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Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's Sixteenth Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.
Photography, Artistic --- Portrait photography --- Bey, Dawoud,
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Accompanied by essays on the photographer's work and an interview, presents sixty color portraits taken from 2003 to 2006 of students at high schools across the United States who are from different economic, social, and ethnic groups, along with a brief autobiographical statement by each student written at beginning of the sitting.
High school students --- Students --- Bey, Dawoud,
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"In 1979, when African-American photographer Dawoud Bey showed twenty-five photographs at the Studio Museum in Harlem under the heading Harlem U.S.A., the exhibition offered a young artist's vision of a moment in the neighborhood's life. Published here as a complete set for the first time, Dawoud Bey: Harlem U.S.A. also includes five previously unpublished photographs from the same period. Bey's vintage images are given new context in an essay by emerging African-American writer Sharifa Rhodes-Pitts, who undertook her own fascinating study of Harlem in 2011. Bey, who grew up in Queens with family roots in Harlem, has become one of most widely acclaimed portraitists on the contemporary scene. This handsome book, with faithful duotone reproductions, provides a wonderful opportunity to revisit a classic portfolio of images that still resonates in today's culture"--
African Americans --- Portrait photography --- Bey, Dawoud, --- Harlem (New York, N.Y.)
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Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.
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Bearden, Romare --- Gilliam, Sam --- Jones, Brent --- Pinderhughes, John --- Hudnall, Earlie Jr. --- Bey, Dawoud --- Motley, Archibald Jr. --- Brierre, Murat --- Gardere, Paul
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Recipient of a 2017 MacArthur Foundation "genius grant," Dawoud Bey has created a body of photography that masterfully portrays the contemporary American experience on its own terms and in all of its diversity. Dawoud Bey: Seeing Deeply' offers a forty-year retrospective of the celebrated photographer's work, from his early street photography in Harlem to his current images of Harlem gentrification. Photographs from all of Bey's major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States. Leading curators and critics-Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Jacqueline Terrassa, Rebecca Walker, Maurice Berger, and Leigh Raiford-introduce each series of images. Revealing Bey as the natural heir of such renowned photographers as Roy DeCarava, Walker Evans, Gordon Parks, and James Van Der Zee, Dawoud Bey: Seeing Deeply demonstrates how one man's search for community can produce a stunning portrait of our common humanity.
Photography, Artistic --- Photography --- Portrait photography --- African American photographers --- Social aspects --- History --- Bey, Dawoud, --- Harlem (New York, N.Y.)
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"In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography--offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities."
Portrait photography. --- African American photographers. --- Photography --- Social aspects --- Bey, Dawoud, --- Portrait photography --- African American photographers --- fotografie --- fotografietheorie --- fotografietechniek --- fotografische techniek --- eenentwintigste eeuw --- portretfotografie --- documentaire fotografie --- Verenigde Staten --- Bey Dawoud --- Afro-Amerikanen --- 77.01 --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Photographers --- Portraiture --- Portraits --- Smikle, David,
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Art --- photographs --- installations [visual works] --- slavery --- freedom --- screen prints --- equality [philosophical concept] --- mixed media works --- African American --- Adkins, Terry --- Bey, Dawoud --- Julien, Isaac --- Thomas, Hank Willis --- Weems, Carrie Mae --- Williams, William Earle --- Diop, Omar Victor --- Bailey, Radcliffe --- Barnette, Sadie --- Bright, Sheila Pree --- Butler, Bisa --- Faustine, Nona --- Fawundu, Adama Delphine --- Ball, James Presley --- Harris, Daesha Devón --- Rodriguez, Yelaine --- Thomas, Lava --- White, Wendel A. --- Opie, Catherine
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