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Souvent considéré comme abstrait, le travail de Walead Beshty (né en 1976 à Londres, vit et travaille à Los Angeles) constitue d'abord une recherche objective sur les conditions de la photographie et son rapport au réel. Beshty expérimente avec la matière même du médium photographique et les procédés physico-chimiques de révélation de l'image, reprenant l'héritage d'un Man Ray ou d'un Laszlo Moholy-Nagy, mais il propose ensuite une représentation de ces expérimentations, dont il photographie le résultat, au sein de grands tableaux. Une approche phénoménologique déjà présente dans ses œuvres figuratives plus anciennes, où le thème du passage du temps est traité à travers des séries de photographies de symboles déchus de l'architecture moderniste (un lotissement, une autoroute, un centre commercial abandonnés). L'artiste poursuit également cette recherche par le biais de la sculpture, exposant des colis fracassés au cours de leurs expéditions successives, révélant ainsi le résultat d'activités qui sont généralement reléguées dans les coulisses de la production et de l'exposition d'art.
sculpting --- photography [process] --- Art --- Beshty, Walead --- Photographie --- Beshty, Walead, --- Photography, Artistic.
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Art --- sculpture [visual works] --- photography [process] --- geometric figures --- photograms --- packing material --- copper [metal] --- Beshty, Walead
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Sculpture --- Painting --- painting [image-making] --- sculpting --- Wurm, Erwin --- Beshty, Walead --- Bircken, Alexandra --- Morris, Robert --- Gonzalez-Torres, Felix --- Guyton, Wade --- Weiner, Lawrence --- O'Brien, William J. --- Pederson, Mitzi --- Sew Hoy, Anna --- Sibony, Gedi --- Stingel, Rudolf --- Roth, Dieter --- West, Jennifer --- Ryman, Robert --- Friedman, Tom --- Floyer, Ceal --- Laib, Wolfgang --- Sandback, Frederick Laue
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globalization --- Art --- multiculturalism --- utopias --- art [fine art] --- Beeckman, Vincen --- Whitten, Jack --- El Anatsui --- Afif, Saadane --- Kiwanga, Kapwani --- Beshty, Walead --- Alÿs, Francis --- Weiner, Lawrence --- Gaba, Meschac --- Cruzvillegas, Abraham --- Caniaris, Vlassis --- Aladağ, Nevin --- Meessen, Vincent --- Tonus, Diego --- Geys, Jef --- Medalla, David --- Glissant, Edouard --- Swennen, Walter --- Bhabha, Huma --- Melis, Adrian --- Barrada, Yto --- Anesiadou, Danai --- Hirschhorn, Thomas --- Sekula, Allan --- Cities and towns in art --- Villes dans l'art --- Exhibitions --- Expositions --- kunst --- eenentwintigste eeuw --- Mons 2015 --- 7.039 --- Whitten Jack --- Weiner Lawrence --- Tonus Diego --- Swennen Walter --- Sekula Allan --- Platéus Benoît --- Melis Adrian --- Meessen Vincent --- Medalla David --- Kiwanga Kapwani --- Hirschhorn Thomas --- Geys Jef --- Gaba Meschac --- Cruzvillegas Abraham --- Caniaris Vlassis --- Bhaba Huma --- Beshty Walead --- Beeckman Vincen --- Barrada Yto --- Anesiadou Danai --- Anatsui El --- Alÿs Francis --- Aladag Nevin --- Afif Saâdane --- atopie --- utopie --- installaties --- Beeldende kunst ; 21ste eeuw ; 2000-2015 --- Globalisering ; deglobalisering --- Kunst en migratie ; remigratie --- Interculturaliteit en kunst --- Tentoonstellingscatalogi ; Bergen ; Manège de Sury --- Kunstgeschiedenis ; 2000 - 2050 --- Afif, Saâdane --- art [discipline]
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Ce second tome de Formes de Trajets traite de l'espace : comment les artistes en établissent la topologie, les modèles économiques. De quoi l'art est-il contemporain ? Du système économique et social qui l'environne ; soit pour le nier ou le combattre, soit pour en adapter les motifs et les principes dans une perspective critique. Toute œuvre d'art constitue ainsi une économie, dans la mesure où elle habite, ou campe, dans la superstructure d'une période historique. Toute problématique de la représentation se double aujourd'hui d'une problématique de visualisation : à quels outils optiques et formels les artistes peuvent-ils recourir pour montrer le monde contemporain, pour en désigner les passages, les zones de fracture ou d'ombre ? Dans l'art d'aujourd'hui, les représentations diagrammatiques, schématiques ou topologiques, mais également un grand nombre d'installations et d'actions, naissent de cette obsession protéiforme : la collecte et l'utilisation de l'information. Le volume inclut des textes sur Alighiero Boetti, Plamen Dejanoff, Fischli/Weiss, Raymond Hains, Alain Jacquet, Joseph Kosuth, Michel Majerus, Bruno Serralongue,...
