Listing 1 - 6 of 6 |
Sort by
|
Choose an application
American literature --- Ashbery, John --- Ashbery, John Lawrence --- Criticism and interpretation --- Ashbery, John, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Criticism and interpretation.
Choose an application
Hoe vindt een dichter zijn eigen stem? Bernlef (1937-2012) heeft gedurende meer dan vijftig jaar niet alleen poëzie van veel dichters gelezen, maar ook vertaald en becommentarieerd. Zodoende verruimde hij zijn ambachtelijke vaardigheden, taalbeheersing en literair-culturele horizon. Aan zijn poëzie, vertalingen en essays valt goed af te lezen hoe zijn transnationale ontwikkeling zich heeft kunnen voltrekken. Dat gegeven bracht Johan Reijmerink ertoe in dit onderzoek de vraag te stellen, in hoeverre en op welke wijze het vertalen begrepen kan worden als een nadere articulatie van zijn dichterschap. Zij krijgt een nieuwe impuls in de begin jaren tachtig door zijn kennismaking met de andere stem van zowel de Amerikaanse dichter John Ashbery en als van de Zweedse dichter Tomas Tranströmer.
Marsman, H. J. --- Ashbery, John, --- Tranströmer, Tomas, --- Telangsiteluomo, Tuomasi, --- 特朗斯特羅默, 托馬斯, --- Ashberi, G'on, --- Ashberry, John, --- Ashbery, John --- Asshuberī, Jon, --- Berry, Jonas, --- Criticism and interpretation. --- アッシュベリー, ジョン, --- Bernlef, J. --- Bernlef --- Tranströmer, Tomas --- Critique et interprétation. --- Influence.
Choose an application
The poems of John Ashbery, Lyn Hejinian and Ron Silliman may seem to offer endless small details of expression, observation, thought and narrative which fail to hang together even from one line to the next. But as Elina Siltanen shows here, this extraordinary flow of uncoordinated detail can stimulate readers to join the poets in a delightful exploration of ordinary language. When readers take a poem in this spirit, they actually begin to read as members of a community: the community not only of themselves and other readers, but also including the poet and other poets, plus all the speakers of the language in which the poem is written. For all these different parties, that language is indeed a shared resource, and the way for readers to get started is simply by recalling or imagining some of the numerous kinds of context in which the given poem's words-phrases-sentences could, or could not, be successfully used. The rewards for such proactive readers are on the one hand a heightened sense of the subtle interweavings of language and life, and on the other hand a freshly empowered self-confidence. 0The point being that, within the community of contemporary experimental poetry, poets have no more authority than readers. Rejecting older cultural hierarchies, they present themselves as teasing out the idiomatic serendipities of their own poems together with their readers.
American poetry --- Experimental poetry, American --- Poetics. --- Poetry --- History and criticism. --- Technique --- Ashbery, John, --- Hejinian, Lyn --- Silliman, Ron, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Criticism and interpretation. --- Communities in literature. --- Authors and readers --- American poetry. --- Authors and readers. --- Experimental poetry, American. --- History and criticism --- History --- Silliman, Ronald, --- Hejinian, Lyn. --- 1900-1999. --- United States.
Choose an application
""Poetry was declining/ Painting advancing/ we were complaining/ it was '50,"" recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the
Art and society --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Moore, Marianne, --- Ashbery, John, --- Cornell, Joseph --- Brainard, Joe, --- Kōneru, Jozefu, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Moore, Marianne Craig, --- Criticism and interpretation.
Choose an application
'Changing Subjects' contends that major American poets-such as Walt Whitman, Wallace Stevens, John Ashbery, and Lyn Hejinian-transformed verse and even changed conceptions of modern subjectivity by exploiting an ordinary rhetorical device ubiquitous in spoken language: the digression.
American poetry --- Digression (Rhetoric) in literature. --- Poetics. --- History and criticism. --- Moore, Marianne, --- Hejinian, Lyn --- Ashbery, John, --- Whitman, Walt, --- Criticism and interpretation. --- Influence. --- Poetry --- Technique --- Moore, Marianne Craig, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- 20th century --- History and criticism --- Moore, Marianne --- Criticism and interpretation --- Ashbery, John Lawrence --- Whitman, Walt --- Influence --- Digression (Rhetoric) in literature --- Poetics
Choose an application
This book is the winner of the Truman Capote Award for Literary Criticism. Amid gloomy forecasts of the decline of the humanities and the death of poetry, Angus Fletcher, a wise and dedicated literary voice, sounds a note of powerful, tempered optimism. He lays out a fresh approach to American poetry at large, the first in several decades, expounding a defence of the art that will resonate well into the new century.
American poetry --- Environmental protection in literature. --- Democracy in literature. --- Ecology in literature. --- Nature in literature. --- Imagination. --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Nature in poetry --- History and criticism --- Theory, etc. --- Whitman, Walt, --- Clare, John, --- Ashbery, John, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Influence. --- Poésie américaine --- Environnement --- Démocratie dans la littérature --- Ecologie dans la littérature --- Nature dans la littérature --- Histoire et critique --- Protection, dans la littérature --- Ashbery, John --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Whitman, Walt (1819-1892) --- Clare, John (1793-1864) --- Ashbery, John (1927-....) --- Poésie américaine --- Démocratie --- Ecologie --- Nature --- Imagination --- Influence --- Théorie, etc. --- Protection --- Dans la littérature
Listing 1 - 6 of 6 |
Sort by
|