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Article
FEATURES##FIRST TAKES##Joe Scanlan on Walead Beshty
Year: 2005

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Book
Natural histories
Authors: --- --- --- ---
ISBN: 9783037643532 3037643536 Year: 2014 Publisher: Zurich : JRP Ringier,

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Souvent considéré comme abstrait, le travail de Walead Beshty (né en 1976 à Londres, vit et travaille à Los Angeles) constitue d'abord une recherche objective sur les conditions de la photographie et son rapport au réel. Beshty expérimente avec la matière même du médium photographique et les procédés physico-chimiques de révélation de l'image, reprenant l'héritage d'un Man Ray ou d'un Laszlo Moholy-Nagy, mais il propose ensuite une représentation de ces expérimentations, dont il photographie le résultat, au sein de grands tableaux. Une approche phénoménologique déjà présente dans ses œuvres figuratives plus anciennes, où le thème du passage du temps est traité à travers des séries de photographies de symboles déchus de l'architecture moderniste (un lotissement, une autoroute, un centre commercial abandonnés). L'artiste poursuit également cette recherche par le biais de la sculpture, exposant des colis fracassés au cours de leurs expéditions successives, révélant ainsi le résultat d'activités qui sont généralement reléguées dans les coulisses de la production et de l'exposition d'art.


Book
Walead Beshty : work in exhibition, 2011-2020
Authors: --- ---
ISBN: 9783960987789 Year: 2020 Publisher: London Koenig Books

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Book
Now you see it
Authors: ---
Year: 2009 Publisher: Aspen Aspen Art Press


Book
Atopolis
Authors: --- --- --- --- --- et al.
ISBN: 9782930667126 2930667125 Year: 2015 Publisher: Brussel Wiels Centrum voor Hedendaagse Kunst

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Book
Topologies
Author:
ISBN: 9782840667629 2840667622 9783037644591 3037644591 Year: 2018 Volume: 11 Publisher: Dijon Les presses du réel

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Ce second tome de Formes de Trajets traite de l'espace : comment les artistes en établissent la topologie, les modèles économiques. De quoi l'art est-il contemporain ? Du système économique et social qui l'environne ; soit pour le nier ou le combattre, soit pour en adapter les motifs et les principes dans une perspective critique. Toute œuvre d'art constitue ainsi une économie, dans la mesure où elle habite, ou campe, dans la superstructure d'une période historique. Toute problématique de la représentation se double aujourd'hui d'une problématique de visualisation : à quels outils optiques et formels les artistes peuvent-ils recourir pour montrer le monde contemporain, pour en désigner les passages, les zones de fracture ou d'ombre ? Dans l'art d'aujourd'hui, les représentations diagrammatiques, schématiques ou topologiques, mais également un grand nombre d'installations et d'actions, naissent de cette obsession protéiforme : la collecte et l'utilisation de l'information. Le volume inclut des textes sur Alighiero Boetti, Plamen Dejanoff, Fischli/Weiss, Raymond Hains, Alain Jacquet, Joseph Kosuth, Michel Majerus, Bruno Serralongue,...


Book
Chance

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Artists surveyed include: Vito Acconci, Bas Jan Ader, Francis Alÿs, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young. Writers include: Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H.D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Sarat Maharaj, John Miller, Alexandra Munroe, Gabriel Pérez Barreiro, Jasia Reichardt, Julia Robinson, Sarah Valdez, Katharina Vossenkuhl.-

Keywords

Chance in art --- Arts, Modern --- theme --- thema's in de kunst --- Kovanda, Jiri --- Parker, Cornelia --- Beshty, Walead --- Eno, Brian --- Anastasi, William --- Huang, Yong Ping --- Kaprow, Allan --- Weiss, David --- Douglas, Stan --- West, Jennifer --- Tyson, Keith --- Marclay, Christian --- Boyle, Mark --- Spoerri, Daniel --- Ader, Bas Jan --- Ono, Yoko --- Fischli, Peter --- Young, La Monte --- Macchi, Jorge --- Floyer, Ceal --- Knowles, Alison --- Dean, Tacita --- Calle, Sophie --- Cage, John --- Huebler, Douglas --- toeval --- Ader Bas Jan --- Anastasi William --- Beshty Walead --- Boyle Mark --- Brecht George --- Douglas Stan --- Huang Yong Ping --- Huebler Douglas --- Kaprow Allan --- Knowles Alison --- Kovanda Jiri --- Macchi Jorge --- Marclay Christian --- Meireles Cildo --- Ono Yoko --- Parker Cornelia --- West Jennifer --- Young la Monte --- Chance in art. --- Iconografie ; verschillende onderwerpen --- Thema's in de kunst ; 20ste en 21ste eeuw ; geluk ; toeval ; kans --- kunst --- kunsttheorie --- kunstgeschiedenis --- Alÿs Francis --- Baldessari John --- Cage John --- Calle Sophie --- Dean Tacita --- Duchamp Marcel --- Eno Brian --- Fischli & Weiss --- Fischli Peter --- Weiss David --- Floyer Ceal --- Nauman Bruce --- Orozco Gabriel --- Rauschenberg Robert --- Richter Gerhard --- Spoerri Daniel --- Tyson Keith --- Evans Cerith Wyn --- 7.01 --- hedendaagse kunst --- Art --- art [fine art] --- philosophy of art --- Contemporary [style of art] --- Nauman, Bruce --- Orozco, Gabriel --- Rauschenberg, Robert --- Brecht, George --- Baldessari, John --- Meireles, Cildo --- Alÿs, Francis --- Evans, Cerith Wyn --- Duchamp, Marcel --- Richter, Gerhard --- anno 2000-2009 --- anno 1900-1999 --- Iconographie --- Art contemporain --- Performance --- Processus de création --- Psychologie --- Création artistique --- Psychanalyse --- Art éphemère --- Happening --- Kunst --- thema --- kunstfilosofie --- Kovanda, Jiří --- 7.049 --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- toeval (kunst)


