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Ob in homerischen Epen, antiken Romanen, Epen und höfischen Romanen des Mittelalters, frühneuzeitlichen Prosaromanen, Bildungsromanen, historischen Romanen, Autobiographien, multimodalen oder postkolonialen Romanen - der Raum, aus dem die Hauptfigur stammt, spielt innerhalb der erzählten Welt häufig eine entscheidende Rolle. Der Band wirft anhand von Fallbeispielen aus der erzählenden europäischen Literatur von der Antike bis heute Schlaglichter auf die je spezifischen Zusammenhänge von Raum und Herkunft. Der thematische Fokus der Frage nach Räumen der Herkunft lenkt den Blick darüber hinaus immer auch auf handlungs-, figuren- und zeitspezifische Momente. Die Fallstudien des Bandes untersuchen einzeltextspezifisch und ebenendifferenziert Herkunftsräume und versuchen von den Texten, ihren Darstellungsstrategien und Erzählinhalten ausgehend, narratologische Beschreibungskategorien für die methodisch kontrollierte, historisch adäquate Deutung von Texten fruchtbar zu machen. Dass im Zusammenspiel von Zeit, Raum, Figuren und Ereignissen die Räume der Herkunft eine wesentliche Schnittstelle darstellen, mag dabei nicht nur als allgemein, sondern gerade auch als fallweise zu begründende These gelten.
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Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.The waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire, Philip Tsang brings together an unusual constellation of writers--Henry James, James Joyce, Doris Lessing, and V. S. Naipaul--to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan.By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today.
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This study examines contemporary narratives by Arab-American, South-Asian American, Chicana, and Cuban-American women writers. Gomaa argues that the disparate histories of Arabs, South Asians, Chicanas, and Cubans in the U.S. unfold new non-national sites for affiliations and identifications that unsettle notions of a unified American national space. In each chapter a South-Asian American, Chicana, or Cuban-American text is paired with an Arab-American text to examine sites of ambivalence, which problematize an individual's sense of belonging to an "imagined community." The author proposes a redefinition of imagined communities to imagined transnational communities, which are formed beyond the geographical boundaries of a single nation and are not nation-centered. This study values Arab-American writings as a potential terrain to expand American Studies, and calls attention to Arab-American feminist strategies that contribute to theoretical debates by and about American women writers.
American literature --- National characteristics, American, in literature --- Belonging (Social psychology) in literature --- American Literature --- English --- Languages & Literatures --- History and criticism --- Minority authors --- Women authors --- History and criticism. --- English literature --- Literature, Modern-20th century. --- Sociology. --- America-Literatures. --- Literature-Philosophy. --- Culture-Study and teaching. --- Fiction. --- Twentieth-Century Literature. --- Gender Studies. --- North American Literature. --- Literary Theory. --- Cultural Theory. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Social theory --- Social sciences --- Philosophy --- Agrarians (Group of writers) --- Literature, Modern—20th century. --- America—Literatures. --- Literature—Philosophy. --- Culture—Study and teaching. --- Literature, Modern --- Sex. --- America --- Culture --- Fiction Literature. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sexology --- Cultural studies --- Literature and philosophy --- Philosophy and literature --- 20th century. --- Literatures. --- Philosophy. --- Study and teaching. --- Theory
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