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Detective and mystery stories, American --- Authors, American --- American fiction --- History and criticism --- Black mask.
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Anarchism --- Anarchists --- Black Mask (Group of artists). --- Up Against the Wall Motherfuckers (Gang).
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Motion picture industry --- Motion pictures --- Screenwriters --- Cinéma --- Scénaristes --- History --- Plots, themes, etc --- Biography --- Industrie --- Histoire --- Intrigues, thèmes, etc --- Biographie --- Black mask --- Cinéma --- Scénaristes --- Intrigues, thèmes, etc --- Black mask. --- Plots, themes, etc.
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Sees hard-boiled crime fiction in relation to a changing literary marketplace and as an arena for conflicts about citizenship, class culture, and democracy during the New Deal.
Black Mask (Magazine) --- Crime dans la litterature --- Crime in literature --- Misdaad in de literatuur --- New Deal, 1933-1939 --- American fiction --- Crime in literature. --- Detective and mystery stories, American --- Liberalism --- New Deal, 1933-1939. --- Noir fiction, American --- Political fiction, American --- Politics and literature --- History and criticism. --- History --- Crime dans la littérature --- Fiction --- American literature --- anno 1900-1999 --- History and criticism --- Detective and mystery stories [American ] --- United States --- 20th century --- Political fiction [American ] --- Hammett, Dashiell --- Criticism and interpretation --- Chandler, Raymond Thornton --- Himes, Chester --- Williams, Race --- AMERICAN FICTION --- CHANDLER (RAYMOND), 1888-1959 --- HAMMETT (DASHIELL), 1894-1961 --- HIMES (CHESTER), 1909-1984 --- POLITIQUE ET LITTERATURE --- LIBERALISME --- ROMAN POLICIER AMERICAIN --- 20th CENTURY --- ETATS-UNIS --- HISTOIRE ET CRITIQUE
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Social change --- Art --- kunst --- sociologie --- kunst en politiek --- kunst en sociologie --- feminisme --- gender studies --- Courbet Gustave --- Morris William --- Bax E. Belfort --- socialisme --- Reed John --- Huelsenbeck Richard --- dadaïsme --- surrealisme --- Komfut --- Stepanova Varvara --- constructivisme --- propaganda --- kunst en propaganda --- De Andrade Oswald --- Tucholsky Kurt --- Bauhaus --- KOSTUFRA --- Meyer Hannes --- Browne Felicia --- Moholy-Nagy Laszlo --- situationisme --- Black Mask --- psychedelische kunst --- Johannesson Sture --- Hunt Albert --- happenings --- Davis Ronald G. --- The San Francisco Diggers --- Experience 68 --- The Avant-Garde Artists Group --- Atelier Populaire --- mei 68 --- Douglas Emory --- Haacke Hans --- Guerrilla Art --- Guerilla Art Action Group --- Meireles Cildo --- Gershuny Phyllis --- Korot Beryl --- Youngblood Gene --- Ryan Paul --- De Kabouters --- film --- film en politiek --- theater --- theater en politiek --- Solvognen --- Boal Augusto --- Popovic Zoran --- Sherk Bonnie --- Jaudon Valerie --- Kozloff Joyce --- Piper Adrian --- Dunn Peter --- Leeson Lorraine --- Kennard Peter --- Orange Alternative --- Navarro Desiderio --- Gran Fury --- Schäfer Christoph --- Skene Cathy --- Hafenrandverein --- RevArte --- Collictive Ip Gim --- Tiqqun --- Colectivo Situaciones --- Dominguez Ricardo --- Steyerl Hito --- Raqs Media Collective --- Holmes Brian --- Yongseok Jeon --- Dillemuth Stephan --- Davies Anthony --- Jakobsen Jakob --- Iran --- Teheran --- Art and society --- Artists --- Social change in art --- Davis Ronald G --- Art and politics --- Politics and art --- Persons --- History --- Political activity --- Political aspects --- departement Beeldende Kunst 08 --- hedendaagse kunst --- geschiedenis --- sociale kunst --- Morris, William --- kunstkritiek
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Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
Fiction --- American literature --- anno 1900-1999 --- 820-3 "18/19" --- American fiction --- -Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Engelse literatuur: proza--Hedendaagse Tijd --- History and criticism --- Technique --- Philosophy --- James, Henry --- -Influence --- History and criticism. --- Technique. --- 820-3 "18/19" Engelse literatuur: proza--Hedendaagse Tijd --- -Engelse literatuur: proza--Hedendaagse Tijd --- -Literature --- -820-3 "18/19" Engelse literatuur: proza--Hedendaagse Tijd --- Fiction writing --- Writing, Fiction --- Authorship --- James, Henry, --- Influence. --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- LITERARY CRITICISM / American / General. --- pastoral. --- naturalism. --- nativism. --- immigration. --- imagetext. --- high art. --- gender. --- education. --- detective novel. --- anthropology;avant-garde. --- Stein, Gertrud. --- Oliphant, Margaret. --- Mencken. --- McKeon, Michael. --- Malraux, Andre. --- Liveright, Horace. --- Levine, Lawrence. --- Kreyliug, Michael. --- Knopf. --- Joyce, James. --- Jameson, Fredric. --- Hemingway, Ernest. --- Grimwood, Michael. --- Gather, Willa. --- Fugitive-Agrarians. --- Fried, Michael. --- Debray, Regis. --- Conrad, Joseph. --- Bush, Ronald. --- Black Mask. --- Children --- Education, Primitive --- Education of children --- Human resource development --- Instruction --- Pedagogy --- Schooling --- Students --- Youth --- Civilization --- Learning and scholarship --- Mental discipline --- Schools --- Teaching --- Training --- Immigration --- International migration --- Migration, International --- Population geography --- Assimilation (Sociology) --- Colonization --- Anti-Catholicism --- Catholics --- Materialism --- Mechanism (Philosophy) --- Positivism --- Science --- Education --- Fugitive–Agrarians. --- anthropology. --- avant-garde. --- ROMAN AMERICAIN --- JAMES (HENRY), 1843-1916 --- ROMAN --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- INFLUENCE --- TECHNIQUE
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