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Photography, Artistic --- Barrow, Thomas F. --- Southwestern States
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Photography --- photocollages [photographic compositions] --- artistieke fotografie --- Klein, Astrid --- Barrow, Thomas F. --- Curran, Darryl --- Kepes, Gyorgy --- Tabard, Maurice --- Rauschenberg, Robert --- Conner, Bruce --- Cumming, Robert --- Hugnet, Georges --- Roh, Franz --- Man Ray --- Witkin, Joel-Peter
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This visual manifesto explores the notion of "the photographic", an analysis of the effects the technical image has on the visual culture as a whole. The glossy photo essay focuses on contemporary artistic practises and experimental approaches to photography, divided into four themes: The Photographic Fossil, Chemical Matter, Optical Confusion, and Performing the Image. The accompanying text insert engages a discourse among artists and intellectuals on defining photography and technique. "Off Camera" is the conclusion of a research project carried out by Belgian researcher Steven Humblet's group, Thinking Tools, at the Royal Academy of Fine Arts, Antwerp.
Art --- Photography --- Contemporary [style of art] --- visual culture --- artistieke fotografie --- onderzoek in de kunsten --- kunst --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- Barrow Thomas --- Beshty Walead --- Bonnot Sylvie --- Braeckman Dirk --- Brandt Matthew --- Breuer Marco --- Davey Moyra --- De Blieck Marc --- Deschenes Liz --- Dibbets Jan --- Downsbrough Peter --- Goudal Noémie --- Gröting Asta --- Grupping Liesbet --- Guyton Wade --- Hadjidjanos Spiros --- Hilliard John --- Howalt Nicolai --- Janssens Ann Veronica --- Kasten Barbara --- Kiwitt Stephanie --- Konrad Aglaia --- Onorato Taiyo --- Krebs Nico --- Kriemann Susanne --- Kuppel Edmund --- Lempert Jochen --- Lund Marie --- Mater Katja --- McCaw Chris --- Platéus Benoît --- Polke Sigmar --- Price Seth --- Probst Barbara --- Rauschenberg Robert --- Rautert Timm --- Renout Jannemarein --- Rossiter Alison --- Ruff Thomas --- Sasse Jörg --- Sepuya Paul Mpagi --- Somers Dominique --- Strand Clare --- Teufen Dominique --- Umbrico Penelope --- Van Menxel Sine --- Voïta Bernard --- Zaatari Akram --- 77.039 --- 77.04 --- 77.01 --- Onderzoek in de kunsten --- Fotografie ; 2000 - 2050 --- Fotografie ; artistieke fotografie --- Fotografie ; theorie, filosofie, esthetica
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Art --- Photography --- art [discipline] --- photography [process] --- Feldmann, Hans-Peter --- Broodthaers, Marcel --- LeWitt, Sol --- Mohamedi, Nasreen --- Sirk, Douglas --- Stieglitz, Alfred --- Dibbets, Jan --- Rainer, Arnulf --- Oppenheim, Dennis --- Oiticica, Hélio --- Warhol, Andy --- Welling, James --- Antin, Eleanor --- Hilliard, John --- Michailov, Boris --- Watts, Robert --- Wilke, Hannah --- Duchamp, Marcel --- Rochester Group --- Adler, Amy --- Baltz, Lewis --- Barrow, Thomas F. --- Haacke, Hans --- Bunnell, Peter --- Cassavetes, John --- Almeida, d', Neville --- Morris, Robert --- Hahn, Betty --- Christo --- Kender, John --- Kirby, Michael --- Kolbowski, Silvia --- Smithson, Robert --- Polke, Sigmar --- Lee, Nikki S. --- Fulton, Hamish --- Steinert, Otto --- Beuys, Joseph --- Mulas, Ugo --- Newhall, Beaumont --- Niépce, Nicéphore --- Owens, Bill --- Rautert, Timm --- Serralongue, Bruno --- Shahbazi, Shirana --- Shunk, Harry --- Simmons, Laurie --- Szarkowski, John --- Richter, Gerhard --- Long, Richard --- Burgin, Victor --- Boltanski, Christian --- Koons, Jeff --- Yokomizo, Shizuka --- Cartier-Bresson, Henri --- Penone, Giuseppe --- Paolini, Giulio --- Evans, Walker --- Klein, Yves --- Sherman, Cindy --- Malraux, André --- Export, Valie --- Wall, Jeff --- Ray, Charles --- Merz, Mario --- Ruscha, Ed --- Acconci, Vito --- Graham, Dan --- Wearing, Gillian --- Longo, Robert --- Sebald, Winfred Georg --- Anselmo, Giovanni --- Bochner, Mel --- Charlesworth, Sarah --- Conner, Bruce --- Fischli, Peter --- Gilbert and George --- Gursky, Andreas --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- Muybridge, Eadweard --- Nauman, Bruce --- Weiss, David --- Rosler, Martha --- Gerz, Jochen --- Baldessari, John --- Becher, Bernd und Hilla --- Huebler, Douglas --- Lamelas, David --- Maria, de, Walter --- Mendieta, Ana --- Michals, Duane --- Ruff, Thomas --- Salle, David --- Wegman, William --- Goldstein, Jack --- Struth, Thomas --- Marey, Étienne-Jules --- Szeemann, Harald --- Ader, Bas Jan --- Piper, Adrian --- Prince, Richard --- Man Ray --- Knoebel, Imi --- Elk, van, Ger --- Ruppersberg, Allen --- Kertész, André --- Matta-Clark, Gordon --- Almeida, Helena --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989
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Fotografie + kunst ; 1946-1987 ; theorie --- Andy Grundberg, Kathleen McCarthy Gauss --- Adams Mac --- Baltz lewis --- Barrow Thomas --- Bazyk Dede --- Becher Bernd --- Becher Hilla --- Becher Bernd & Hilla --- Beckley Bill --- Berger Paul --- Berman wallace --- Blondeau barbara --- Bowers Harry --- brandt Bill --- Brooks Ellen --- Bullock Wynn --- Butler Jack --- Callis Jo Ann --- Campus Peter --- Caponigro paul --- Casebere James --- Chappell Walter --- Chiarenza carl --- Conner Bruce --- Wowin Eileen --- Cumming Robert --- Curran darryl --- Divola john --- Fichter Robert --- Frampton Hollis --- Gibson ralph --- Golden Judith --- Goldin Nan --- Groover Jan --- Hahn Betty --- Heinecken Robert --- Hutchinson Peter --- Jachna Joseph --- Jacobi Lotte --- Josephson Ken --- kasten barbara --- Kepes Gyorgy --- Kiefer Anselm --- Labrot Syl --- Land-Weber ellen --- Larson William --- Laughlin Clarence John --- Levine Les --- Levinthal David --- Lyons Nathan --- Mandel Mike --- Manual --- Metzker Ray K. --- Michals Duane --- Mock Stan --- Neimanas Joyce --- Parker Bart --- Pfahl John --- Prince Doug --- rankaitis Susan --- Rice leland --- Roberts Holly --- Savage Naomi --- Sheridan Sonia Landy --- Siegel Arthur --- Simmons Laurie --- Siskind Aaron --- Skoglund Sandy --- Smith Henry Holmes --- Smith Keith --- Sommer Frederick --- Sonneman Eve --- Sultan Larry --- Telberg Val --- Teske Edmund --- Thomas Lew --- Thorne-thomsen Ruth --- Uelsmann Jerry --- van Elk Ger --- Walker Todd --- Wegman william --- Weiss Jeff --- Welch Roger --- Wells Alice --- Wells Lynton --- White Minor --- Winokur Neil --- Witkin Joel-Peter --- Wood John --- kunst en fotografie --- Fotografie ; theorie, filosofie, esthetica --- Art and photography --- Photography, Artistic --- pop art --- postmodernisme --- Prince Richard --- Rauschenberg Robert --- Ruscha Edward --- Samaras Lucas --- Sherman Cindy --- Snow Michael --- surrealisme --- Warhol Andy --- Welling James --- (069) --- 77.01 --- 77 <064> --- 7.038 --- 77.038 --- Adams Ansel --- Baldessari John --- Broodthaers Marcel --- Burgin Victor --- Callahan Harry --- Close Chuck --- conceptuele kunst --- Dibbets Jan --- fotografie --- Haacke Hans --- Heizer Michael --- Hockney David --- Huebler Douglas --- Kruger Barbara --- kunst --- Lawler Louise --- Levine Sherrie --- McCollum Allan --- Metzker Ray K --- modernisme --- Nauman Bruce --- Oppenheim Dennis --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Exhibitions --- (Musea. Collecties) --- Photography [Artistic ]
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When Andy Grundberg landed in New York in the early 1970s as a writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the center of artistic debate. Grundberg writes about photography's "boom years," chronicling the medium's increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography's embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the exhibitions that defined the moment and his encounters with the work of photographers--many of whom he knew personally--including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates themes such as photography's relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective ultimately tells a larger story about the decades of the 70s and 80s through the medium of photography.
