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In the Soviet house of culture : a century of perestroikas.
Author:
ISBN: 0691044325 9780691044323 9780691037226 0691037221 0691219702 Year: 1995 Publisher: Princeton (N.J.) : Princeton university press,

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Abstract

At the outset of the twentieth century, the Nivkhi of Sakhalin Island were a small population of fishermen under Russian dominion and an Asian cultural sway. The turbulence of the decades that followed would transform them dramatically. While Russian missionaries hounded them for their pagan ways, Lenin praised them; while Stalin routed them in purges, Khrushchev gave them respite; and while Brezhnev organized complex resettlement campaigns, Gorbachev pronounced that they were free to resume a traditional life. But what is tradition after seven decades of building a Soviet world? Based on years of research in the former Soviet Union, Bruce Grant's book draws upon Nivkh interviews, newly opened archives, and rarely translated Soviet ethnographic texts to examine the effects of this remarkable state venture in the construction of identity. With a keen sensitivity, Grant explores the often paradoxical participation by Nivkhi in these shifting waves of Sovietization and poses questions about how cultural identity is constituted and reconstituted, restructured and dismantled. Part chronicle of modernization, part saga of memory and forgetting, In the Soviet House of Culture is an interpretive ethnography of one people's attempts to recapture the past as they look toward the future. This is a book that will appeal to anthropologists and historians alike, as well as to anyone who is interested in the people and politics of the former Soviet Union.

Keywords

Ghiliaks --- Gilyaks --- Nivkhi --- Gilyaks. --- Ethnology --- Nivkhi (Peuple de Sibérie) --- Anthropologie sociale et culturelle --- Sakhalin (Sakhalinskaia oblast', Russia) --- Sakhaline (Russie : Ile) --- Ethnic relations. --- Relations interethniques --- Nivkhi (Peuple de Sibérie) --- Sakhalin (Sakhalinskai͡a oblastʹ, Russia) --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Giliak --- Giliaks --- Gilyak --- Nivkh --- Kabafuto (Russia) --- Karafuto (Russia) --- Ostrov Sakhalin (Sakhalinskai︠a︡ oblastʹ, Russia) --- Saghalien (Russia) --- Saghalin (Russia) --- Sakhalin (R.S.F.S.R.) --- Sakhalin (Russia) --- Sakhalin Island (Sakhalinskai︠a︡ oblastʹ, Russia) --- Ado-Tymovo. --- Aleksandrovsk. --- Battleship Potemkin. --- Benjamin, Walter. --- Brezhnev, Leonid. --- Chaivo. --- Chir-Unvd. --- Churka, Aleksei. --- Committee of the North. --- Dostoevskii, Fedor. --- Down with Illiteracy Society. --- Engels, Frederick. --- Evenki. --- Far Eastern Republic. --- Gorbachev, Mikhail. --- Hawes, Charles. --- Humphrey, Caroline. --- Iuzhno-Sakhalinsk. --- Karafuto. --- Khrushchev, Nikita. --- Kreinovich, Erukhim A. --- Lazarev. --- Manchuria. --- Marx, Karl. --- Nanaitsy. --- Nekrasovka. --- Nogliki. --- Okha. --- Pakskun, Grigorii. --- Pogibi. --- Romanovka. --- Rybnoe. --- Rybnovsk. --- Soldiers of Culture. --- Tengi. --- Udegeitsy. --- Vereshchagino. --- culture bases. --- Sakhalin (Sakhalinskai︠a︡ oblastʹ, Russia)


Book
The Russian cinema reader
Author:
ISBN: 1618112120 1618113216 9781618112125 9781618113214 1618112139 9798887193656 1618113763 9798887193663 Year: 2013 Publisher: Boston : Academic Studies Press,

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Abstract

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten?ka Razin, The Cameraman?s Revenge, The Merchant Bashkirov?s Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin?s Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood


Book
The Russian cinema reader.
Author:
ISBN: 1618112139 9781306490955 1306490952 9781618112132 9781618112125 1618112120 9798887193656 Year: 2013 Publisher: Boston

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Abstract

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

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