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"Cet été-là, une mer la plus paisible qui soit". Cette traduction du titre original du troisième film de Takeshi Kitano, A Scene at the Sea (1991), évoque déjà un passé idéal, mais irrémédiablement hors de portée, en même temps que la figure de l'océan comme promesse de plénitude. Ce livre, avant d'offrir une plongée dans les films d'un des réalisateurs les plus emblématiques du septième art nippon d'aujourd'hui, propose d'accompagner les héros de Kitano jusqu'à cette outremarge qu'est le bord de mer dans son cinéma. Pour y parvenir comme en terrain connu, il faudra emprunter avec ces héros, jusqu'au-delà de leur lisière, les chemins d'un cinéma de genre dont l'horizon d'attente est un monde d'insatisfaction profonde. Il aura fallu saisir la douleur d'un "être-au-monde" hybride auquel fait écho une esthétique composite. Il sera impérieux, enfin, d'entendre ce que disent des personnages féminins dont le mutisme est loin d'être une absence.
Motion pictures --- Cinéma --- History --- Histoire --- Bīto, Takeshi --- Cinéma --- Japon --- Bīto Takeshi.
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Motion pictures --- Cinéma --- Bīto Takeshi. --- Japan --- Cinema
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Portrait de Takeshi Kitano, également connu sous le nom de Beat Takeshi, artiste japonais aux multiples facettes, tour à tour comique, animateur à la télévision, comédien, réalisateur d'avant-garde et récompensé du Lion d'or en 1997, poète et yakuza.
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Au cours d'entretiens, le cinéaste se livre et offre sa vision de la vie. Kitano parle de sa jeunesse, de sa famille et la relation qu'il entretient avec ses parents, des études. Puis il aborde sa carrière de cinéaste et la création artistique. Il révèle également son engagement humanitaire en Afrique, sa vision pessimiste du Japon, etc.
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The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Kitano, Takeshi --- Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Bito, Takeshi --- Producteurs et réalisateurs de cinéma --- Bīto, Takeshi --- Bīto Takeshi. --- Bi ̄to Takeshi. --- Motion pictures -- Japan -- History. --- Motion pictures -- Japan. --- Music, Dance, Drama & Film --- Film --- Bīto Takeshi --- Criticism and interpretation. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Beat Takeshi --- Kitano, Beat Takeshi --- Takeshi --- ビートたけし --- ビート・たけし --- ビート武 --- 北野武
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Rising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.
Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- Biography --- History --- Biographies --- Histoire --- Im, Kwon-t'aek --- Fukasaku, Kinji --- Yi, Ch'ang-dong --- Bito, Takeshi --- Pak, Ch'an-uk, --- Kawase, Naomi --- Kim, Ki-dok, --- Miike, Takashi, --- J6839 --- J2284.90 --- K9790 --- K9125.80 --- Japan: Media arts and entertainment -- cinema --- Japan: Genealogy and biography -- biographies -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Korea: Performing and media arts -- cinema --- Korea: Genealogy and biography -- biography -- modern period, postwar period (1945- ) --- Producteurs et réalisateurs de cinéma --- Cinéma --- Im, Kwŏn-t'aek --- Bīto, Takeshi --- Pak, Chʻan-uk, --- Kim, Ki-dŏk, --- Fukasaku, Kinji. --- Bīto Takeshi. --- Biography. --- Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Bīto Takeshi --- Criticism and interpretation. --- Park, Chan-wook, --- Park, Chanwook, --- 박 찬욱, --- 朴 贊郁, --- Beat Takeshi --- Kitano, Takeshi --- Kitano, Beat Takeshi --- Takeshi --- ビートたけし --- ビート・たけし --- ビート武 --- 北野武 --- Lee, Chang Dong --- Lee, Changdong --- Lee, Joondong --- Li, Cangdong --- 이 창동 --- 李 滄東 --- Fukasaka, Kinji --- Fukasaki, Kinji --- Fukasuka, Kinji --- 深作欣二 --- 林權澤 --- 임 권택 --- Mike, Takashi, --- 三池崇史, --- 三池嵩史, --- Kim, Ki-duk, --- Ki-duk, Kim, --- Kim, Ki Dak, --- Gim, Gideok, --- Kim, Kiduk, --- 김 기덕, --- 김기덕, --- 金 基徳, --- 河瀨直美 --- 河瀬直美 --- 林 權澤 --- Im, Kwon-taek --- Lee, Chang-dong --- Park, Chan-wook --- Kim, Ki-duk --- Miike, Takashi
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