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Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way. Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of "classic" writing, especially as it was inflected by American racial politics.
American literature --- African American authors --- History and criticism. --- Classical influences. --- african american literature, literary criticism, education, dignity, identity, cultural traditions, western lit, religion, diaspora, africa, ancient greece, rome, slavery, civil rights era, jim crow, phillis wheatley, frederick douglass, ralph ellison, rita dove, poets, poetry, famous novelists, black scholars, racial politics, classical influences, leisure moments, genteel classicism, harlem, satire. --- English literature --- Agrarians (Group of writers)
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Herman Gray takes a sweeping look at black popular culture over the past decade to explore culture's role in the push for black political power and social recognition. In a series of linked essays, he finds that black artists, scholars, musicians, and others have been instrumental in reconfiguring social and cultural life in the United States and he provocatively asks how black culture can now move beyond a preoccupation with inclusion and representation. Gray considers how Wynton Marsalis and his creation of a jazz canon at Lincoln Center acted to establish cultural visibility and legitimacy for jazz. Other essays address such topics as the work of the controversial artist Kara Walker; the relentless struggles for representation on network television when those networks are no longer the primary site of black or any other identity; and how black musicians such as Steve Coleman and George Lewis are using new technology to shape and extend black musical traditions and cultural identities.
African Americans --- African Americans on television. --- Afro-Americans in television --- Afro-Americans on television --- Television --- Music --- History and criticism. --- african american culture. --- african americans. --- america. --- american politics. --- black americans. --- black artists. --- black culture. --- black musical tradition. --- black musicians. --- black political power. --- black scholars. --- collection of essays. --- cultural history. --- cultural identity. --- cultural visibility. --- legitimacy. --- lincoln center. --- nonfiction essays. --- politics of representation. --- popular culture. --- social change. --- social inclusion. --- sociology. --- united states. --- wynton marsalis.
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In this co-edited volume, Gladys L. Mitchell-Walthour and Elizabeth Hordge-Freeman have invited contributors of African descent from the United States and Brazil to reflect on their multidimensional experiences in the field as researchers, collaborators, and allies to communities of color. Contributors promote an interdisciplinary perspective, as they represent the fields of sociology, political science, anthropology, and the humanities. They engage W.E.B. Du Bois' notion of 'second-sight,' which suggests that the unique positionality of Black researchers might provide them with advantages in their empirical observations and knowledge production. They expose the complex and contradictory efforts, discourses, and performances that Black researchers must use to implement and develop their community-centered research agenda. They illustrate that 'second-sight' is not inevitable but must be worked at and is sometimes not achieved in certain research and cultural contexts.
African American scholars --- Scholars, Black --- African Americans --- Blacks --- African diaspora --- Americas - General --- Regions & Countries - Americas --- History & Archaeology --- Study and teaching (Higher) --- African American scholars. --- Black diaspora --- Diaspora, African --- Negroes --- Afro-Americans --- Black Americans --- Colored people (United States) --- Black scholars --- Afro-American scholars --- Scholars, African American --- Human geography --- Africans --- Ethnology --- Scholars --- Migrations --- Political science. --- Science --- Political sociology. --- Ethnology-Latin America. --- Culture-Study and teaching. --- Ethnicity. --- Political Science. --- Philosophy of Science. --- Political Sociology. --- Latin American Culture. --- Cultural and Media Studies, general. --- Ethnicity Studies. --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Mass political behavior --- Political behavior --- Political science --- Sociology --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Normal science --- Philosophy of science --- Philosophy. --- Sociological aspects --- Philosophy and science. --- Ethnology—Latin America. --- Culture—Study and teaching. --- Science and philosophy
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