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Encyclopedia of American biography
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ISBN: 0060114384 9780060114381 006011438X Year: 1974 Publisher: New York Harper & Row

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Profiles important figures both past and present in American arts, sciences, and politics.


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They were giants
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Year: 1934 Publisher: New York, : Macmillan compant,

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Modernizing lives : experiments in English biography, 1918-1939
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ISBN: 0809312883 9780809312887 Year: 1987 Publisher: Carbondale Southern Illinois University Press

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Anthology of French language psychiatric texts
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ISBN: 2843241197 9782846710411 0470986735 2846710414 9782843241192 9780470986738 9782846710411 1281841250 9786611841256 0470986727 9781281841254 9780470986721 Year: 1999 Publisher: Le Plessis-Robinson [France] : Institut d'edition Sanofi-Synthelabo,

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The Dictionary of national biography, 1912-1921 : with an index covering the years 1901-1921 in one alphabetical series
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ISBN: 019865202X 9780198652021 Year: 1927 Publisher: London ; New York : Oxford University Press,

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Life writing and celebrity : exploring intersections
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ISBN: 1032086629 9781032086620 Year: 2021 Publisher: London Routledge

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Biography : a very short introduction
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ISBN: 9780199533541 0199533547 Year: 2009 Publisher: Oxford: Oxford university press,

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Hermione Lee is one of the leading literary biographers in the English-speaking world, the author of widely acclaimed lives of Edith Wharton and Virginia Woolf. Now, in this Very Short Introduction, Lee provides a magnificent look at the genre in which she is an undisputed master-the art of biography. Here Lee considers the cultural and historical background of different types of biographies, looks at the factors that affect biographers, and asks whether there are different strategies, ethics, and principles required for writing about one person compared to another. She also discusses contemporary biographical publications and considers what kind of "lives" are the most popular and in demand. And along the way, she answers such questions as why do certain people and historical events arouse so much interest? How can biographies be compared with history and works of fiction? Does a biography need to be true? Is it acceptable to omit or conceal things? Does the biographer need to personally know the subject? Must a biographer be subjective?


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Nursing research using phenomenology
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ISBN: 9780826126870 0826126871 9780826126863 0826126863 1786840472 9781786840479 Year: 2014 Publisher: New York


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Biographical fiction : : a reader
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ISBN: 9781501318009 9781501317996 1501317997 1501318004 Year: 2017 Publisher: New York ; London : Bloomsbury Academic,

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In recent years, the biographical novel has become one of the most dominant literary forms-J.M. Coetzee, Margaret Atwood, Hilary Mantel, Colum McCann, Anne Enright, Joyce Carol Oates, Peter Carey, Russell Banks, and Julia Alvarez are just a few luminaries who have published stellar biographical novels. But why did this genre come into being mainly in the 20th century? Is it ethical to invent stories about an actual historical figure? What is biofiction uniquely capable of signifying? Why are so many prominent writers now authoring such works? And why are they winning such major awards? In Biographical Fiction: A Reader, some of the finest scholars and writers of biofiction clarify what led to the rise of this genre, reflect on its nature and form, and specify what it is uniquely capable of doing. Combining primary and critical material, this accessible reader will be invaluable to students, teachers, and scholars of biofiction.

Telling women's lives : the new biography
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ISBN: 0813520924 9780813520926 0813523753 9780813523750 Year: 1994 Publisher: New Brunswick Rutgers University Press

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Placing herself in the avid reader's chair, Linda Wagner-Martin writes about women's biography from George Eliot and Virginia Woolf to Eleanor Roosevelt and Margaret Mead, and even to Cher and Elizabeth Taylor. Along the way, she looks at dozens of other life stories, probing at the differences between biographies of men and women, prevailing stereotypes about women's lives and roles, questions about what is public and private, and the hazy margins between autobiography, biography, and other genres. In quick-paced and wide-ranging discussions, she looks at issues of authorial stance (who controls the narrative? who chooses which story to tell?), voice (is this story told in the traditional objective tone? and if it is, what effect does that telling have on our reading?), and the politics of publishing (why aren't more books about women's lives published? and when they are, what happens to their advertising budgets?).

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