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The 1990s witnessed a veritable explosion in women's writing in France, with a particularly exciting new generation of writers coming to the fore, names like Christine Angot, Marie Darrieussecq and Régine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leïla Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. This book provides an up-to-date introduction to and analysis of new women's writing in contemporary France including both new writers of the 1990s and their more established counterparts. The editors' incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, its clear and accessible style makes this book of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature.

French literature --- French literature --- Women and literature --- french --- feminism --- detambel --- angot --- darrieussecq --- Beur --- France --- Jacques Lacan --- London --- Paris --- Women authors --- History and criticism. --- History and criticism. --- History --- french --- feminism --- detambel --- angot --- darrieussecq --- Beur --- France --- Jacques Lacan --- London --- Paris

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Doelstelling: In deze scriptie hebben we geprobeerd om twee vreemde culturen over te brengen bij een Nederlandstalig doelpubliek. We hebben ook geprobeerd om de typische spreektalige stijl van de auteur weer te geven in het Nederlands. Middelen of methode: In het theoretische stuk bespreken we hoe je kunt omgaan met realia in literair vertalen en we bespreken kort de interpretatieve methode van Lederer. We hebben gekozen voor een exotiserende strategie omdat we zoveel mogelijk vreemde elementen in onze vertaling wilden behouden. We hebben ook geprobeerd om de spreektaal te behouden en weer te geven in het Nederlands. Resultaten: We denken dat we er in geslaagd zijn om de dubbele vreemde cultuur over te brengen en om tegelijkertijd de spreektalige stijl van de auteur weer te geven.

Arabisch. --- Beur. --- Culturele referenties. --- Dubbele cultuur. --- Faïza Guène. --- Frans van Woerden. --- Frans. --- Ironie. --- Spreektaal. --- Verlan. --- Vertaalkundige studie – Vertaling met commentaar.

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The 1990s witnessed a veritable explosion in women's writing in France, with a particularly exciting new generation of writers coming to the fore, names like Christine Angot, Marie Darrieussecq and Régine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leïla Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. This book provides an up-to-date introduction to and analysis of new women's writing in contemporary France including both new writers of the 1990s and their more established counterparts. The editors' incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, its clear and accessible style makes this book of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature.

French literature --- Women and literature --- Women authors --- History and criticism. --- History --- french --- feminism --- detambel --- angot --- darrieussecq --- Beur --- France --- Jacques Lacan --- London --- Paris

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This volume takes the pulse of French post-coloniality by studying representations of trans-Mediterranean immigration to France in recent literature, television and film. The writers and filmmakers examined have found new ways to conceptualize the French heritage of immigration from North Africa and to portray the state of multiculturalism within -- and in spite of -- a continuing Republican framework. Their work deflates stereotypes, promotes respect for cultural and ethnic minorities and gives a new dignity to subjects supposedly located on the margins of the Republic. Establishing a productive dialogue with Marianne Hirsch's ground-breaking concept of postmemory, this volume provides a much-needed vocabulary for rethinking the intergenerational legacy of trans-Mediterranean immigrants.

Immigrants on television. --- Immigrants in motion pictures. --- Immigrants in literature. --- North Africans --- French literature --- Television --- Motion pictures --- History and criticism. --- Immigrants on television.. --- Literature --- Literature: History & Criticism --- LITERARY CRITICISM / European / General --- Cultural studies --- Abdellatif Kechiche. --- France. --- French heritage. --- Immigration. --- Maghreb. --- Maghrebi-French population. --- North Africa. --- beur literature. --- cultural minorities. --- ethnic minorities. --- fiction. --- film. --- harki. --- identity. --- literature. --- mimetic powers. --- multiculturalism. --- post-coloniality. --- post-immigration population. --- postmemorial immigration. --- postmemory. --- television. --- trans-Mediterranean. --- transformative powers.