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The casinos, these places full of recklessness for which some tourists cross the borders to escape the troubles of everyday life and to enjoy the excitement and adrenaline offered by the games of roulette, blackjack or even slot machine. How not to mention Las Vegas, the first place coming in mind when you hear the word “casino”.
Although the influx of these establishments has been decreasing in recent years, many people know them as a customer, but few know their operations beyond the entertainment offered. Indeed, in this sector, interesting reflections that come under management can be raised.
Through this master thesis, we will try to discover the various characteristics of this world so particular and opaque that is the world of the casinos. Indeed, such companies have always fascinated more than one person because of their mysterious side. Or because of the images returned in various modern films. The impression that is often given to the public is a sector where fun and chance are de rigueur without us suspecting that it is in fact one of the most controlled and regulated sectors in the world.
What controls are in place within them? What difficulties do Belgian casinos face in managing such an establishment? We will try to discover them and, with the help of a case centered on a famous casino of Las Vegas, we will strive to propose ways of improvement. In the end, will the casino find itself in player position ?

performance management systems --- internal control --- casino --- Belgium --- Namur --- Bellagio --- Las Vegas --- Nevada --- United States --- Sciences économiques & de gestion > Gestion de l'entreprise & théorie des organisations

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In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.

Literary manifestos --- Literary manifestoes --- Manifestoes, Literary --- Manifestos, Literary --- European literature --- Modernism (Literature) --- Modernism (Art) --- Avant-garde (Aesthetics) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Crepuscolarismo --- History and criticism. --- History. --- History --- Literature --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- Futurism (Art) --- Futurism (Literary movement) --- Revolutionary literature --- Aesthetics --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Art --- Art, Modern --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Postmodernism (Literature) --- Aesthetic movement (Art) --- History and criticism --- Avant-Garde (Aesthetics) --- 20th century --- 19th century --- Avant-garde (Aesthetics). --- European literature. --- Literary manifestos. --- Modernism (Art). --- Modernism (Literature). --- 1800-1999. --- Europe. --- Marinetti, Filippo Tommaso --- Marinetti, ... --- Marinetti, F.-T. --- Marinetti, Emilio Filippo --- Marinetti, Emilio Filippo Tommaso --- Marinetti, F. T. --- Marinetti, Filippo T. --- Hesperus --- Mafarka le futuriste --- Маринетти, ... --- Маринетти, Ф.-Т. --- Schriftsteller --- Politiker --- Übersetzer --- Futurismus --- Alexandria --- Bellàgio --- Dieci, I --- 22.12.1876-02.12.1944 --- 1876-1944 --- Council of Europe countries --- Eastern Hemisphere --- Eurasia