism --- Comic books, strips, etc. - Congo (Democratic Republic) - History and criticism --- Tintin - (Fictitious character) - Comic books, strips, etc. --- Hergé, - 1907-1983. - Tintin au Congo --- Hergé, - 1907-1983 - Themes, motives --- Congo (Democratic Republic) - Comic books, strips, etc. --- Congo (Democratic Republic) - In popular culture --- Tintin - (Fictitious character) --- Hergé, - 1907-1983 --- Tintin au Congo
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