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Quand l'avant-garde rencontre Cinecittà : en 1964, les artistes Baruchello et Griffi effectuent le montage de pellicules d'extraits de films hollywoodiens des années 1950 en version italienne. Cet assemblage inédit révèle les procédés de formatage à l'œuvre dans l'industrie cinématographique de masse et offre un nouveau sens aux images.
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Iconography --- Painting --- painting [image-making] --- mythology [literary genre] --- Baruchello, Gianfranco --- Italy
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Art styles --- Painting --- avant-garde --- easel paintings [paintings by form] --- Baruchello, Gianfranco
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Baruchello, Gianfranco --- Fahlström, Öyvind, --- Wols, --- Klee, Paul, --- Duchamp, Marcel, --- Bosch, Hieronymus, --- Exhibitions. --- Exhibitions. --- Exhibitions. --- Exhibitions. --- Exhibitions. --- Influence --- Exhibitions.
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Asencio, Simon ; Baruchello, Gianfranco ; Binga, Tomaso ; Blank, Irma ; Boudry, Pauline ; Lorenz, Renate ; de Sousa, Ernesto ; Gonzalez-Torres, Felix ; Holmqvist, Karl ; Jarman, Derek ; La Rocca, Ketty ; Lippard, Hanne ; Matranga, Mélanie ; Pilgrim, Rory ; Rizzo, Michele
kunst --- eenentwintgste eeuw --- twintgste eeuw --- beeldhouwkunst --- Asenso Simon --- Baruchello Gianfranco --- Binga Tomaso --- Blank Irma --- Boudry Pauline --- Lorenz Renate --- Gonzalez-Torres Felix --- de Sousa Ernesto --- Holmqvist Karl --- Jarman Derek --- La Rocca Ketty --- Lippard Hanne --- Matranga Mélanie --- Pilgrim Rory --- Rizzo Michele --- 7.039
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