Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Blacks --- Black nationalism --- Politics and government. --- Economic conditions. --- South Africa --- Politics and government --- Race relations. --- Black separatism --- Nationalism --- Nationalism, Black --- Separatism, Black --- Black power --- Economic conditions --- Race identity --- Africa, South --- Race question --- Black people --- Black persons --- Negroes --- Ethnology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the 'new black' and 'post-black.' 'Black Post-Blackness' compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of 21st century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of 21st century black aesthetics.

Black nationalism. --- Black separatism --- Nationalism --- Nationalism, Black --- Separatism, Black --- Black power --- Blacks --- Politics and government --- Race identity --- Black people --- African-American literature and culture --- Expanding and exploding the boundaries

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Dexter B. Gordon's Black Identity: Rhetoric, Ideology, and Nineteenth-Century Black Nationalism explores the problem of racial alienation and the importance of rhetoric in the formation of black identity in the United States. Faced with alienation and disenfranchisement as a part of their daily experience, African Americans developed collective practices of empowerment that cohere as a constitutive rhetoric of black ideology. Exploring the origins of that rhetoric, Gordon reveals how the ideology of black nationalism functions in contemporary African American political discourse."--Jacket.

Black nationalism --- African Americans --- Rhetoric --- English language --- Gender & Ethnic Studies --- Social Sciences --- Ethnic & Race Studies --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Black separatism --- Nationalism --- Nationalism, Black --- Separatism, Black --- Black power --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- History --- Race identity --- Communication. --- Political aspects --- Rhetoric. --- Communication --- Politics and government --- Black people --- Germanic languages --- Political aspects.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Though many scholars will acknowledge the Anglo-Saxon character of black American nationalism, few have dealt with the imperialistic ramifications of this connection. Now, Nigerian-born scholar Tunde Adeleke reexamines nineteenth-century black American nationalism, finding not only that it embodied the racist and paternalistic values of Euro-American culture but also that nationalism played an active role in justifying Europe's intrusion into Africa.Adeleke looks at the life and work of Martin Delany, Alexander Crummell, and Harry McNeal Turner, demonstrating that as supporters of the mission

Pan-Africanism --- African Americans --- Black nationalism --- African relations --- African cooperation --- Regionalism (International organization) --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Black separatism --- Nationalism --- Nationalism, Black --- Separatism, Black --- Black power --- History --- Relations with Africans --- Politics and government --- Race identity --- United States --- 19th century --- Imperialism --- Black people

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

""New Negro Politics in the Jim Crow South" narrates the story of New Negro political culture from the perspective of the black South. It details how the development and maturation of New Negro politics and thought was shaped not only by New York-based intellectuals and revolutionary transformations in Europe, but also by people, ideas, and organizations rooted in the South. Harold's aim is not to devalue the importance of the North or Europe during this period of black political and cultural renaissance. Instead, her probe into some of the critical events and developments below the Mason-Dixon-Line sharpen our vision of how many black activists, along with particular segments of the white American Left, arrived at certain theoretical conclusions and political choices regarding the politics of race, challenges to capitalist political economy, and alternative visions of nation. The book considers southern black political movements during a period dominated by the study of the urban North (and specifically the Harlem Renaissance). Focusing on Garveyites, A. Philip Randolph's militant unionists, and black anti-imperialist protest groups, among others, Harold argues that the South was a largely overlooked "incubator of black protest activity" between World War I and the Great Depression."--Provided by publisher.

African Americans --- Black nationalism --- Labor movement --- Civil rights movements --- African American intellectuals --- Black separatism --- Nationalism --- Nationalism, Black --- Separatism, Black --- Black power --- Blacks --- Labor and laboring classes --- Social movements --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Intellectual life. --- History --- Race identity --- Politics and government --- Southern States --- Race relations --- 20th century --- Intellectual life --- 1865-1950 --- Black people