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African Americans --- African Americans. --- Arts and Humanities --- Social Sciences --- General and Others --- Journalism, Mass Communication, Media & Publishing --- Noirs américains --- Noirs --- Black & African American Interest. --- Home & Living (General)

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Red and Yellow, Black and Brown gathers together life stories and analysis by twelve contributors who express and seek to understand the often very different dynamics that exist for mixed race people who are not part white. The chapters focus on the social, psychological, and political situations of mixed race people who have links to two or more peoples of color- Chinese and Mexican, Asian and Black, Native American and African American, South Asian and Filipino, Black and Latino/a and so on. Red and Yellow, Black and Brown addresses questions surrounding the meanings and communication of racial identities in dual or multiple minority situations and the editors highlight the theoretical implications of this fresh approach to racial studies.

Racially mixed people --- Ethnicity --- white, whiteness, black, african american, blackness, american indian, native american, asian, asian american, american, identity, nationalism, national identity, ethnicity, race, non-white, racial identity, minority, racial studies, people of color, mixed race. --- Multiracial people

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Economic policy and planning (general) --- Sociology of the developing countries --- Third World: economic development problems --- African Americans --- Noirs américains --- Economic conditions --- Periodicals. --- Employment --- Conditions économiques --- Périodiques --- Travail --- Economic conditions. --- Employment. --- Social Sciences --- Developmental Issues & Socioeconomic Studies --- General and Others --- Political Science --- Sociology --- Blacks --- Periodicals --- Black & African American Interest. --- Political Economy. --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Developing countries: economic development problems --- Black people

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In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts-and those of their advocates-to further that aim through public exhibition. Amid calls to define a "black aesthetic," these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists-among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas-rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture's preoccupation with color.

Art, American --- Art, Abstract --- African influences --- History. --- Contemporary Black Artists in America (Exhibition) --- De Luxe Show (Exhibition) --- color, artistic, art history, historical, academic, scholarly, research, historian, exhibit, exhibition, modernist, painting, sculpture, clay, marble, paint, oil, acrylic, contemporary, black, african american, america, united states, museum, integration, race, racism, racist, 1970s, decades, ghetto, freedom, advocacy, aesthetics, civil rights, oppression, urban, experiment, criticism, peter bradley, frederick eversley, alvin loving, raymond saunders, alma thomas, interracial, collaboration, social studies, society.

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With Inclusion, Steven Epstein argues that strategies to achieve diversity in medical research mask deeper problems, ones that might require a different approach and different solutions. Formal concern with this issue, Epstein shows, is a fairly recent phenomenon. Until the mid-1980s, scientists often studied groups of white, middle-aged men—and assumed that conclusions drawn from studying them would apply to the rest of the population. But struggles involving advocacy groups, experts, and Congress led to reforms that forced researchers to diversify the population from which they drew for clin

Medicine --- Human experimentation in medicine --- Clinical trials --- Minorities --- Health and race --- Social medicine --- Medical anthropology --- Race --- Experimentation on humans, Medical --- Medical experimentation on humans --- Medical ethics --- Medicine, Experimental --- Health Workforce --- Controlled clinical trials --- Patient trials of new treatments --- Randomized clinical trials --- Trials, Clinical --- Clinical medicine --- Research --- Social aspects --- Medical care --- inclusion, difference, race, gender, medical research, medicine, healthcare, diversity, advocacy groups, clinical trials, public health, bias, human experimentation, compliance, recruitment, sex differences, women, black, african american, underserved communities, biology, social justice, inequality, inequity, nonfiction, science, politics, reform, progress.