Art --- art [fine art] --- art criticism --- place --- philosophy of art --- Jacquet, Alain --- Geers, Kendell --- Ono, Yoko --- Beshty, Walead --- Balincourt, de, Jules --- Einarsson, Gardar Eide --- Haaning, Jens --- Lin, Michael --- Majerus, Michel --- Pflumm, Daniel --- Wang Du --- Klein, Yves --- Lichtenstein, Roy --- Raynaud, Jean Pierre --- Boetti, Alighiero --- Fischli, Peter --- Gillick, Liam --- Weiss, David --- Armagnac, d', Ben --- Hains, Raymond --- Kosuth, Joseph --- Théorie de l'art --- Rapport existentiel à l'art --- Topologie --- Critique d'art --- art [discipline] --- place [distinct area]
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Artists surveyed include: Vito Acconci, Bas Jan Ader, Francis Alÿs, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young. Writers include: Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H.D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Sarat Maharaj, John Miller, Alexandra Munroe, Gabriel Pérez Barreiro, Jasia Reichardt, Julia Robinson, Sarah Valdez, Katharina Vossenkuhl.-
Chance in art --- Arts, Modern --- theme --- thema's in de kunst --- Kovanda, Jiri --- Parker, Cornelia --- Beshty, Walead --- Eno, Brian --- Anastasi, William --- Huang, Yong Ping --- Kaprow, Allan --- Weiss, David --- Douglas, Stan --- West, Jennifer --- Tyson, Keith --- Marclay, Christian --- Boyle, Mark --- Spoerri, Daniel --- Ader, Bas Jan --- Ono, Yoko --- Fischli, Peter --- Young, La Monte --- Macchi, Jorge --- Floyer, Ceal --- Knowles, Alison --- Dean, Tacita --- Calle, Sophie --- Cage, John --- Huebler, Douglas --- toeval --- Ader Bas Jan --- Anastasi William --- Beshty Walead --- Boyle Mark --- Brecht George --- Douglas Stan --- Huang Yong Ping --- Huebler Douglas --- Kaprow Allan --- Knowles Alison --- Kovanda Jiri --- Macchi Jorge --- Marclay Christian --- Meireles Cildo --- Ono Yoko --- Parker Cornelia --- West Jennifer --- Young la Monte --- Chance in art. --- Iconografie ; verschillende onderwerpen --- Thema's in de kunst ; 20ste en 21ste eeuw ; geluk ; toeval ; kans --- kunst --- kunsttheorie --- kunstgeschiedenis --- Alÿs Francis --- Baldessari John --- Cage John --- Calle Sophie --- Dean Tacita --- Duchamp Marcel --- Eno Brian --- Fischli & Weiss --- Fischli Peter --- Weiss David --- Floyer Ceal --- Nauman Bruce --- Orozco Gabriel --- Rauschenberg Robert --- Richter Gerhard --- Spoerri Daniel --- Tyson Keith --- Evans Cerith Wyn --- 7.01 --- hedendaagse kunst --- Art --- art [fine art] --- philosophy of art --- Contemporary [style of art] --- Nauman, Bruce --- Orozco, Gabriel --- Rauschenberg, Robert --- Brecht, George --- Baldessari, John --- Meireles, Cildo --- Alÿs, Francis --- Evans, Cerith Wyn --- Duchamp, Marcel --- Richter, Gerhard --- anno 2000-2009 --- anno 1900-1999 --- Iconographie --- Art contemporain --- Performance --- Processus de création --- Psychologie --- Création artistique --- Psychanalyse --- Art éphemère --- Happening --- Kunst --- thema --- kunstfilosofie --- Kovanda, Jiří --- 7.049 --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- toeval (kunst) --- Aléatoire --- Dada --- Surréalisme --- Histoire de l'art --- Expressionnisme --- Collage --- Photographie
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L'exposition explore le thème des ruines et du débris dans l'art. Elle prend appui sur un texte de W. Benjamin s'inspirant d'une aquarelle de Paul Klee afin de tracer le portrait de "l'ange de l'Histoire" comme "poussé vers l'avenir auquel il tourne le dos" et assimiler le processus historique à un champ de ruines. Tableaux, photographies du XIXe siècle et oeuvres d'artistes contemporains.