Book
L'ange de l'histoire.

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L'exposition explore le thème des ruines et du débris dans l'art. Elle prend appui sur un texte de W. Benjamin s'inspirant d'une aquarelle de Paul Klee afin de tracer le portrait de "l'ange de l'Histoire" comme "poussé vers l'avenir auquel il tourne le dos" et assimiler le processus historique à un champ de ruines. Tableaux, photographies du XIXe siècle et oeuvres d'artistes contemporains.


Book
Picture Industry : A Provisional History of the Technical Image, 1844-2018
Authors: --- ---
ISBN: 9783037645024 3037645024 Year: 2018 Publisher: Zürich JRP Ringier Kunstverlag

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A major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. Edited by Walead Beshty, this exceptional publication includes texts and artworks by Giorgio Agamben, Roland Barthes, Georges Didi-Huberman, Stan Douglas, Harun Farocki, Martha Rosler, Stephen Shore, Hito Steyerl, Wolfgang Tillmans, Ericka Beckman, Walter Benjamin, Walker Evans, László Moholy-Nagy, Marshall McLuhan, Alan Turing, Dan Graham, Morgan Fisher, Kelley Walker… Curated by Walead Beshty, the exhibition “Picture Industry” explores the rich history of mechanically reproduced imagery from the 19th century to the present. It reflects upon transformations in the production, distribution, and consumption of photographic images as realized through its varied constructions of the corporeal, from its origin as a scientific tool and a means of cultural investigation to its phenomenological effects on the viewer. The exhibition complexifies traditional accounts of the medium, drawing on its application within science and the humanities to contemporary art, and includes works and photographic documents by over 100 artists and practitioners spanning the late 19th century to the present.To accompany and extend the exhibition, Picture Industry—A Provisional History of the Technical Image, 1844–2018 is a major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. It offers a resource through which to consider dominant threads in aesthetic theory, including selections from structuralist and poststructuralist explorations of representation, to German media theory, the study of cultural techniques, and the still-burgeoning realm of new media theory. Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media, and staging this through the complex and multivalent relationship between the photographic image and the body, whether the body of the viewer, or that of the image. It includes excerpts and reprints of seminal texts, facsimiles of historical publications, and a series of edited conversations with artists Stan Douglas, Hito Steyerl, Martha Rosler, Stephen Shore, and Wolfgang Tillmans.Contributors include Ariella Azoulay, Ericka Beckman, Walter Benjamin, Alphonse Bertillon, Sarah Charlesworth, Walker Evans, Vilém Flusser, LaToya Ruby Frazier, Tristan Garcia, Dan Graham, Morgan Fisher, Lyle Ashton Harris, John Heartfield, Arthur Jafa, László Moholy-Nagy, Marshall McLuhan, Edweard Muybridge, Gordon Parks, Jacob Riis, August Sander, Wolfgang Tillmans, Alan Turing, and Kelley Walker.


Book
Off camera.
Author:
ISBN: 9789492811882 949281188X Year: 2021 Publisher: Amsterdam Stichting Roma Publications

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This visual manifesto explores the notion of "the photographic", an analysis of the effects the technical image has on the visual culture as a whole. The glossy photo essay focuses on contemporary artistic practises and experimental approaches to photography, divided into four themes: The Photographic Fossil, Chemical Matter, Optical Confusion, and Performing the Image. The accompanying text insert engages a discourse among artists and intellectuals on defining photography and technique. "Off Camera" is the conclusion of a research project carried out by Belgian researcher Steven Humblet's group, Thinking Tools, at the Royal Academy of Fine Arts, Antwerp.

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