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Book
Jean Bellegambe, de Douai, le peintre du tableau polyptique d'Anchin
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Year: 1862 Publisher: Bruxelles Devroye

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Book
Bellegambe, Jean : documentatiemap
Publisher: Antwerpen

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Book
Jean Bellegambe : "le maître des couleurs"
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Year: 1951 Publisher: Arras

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Keywords

Art --- Bellegambe, Jean I


Book
La vie et l'oeuvre de Jean Bellegambe
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Year: 1890 Publisher: Lille Quarré

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Book
Les successeurs de Jean Bellegambe
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Year: 1982 Publisher: Douai Musée de la Chartreuse

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Digital
La vie et l'œuvre de Jean Bellegambe
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Year: 1890 Publisher: Lille L. Quarré, libraire-éditeur

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Jean Bellegambe de Douai et la tentation du maniérisme
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Year: 1978 Publisher: Paris De Nobele

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Book
Visualizing the divine : new insights into Jean Bellegambe’s working methods
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Book
Bellegambe Jean, " le maître des couleurs ". Exposition. Juin, juillet, août 1951
Year: 1951 Publisher: Arras Impr. centrale de l'Artois

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Book
Jean Bellegambe (c. 1470-1535/36) : making, meaning and patronage of his works
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ISBN: 9782503574370 2503574378 Year: 2022 Publisher: Turnhout Brepols

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Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use.This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works.

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