Photography, Artistic --- Art, Modern --- kunst --- kunstgeschiedenis --- fotografie --- fotografiegeschiedenis --- twintigste eeuw --- Acconci Vito --- Adams Robert --- Ant Farm --- Avedon Richard --- Baldessari John --- Baltz Lewis --- Barney Tina --- Barrow Thomas --- Becher Bernd --- Becher Hilla --- Birnbaum Dara --- Brauntuch Troy --- Brooks Ellen --- Burden Chris --- Burson Nancy --- Campus Peter --- Carey Ellen --- Casebere James --- Charlesworth Sarah --- Christenberry William --- Cohen Mark --- Cowin Eileen --- Cumming Robert --- Dibbets Jan --- Divola John --- Eggleston William --- Friedlander Lee --- Fuss Adam --- Gibson Ralph --- Goldin Nan --- Graham Dan --- Groover Jan --- Gursky Andreas --- Haacke Hans --- Haxton David --- Heinecken Robert --- Heizer Michael --- Huebler Douglas --- Hujar Peter --- Jonas Joan --- Josephson Kenneth --- Kippenberger Martin --- Kruger Barbara --- Larson William --- Lawler Louise --- Levine Sherrie --- Levinthal David --- LeWitt Sol --- Lucier Mary --- Majore Frank --- Mandel Mike --- Mapplethorpe Robert --- Mark Mary Ellen --- Matta-Clark Gordon --- Meiselas Susan --- Mendieta Ana --- Metzker Ray --- Meyerowitz Joel --- Michals Duane --- Morell Abelardo --- Muniz Vik --- Nauman Bruce --- Oppenheim Dennis --- Paik Nam June --- Penn Irving --- Pfahl John --- Piper Adrian --- Prince Richard --- Rauschenberg Robert --- Richter Gerhard --- Robbins David --- Ruff Thomas --- Ruscha Edward --- Samaras Lucas --- Schneemann Carolee --- Serrano Andres --- Sheridan Sonia Landy --- Sherman Cindy --- Shore Stephen --- Simmons Laurie --- Simpson Lorna --- Skoglund Sandy --- Smithson Robert --- Starn Doug --- Starn Mike --- Sternfeld Joel --- Strth Thomas --- Sultan Larry --- Tseng Kwong Chi --- Uelsmann Jerry --- Viola Bil --- Wall Jeff --- Warhol Andy --- Weems Carrie Mae --- Wegman William --- Weil Susan --- Wilke Hannah --- Winokur Neil --- Wojnarowicz David --- Woodman Francesca --- 77.038 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- History --- Aesthetics --- 7.01 --- 77.01 --- Kunst ; theorie, filosofie, esthetica --- Fotografie ; 1950 - 2000 --- Fotografie ; theorie, filosofie, esthetica --- Art and photography --- Conceptual art --- Earthworks (Art) --- Post modernism --- Postmodernism --- photography [process] --- art history --- anno 1900-1999
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Photography --- photography [process] --- Höfer, Candida --- Shore, Stephen --- LeWitt, Sol --- Snow, Michael --- Dibbets, Jan --- Mann, Sally --- Leonard, Zoe --- Warhol, Andy --- Blume, Bernhard --- Eggleston, William --- Welling, James --- Hamilton, Richard --- Antin, Eleanor --- Antoni, Janine --- Blume, Anna --- Coleman, James --- Hilliard, John --- Michailov, Boris --- Muniz, Vik --- Rousse, Georges --- Webb, Boyd --- Wilke, Hannah --- Abdu'Allah, Faisal --- Adams, Mac --- Ajamu --- Arnatt, Keith --- Baltz, Lewis --- Barrow, Thomas F. --- Bernard, Cindy --- Blakely, George --- Blees Luxemburg, Rut --- Carucci, Elinor --- Casebere, James --- Chandra, Mohini --- Cohen, Lynne --- Collins, Hannah --- Coplans, John --- Crewdson, Gregory --- Cumming, Donigan --- Adams, Dennis --- Dean, Max --- DiCorcia, Philip-Lorca --- Divola, John --- Evans, Jason --- Fani-Kayode, Rotimi --- Fontcuberta, Joan --- Fuss, Adam --- Ghirri, Luigi --- Grace, Della --- Grassie, Andrew --- Haller, Susan --- Hanzlová, Jitka --- Haxton, David --- Heinecken, Robert --- Hernandez, Anthony --- Kennard, Peter --- Knorr, Karen --- Smithson, Robert --- Levinthal, David --- Lomax, Yve --- Mahr, Mari --- McMurdo, Wendy --- Misrach, Richard --- Molinier, Pierre --- Owens, Bill --- Pippin, Steven --- Pollard, Ingrid --- Richon, Olivier --- Sato, Tokihiro --- Sawdon Smith, Richard --- Schmid, Joachim --- Segalove, Ilene --- Spence, Jo --- Starkey, Hannah --- Stehli, Jemima --- Sternfeld, Joel --- Stezaker, John --- Sultan, Larry --- Tabrizian, Mitra --- Richter, Gerhard --- Long, Richard --- Burgin, Victor --- Boltanski, Christian --- Weems, Carrie Mae --- Penone, Giuseppe --- Sherman, Cindy --- Schneemann, Carolee --- Export, Valie --- Wall, Jeff --- Ray, Charles --- Horn, Roni --- Ruscha, Ed --- Meyerowitz, Joel --- Acconci, Vito --- Mapplethorpe, Robert --- Graham, Dan --- Graham, Paul --- Wearing, Gillian --- Messager, Annette --- Tillmans, Wolfgang --- Bochner, Mel --- Cadieux, Geneviève --- Calle, Sophie --- Close, Chuck --- Fischli, Peter --- Goldin, Nan --- Gursky, Andreas --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- Nauman, Bruce --- Ristelhueber, Sophie --- Samaras, Lucas --- Štrba, Annelies --- Streuli, Beat --- Sugimoto, Hiroshi --- Weiss, David --- Rosler, Martha --- Neshat, Shirin --- Orozco, Gabriel --- Appelt, Dieter --- Baldessari, John --- Becher, Bernd und Hilla --- Cumming, Robert --- Doherty, Willie --- Floyer, Ceal --- Huebler, Douglas --- Lüthi, Urs --- Mendieta, Ana --- Michals, Duane --- Opie, Catherine --- Ruff, Thomas --- Serrano, Andres --- Sieverding, Katharina --- Wegman, William --- Wodiczko, Krysztof --- Woodman, Francesca --- Ken Lum --- Struth, Thomas --- Friedlander, Lee --- Barth, Uta --- Simpson, Lorna --- Ader, Bas Jan --- Prince, Richard --- Sekula, Allan --- Matta-Clark, Gordon --- Witkin, Joel-Peter --- Kosuth, Joseph --- Wodiczko, Krzysztof
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"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.
Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw.
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"Art and Photography" surveys a rich and important history, from the 1960s to the 21st century. Arranged thematically, it presents works by the most significant international artists who have explored and extended the boundaries of photography. This influential body of work by over 160 artists over four decades is contextualised in the "Documents" section by original artist's statements and interviews, as well as lucid reflections on photography by major thinkers of our era such as Roland Barthes and Jean Baudrillard. Today photography is art's pre-eminent medium. Photography pervades our visual culture. It has become what painting was in previous centuries: a universal language. Today's photographers are internationally admired as "the painters of modern life". Yet, it took the whole of the 20th century for photography to reach this status. On its invention, the photograph was derided as a purely mechanical, "artless" medium which could never be considered among the fine arts. As the 20th century unfolded, Modernist movements experimented with the photograph and expanded its limits, yet still the art establishment held out. Only recently have the majority of art museums begun acquiring works of photography. In 1976, when the Museum of Modern Art, New York - one of the first institutions to collect photographs - staged a retrospective of the American colour photographer William Eggleston, this was a groundbreaking event: it was the first time colour photography had been exhibited, as art, in a major museum. This moment in the 1970s marked a dramatic sea change, but the tides had begun to turn in the early 1960s, when artists such as Andy Warhol, Ed Ruscha and Gerhard Richter used the everyday, mass-produced quality of the snapshot as a basis for their work.
