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In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.

Black Art; Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts --- African American. --- Art. --- Black Diaspora Art. --- Black German. --- Critical Race Art History. --- Cultural Studies. --- Fine Arts. --- Gender Studies. --- Gender. --- Postcolonialism. --- Theory of Art. --- Art noir. --- Art --- Art, Black. --- Art, Modern --- Art, Modern. --- Black people in art. --- Black people --- Personnes noires dans l'art. --- Race identity. --- 2000-2099.