Conceptual art --- Installations (Art) --- Art, Modern --- Art conceptuel --- Art --- Exhibitions --- Expositions --- kunst --- twintisgte eeuw --- eenentwintigste eeuw --- kunstonderwijs --- Ecole nationale supérieure des beaux-arts de Paris --- Fujiwara Simon --- kunst en geschiedenis --- Epaminonda Haris --- fotografie --- oorlog --- Andrieu Jean Jules --- Cornaro Isabelle --- Johnson Rashid --- Beshty Walead --- Sparks Meredyth --- Rodrigues Glauco --- Brazilië --- schilderkunst --- Slavs and Tatars --- Bove Carl --- Meckseper Josephine --- Dürer Albrecht --- collecties --- verzamelingen --- Gatteaux Jacques-Edouard --- de Balincourt Jules --- Quaytman Rebecca H. --- Rodzielski Clémént --- Reynaud-Dewar Lili --- Fouché Florian --- Quenum Chloé --- Barto Eva --- Lenglet Jean-Baptiste --- 7.039 --- Ecole nationale supérieure des beaux-arts de Paris --- Brazilië --- Dürer Albrecht --- Rodzielski Clémént --- Fouché Florian --- Quenum Chloé --- Quaytman Rebecca H
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Curated by artist Walead Beshty, the exhibition Picture Industry reflects upon transformations in the production and distribution of photographic images as realized through its varied constructions of the corporeal, from its origin as a scientific tool and a means of cultural investigation to its phenomenological effects on the viewer. The exhibition complexifies traditional accounts of the medium, drawing on its application within science and the humanities to contemporary art, and includes works and photographic documents by over 70 artists and practitioners spanning the late 19th century to the present. It posits a provisional, alternative history of the optical image, breaking with both the technologically deterministic approach of aesthetic formalism, and the semiotic fixations of postmodernism, and on this basis reflects anew on the contemporary condition of image production. Picture Industry considers not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and shapes our complex contemporary image world.00Exhibition: Hessel Museum of Art, Annadale-on-Hudson, USA (24.06.-15.12.2017).
Photography --- image-making processes and techniques --- image processing --- Graphics industry --- reproductions --- anno 1800-1999 --- anno 2000-2099 --- Grafische industrie --- Fotografie --- beeldvervaardigingsprocedés en -technieken --- digitale beeldbewerking --- reproducties --- Images, Photographic --- fotografie --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografiegeschiedenis --- fotografietheorie --- kunsttheorie --- film --- filmtheorie --- kunst en politiek --- activisme --- 7.039 --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Photographs --- History --- Philosophy --- Exhibitions --- reproductions [derivative objects] --- Technologie et art --- Image --- Iconographie --- Sociologie de la communication --- Analyse de l'art --- Fotografie. --- Illustration. --- Image processing. --- Printing processes --- Printing processes. --- Illustration of books --- Fotografie en maatschappij --- Beshty, Walead °1976 (°Londen, VK) --- Fotografie ; geschiedenis ; 19de en 20ste eeuw --- Reproductietechnieken; digitale technieken --- Fotografie ; theorie ; het gefotografeerde onderwerp ; model --- Fotografie ; theorie ; beschouwing ; analyse --- 77(091) --- 77.01 --- Fotografie ; geschiedenis --- Fotografie ; theorie, filosofie, esthetica
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This visual manifesto explores the notion of "the photographic", an analysis of the effects the technical image has on the visual culture as a whole. The glossy photo essay focuses on contemporary artistic practises and experimental approaches to photography, divided into four themes: The Photographic Fossil, Chemical Matter, Optical Confusion, and Performing the Image. The accompanying text insert engages a discourse among artists and intellectuals on defining photography and technique. "Off Camera" is the conclusion of a research project carried out by Belgian researcher Steven Humblet's group, Thinking Tools, at the Royal Academy of Fine Arts, Antwerp.
Art --- Photography --- Contemporary [style of art] --- visual culture --- artistieke fotografie --- onderzoek in de kunsten --- kunst --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- Barrow Thomas --- Beshty Walead --- Bonnot Sylvie --- Braeckman Dirk --- Brandt Matthew --- Breuer Marco --- Davey Moyra --- De Blieck Marc --- Deschenes Liz --- Dibbets Jan --- Downsbrough Peter --- Goudal Noémie --- Gröting Asta --- Grupping Liesbet --- Guyton Wade --- Hadjidjanos Spiros --- Hilliard John --- Howalt Nicolai --- Janssens Ann Veronica --- Kasten Barbara --- Kiwitt Stephanie --- Konrad Aglaia --- Onorato Taiyo --- Krebs Nico --- Kriemann Susanne --- Kuppel Edmund --- Lempert Jochen --- Lund Marie --- Mater Katja --- McCaw Chris --- Platéus Benoît --- Polke Sigmar --- Price Seth --- Probst Barbara --- Rauschenberg Robert --- Rautert Timm --- Renout Jannemarein --- Rossiter Alison --- Ruff Thomas --- Sasse Jörg --- Sepuya Paul Mpagi --- Somers Dominique --- Strand Clare --- Teufen Dominique --- Umbrico Penelope --- Van Menxel Sine --- Voïta Bernard --- Zaatari Akram --- 77.039 --- 77.04 --- 77.01 --- Onderzoek in de kunsten --- Fotografie ; 2000 - 2050 --- Fotografie ; artistieke fotografie --- Fotografie ; theorie, filosofie, esthetica
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