77 "19" --- 7.01 "19" --- 316.772.22 --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--20e eeuw. Periode 1900-1999 --- Art and photography --- Photography, Artistic --- Photography in art --- Gursky Andreas --- Haller Susan --- Hamilton Richard --- Hanzlova Jitka --- Haxton David --- Heinecken Robert --- Hernandez Anthony --- Hilliard John --- Höfer Candida --- Horn Roni --- Huebler Douglas --- Kennard Peter --- Knorr Karen --- Kosuth Joseph --- Kruger Barbara --- kunst --- kunst en fotografie --- Lawler Louise --- Leonard Zoe --- Levine Sherrie --- Levinthal David --- LeWitt Sol --- Lomax Yve --- Long Richard --- Lum Ken --- Lüthi Urs --- Mahr Mari --- Malraux André --- Mandel Mike --- Mann Sally --- Mapplethorpe Robert --- Matta-Clark Gordon --- McMurdo Wendy --- Mendieta Ana --- Messager Annette --- Meyerowitz Joel --- Michals Duane --- Mikhailov Boris --- Misrach Richard --- Molinier Pierre --- Mulvey Laura --- Muniz Vik --- Nauman Bruce --- Neshat Shirin --- Opie Catherine --- Orozco Gabriel --- Owens Bill --- Owens Craig --- Penone Giuseppe --- Pippin Steven --- Pollard Ingrid --- Prince Richard --- Proust Marcel --- Ray Charles --- Richon Olivier --- Richter Gerhard --- Ristelhueber Sophie --- Robbe-Grillet Alain --- Rosler Martha --- Rousse Georges --- Ruff Thomas --- Rugoff Ralph --- Ruscha Edward --- Samaras Lucas --- Sato Tokihiro --- Schmid Joachim --- Schneemann Carolee --- Segalove Ilene --- Sekula Allan --- Serrano Andres --- Sherman Cindy --- Shore Stephen --- Sieverding Katharina --- Simpson Lorna --- Smith Richard --- Smithson Robert --- Snow Michael --- Spence Jo --- Starkey Hannah --- Stehli Jemima --- Sternfeld Joel --- Stezaker John --- Strba Annelies --- Streuli Beat --- Struth Thomas --- Sugimoto Hiroshi --- Sultan Larry --- Tabrizian Mitra --- Tillmans Wolfgang --- twintigste eeuw --- 760.4 --- Wall Jeff --- Warhol Andy --- Wearing Gillian --- Webb Boyd --- Weems Carrie Mae --- Wegman William --- Welling James --- Weski Thomas --- Wilke Hannah --- Williams Gilda --- fotografie --- Witkin Joel-Peter --- Wodiczko Krzysztof --- Wollen Peter --- Woodman Francesca --- 77(03) --- Fotografie ; 2de helft 20ste eeuw ; naslagwerken --- Fotografie + kunst --- kunstfotografie --- wijsbegeerte --- 7.038 --- 77.038 --- Abdu'Allah Faisal --- Acconci Vito --- Adams Dennis --- Adams Mac --- Ader Bas Jan --- Ajamu --- Andre Carl --- Antin Eleanor --- Antoni Janine --- Appelt Dieter --- Arnatt Keith --- Baldessari John --- Baltz Lewis --- Barrow Thomas --- Barthes Roland --- Barth Uta --- Bate David --- Baudrillard Jean --- Becher Bernd --- Becher Bernd & Hilla --- Becher Hilla --- Benjamin Walter --- Bernard Cindy --- Blakely George --- Blees Luxemburg Rut --- Blume Anna --- Blume Anna & Bernhard --- Blume Bernhard --- Bochner Mel --- Boltanski Christian --- Bryson Norman --- Buchloh Benjamin H.D --- Burden Chris --- Burgin Victor --- Cadieux Geneviève --- Calle Sophie --- Carucci Elinor --- Casebere James --- Cavell Stanley --- Chandra Mohini --- Close Chuck --- Cohen Lynne --- Coleman James --- Collins Hannah --- Coplans John --- Crewdson Gregory --- Crimp Douglas --- Cumming Donigan --- Danto Arthur C --- Dean Max --- Derrida Jacques --- Dibbets Jan --- Dicorcia Philip-Lorca --- Divola John --- Doherty Willie --- Durand Régis --- Edited by David Campany --- Eggleston William --- Evans Jason --- Export Valie --- Fairbrother Trevor --- Fani-Kayode Rotimi --- Fischli & Weiss --- Floyer Ceal --- Fontcuberta Joan --- Friedlander Lee --- Fuss Adam --- Ghirri Luigi --- Goldin Nan --- Grace Della --- Graham Dan --- Graham Paul --- Grassie Andrew --- Greenberg Clement --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography and art --- fotografie als kunst --- Fotografie ; encyclopedieën --- Aesthetics --- Acconci, Vito, --- hedendaagse kunst --- photography [process] --- Contemporary [style of art] --- Art and photography. --- Photography in art. --- Photography, Artistic. --- Photographie artistique --- Photographie dans l'art --- Art et photographie --- Photography [Artistic ]
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