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Basket making --- Basketmaking --- Basketry --- Osiers --- Weaving --- Raffia work --- Basket making.

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Applied arts. Arts and crafts --- Regional documentation --- Tunisia --- sculpture in the round --- weaving --- ceramics [object genre] --- basketry [object genre] --- esparto [fiber] --- woodcarvings [visual works]

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Weavers of Tradition and Beauty presents new information on contemporary Native American basketry of the Great Basin, largely from the viewpoint of the weavers themselves. Baskets - and the people who weave them - have always been revered and honored by Native Americans. Fulkerson and Curtis depict, in vivid text and both full color and black-and-white photographs, how their art prevails - even over adverse environmental, social, and economic conditions.

Indian baskets --- Basket making --- Willow weaving --- Willow baskets --- Ethnic & Race Studies --- Gender & Ethnic Studies --- Social Sciences --- Willow braiding --- Willow twining --- Weaving --- Wickerwork --- Basketmaking --- Basketry --- Osiers --- Raffia work --- Baskets, Indian --- Indians --- Baskets --- Wicker baskets --- Themes, motives. --- Themes, motives

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Basket making --- Mescal industry --- Rural development --- Rural industries --- Industrialization, Rural --- Rural industrialization --- Rural industry --- Industries --- Community development, Rural --- Development, Rural --- Integrated rural development --- Regional development --- Rehabilitation, Rural --- Rural community development --- Rural economic development --- Agriculture and state --- Community development --- Economic development --- Regional planning --- Agave products industry --- Liquor industry --- Basketmaking --- Basketry --- Osiers --- Weaving --- Raffia work --- Case studies --- Citizen participation --- Social aspects --- Economic production --- Economic geography --- Mexico

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To Weave and Sing is the first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures.The author's initial point of departure is the Watunna, the Yekuana creation epic, but he finds his principal entrance into this mythic world through basketry, focusing on the eleborate kinetic designs of the round waja baskets and the stories told about them. Guss argues that the problem of understanding Yekuana basketry is the problem of understanding all traditional art forms within a tribal context, and critiques the cultural assumptions inherent in our systems of classification. He demonstrates that the symbols woven into the baskets function not in isolation but collectively, as a powerful system cutting across the entire culture.To Weave and Sing addresses all Yekuana material culture and the greater reality it both incorporates and masks, discerning a unifying configuration of symbols in chapters on architectural forms, the geography of the body, and the use of herbs, face paints, and chants. A narrow view of slash-and-burn gardens as places of mere subsistence is challenged by Guss's portrait of these exclusively female spaces as systematic inversions of the male world, "the sacred turned on its head." Throughout, a wealth of narrative and ritual materials provides us with the closest approximation we have to a native exegesis of these phenomena. What we are offered here is a new Poetics of Culture, ethnography not as a static given but as a series of shifting fields, wherein culture (and our image of it) is constantly recreated in all of its parts, by all of its members.

Indian baskets --- Yecuana Indians --- Yecuana baskets. --- Baskets, Yecuana --- Baskets --- Cunuana Indians --- Dekuhana Indians --- Ihuruhana Indians --- Kunuhana Indians --- Maiongking Indians --- Maiongong Indians --- Makiritare Indians --- Maquiritare Indians --- Pawana Indians --- Soto Indians --- Yacuana Indians --- Yekuana Indians --- Yekuhana Indians --- Indians of South America --- Baskets, Indian --- Indians --- Religion. --- Basket making --- anthropology. --- basketry. --- carib. --- chants. --- creation myth. --- epic. --- ethnography. --- face paint. --- folk belief. --- folk tales. --- folklore. --- gardens. --- gender roles. --- gender. --- handicrafts. --- herbs. --- ihuruna. --- indian. --- indigenous culture. --- indigenous peoples. --- latin america. --- material culture. --- mythic world. --- mythology. --- mythopoetic. --- native peoples. --- nonfiction. --- orinoco. --- rainforest. --- religion. --- ritual. --- sacred. --- social science. --- sociology. --- south america. --- spain. --- spirituality. --- symbolism. --- tradition. --- traditional art. --- tribes. --- upper orinoco. --- venezuela. --- waja baskets. --- watunna. --- yekuana.