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In the books of Roland Barthes, an interpretation of scientific and literary discourse occurs at the level of themes, intuitions, metaphors. This book analyzes in particular the problems of the visual image and the continuous / discontinuous conceptual pairing
Barthes, Roland --- Semiotics --- Discourse analysis --- Criticism and interpretation --- Barthes, Roland - Criticism and interpretation
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R. Barthes a mené une réflexion sur le théâtre, le théâtre joué, organisé et le théâtre des signes, qui se donne un pratique pour exister. Il a ensuite associé la littérature et la mythologie pour s'interroger sur la théâtralité et les supports qu'elle modalise.
Theater --- Aesthetics --- Théâtre --- Esthétique --- Barthes, Roland, --- Barthes, Roland --- Criticism and interpretation --- Theater theory --- Theater analysis --- 20th century --- Théâtre --- Esthétique --- Barthes, Roland. --- Barthes, Roland - Criticism and interpretation --- Theater theory - Theater analysis - 20th century.
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Barthes, Roland, --- Stupidity in literature --- Barthes, Roland --- Criticism and interpretation --- Stupidity in literature. --- Criticism and interpretation. --- Barthes, R. --- Барт, Ролан --- Bart, Rolan --- Baruto, Roran --- בארת, רולאן --- بارت، رولان --- ロラン・バルト --- Luolan Bate --- 羅蘭・巴特 --- Barthes, Roland - Criticism and interpretation --- Barthes, Roland, 1915-1980
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La 4e de couverture indique : "Malgré la résistance de Roland Barthes à l'histoire littéraire et à la logique séculaire que l'école imposait, le XIXe siècle constitue dans son oeuvre un pivot, dont on ne peut se débarrasser à si bon compte, et sur lequel il bute dès qu'il veut construire certains de ses objets d'élection : une histoire des "écritures", une histoire des "mythologies". Si, dans le titre, le pluriel s'est imposé, c'est parce que ses rapports à ce siècle repère furent multiples et parce que, tout au long de sa carrière, ils n'ont cessé d'évoluer. Siècle amical lors de son adolescence, plutôt mal vu au temps de la "nouvelle critique" structuraliste, le XIXe siècle rentre en grâce à partir de S/Z et des Fragments du discours amoureux, et plus encore dans les derniers séminaires sous les auspices du romantisme allemand. La place qui leur revient a été ici donnée aux principaux auteurs de prédilection : Balzac, Chateaubriand, Stendhal, Flaubert, sans oublier Michelet, un auteur qui pourtant "n'était pas son genre". Mais ont été prises en compte aussi des affinités plus partielles (Baudelaire, Nietzsche), voire bien plus ambiguës (Zola). Plus qu'une étude raisonnée, ce volume propose donc une approche en mosaïque des amours et désamours du lecteur et de l'auditeur pour certains créateurs, certaines oeuvres, parfois même pour de simples phrases qui façonnent une oeuvre et un imaginaire critique. Mais il dessine en fin de compte un panorama aussi complet que possible du rapport de Barthes au XIXe siècle : à sa littérature principalement, mais aussi à sa musique, à sa philosophie et à son histoire."
French literature --- History and criticism --- Barthes, Roland --- Criticism and interpretation --- Littérature française --- Critique et interprétation. --- Thèmes, motifs. --- Dix-neuvième siècle --- Influence. --- Barthes, Roland, 1915-1980 --- Critique et interprétation --- Dix-neuvième siècle --- French literature - 19th century - History and criticism --- Barthes, Roland - Criticism and interpretation
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Roland Barthes and Pier Paolo Pasolini were two of the most eclectic cultural personalities of the past century, as elusive as they were influential. Despite the glaring differences between them, they also shared a number of preoccupations, obsessions and creative approaches. Certain themes recur insistently in the works of both men: the pervasiveness of power and the violence inherent in the modernising process; the possibility of freedom and subjective autonomy; and the role of creative practices in a society configured as a desert of alienation. Despite this common ground, no systematic attempt at reading the two authors together has been made before now. This book explores this uncharted territory by comparing these two intellectual figures, focusing in particular on the similarities and productive tensions that emerge in their late works. Psychoanalysis plays a key role in the articulation of this comparison.
Barthes, Roland - Criticism and interpretation. --- Barthes, Roland - Philosophy. --- Pasolini, Pier Paolo - Criticism and interpretation. --- Pasolini, Pier Paolo - Philosophy. --- Pasolini, Pier Paolo, 1922-1975 -- Criticism and interpretation. --- Pasolini, Pier Paolo, 1922-1975 -- Philosophy. --- Languages & Literatures --- Philology & Linguistics --- Literature - General --- Barthes, Roland --- Pasolini, Pier Paolo, --- Philosophy. --- Criticism and interpretation. --- Barthes, R. --- Барт, Ролан --- Bart, Rolan --- Baruto, Roran --- בארת, רולאן --- بارت، رولان --- ロラン・バルト --- Luolan Bate --- 羅蘭・巴特 --- Pasolini, Pier Paolo --- Barthes --- Brisolin --- Collier --- fantasy --- Late --- Paolo --- Pasolini --- Peter --- Pier --- Pier Paolo Pasolini --- Power --- Roland --- Roland Barthes --- Subjectivity --- The novel --- the role of creative practices --- Two versions of Sade --- Viola --- violence --- Work
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Roland Barthes at the Collège de France studies the four lecture courses given by Barthes in Paris between 1977 and 1980. This study, the first full-length account of this material, places Barthes's teaching within institutional, intellectual and personal contexts. Analysing the texts and recordings of Comment vivre ensemble, Le Neutre and La Préparation du roman I et II in tandem with Barthes's 1970s output, the book brings together for the first time all the strands of Barthes's activity as writer, teacher and public intellectual. Theoretically wide-ranging in scope, Lucy O'Meara's study focuses particularly on Barthes's pedagogical style, addressing how his wilfully un-magisterial teaching links to the anti-systematic, anti-dogmatic goals of the rest of his work. Roland Barthes at the Collège de France reassesses the critical and ethical priorities of Barthes's work in the decade before his death, demonstrating the vitally affirmative core of Barthes's late thought.
Barthes, Roland -- Criticism and interpretation. --- Semiotics and literature. --- Structuralism (Literary analysis). --- Languages & Literatures --- Philosophy & Religion --- Philosophy --- Philology & Linguistics --- Barthes, Roland --- Criticism and interpretation. --- Collège de France. --- France. --- Paris. --- Paris (France). --- Ḳoleg' deh Frans --- Fa-lan-hsi hsüeh yüan --- Korēji do Furansu --- K'olleju tŭ P'ŭrangsŭ --- Literature and semiotics --- Literature --- Literary theory. --- Barthes, Roland. --- College de France. --- Bart, Rolan --- Barthes, R. --- Baruto, Roran --- Luolan Bate --- K'olleju tŭ P'ŭrangs --- Барт, Ролан --- בארת, רולאן --- بارت، رولان --- ロラン・バルト --- 羅蘭・巴特 --- France. Collège --- Paris. Collège de France --- Paris (France). Collège de France --- Languages --- Barthes --- Collège de France --- Roland Barthes --- Semiotics --- LITERARY CRITICISM --- Literature and literary studies. --- Literature: history and criticism. --- PHILOSOPHY --- Sémiotique et littérature. --- European --- French. --- History & Surveys --- Modern. --- Collège de France.
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