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Artur Barrio.
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ISBN: 8589314014 Year: 2002 Publisher: Rio de Janeiro : Modo,

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Barrio, Artur


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Artur Barrio : Reflexion...(s)... : Press kit.
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Year: 2005 Publisher: Paris : Palais de Tokyo Paris,

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Barrio, Artur


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Artur Barrio : Reflexion...(s)... : Revue de presse.

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Barrio, Artur


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Artur Barrio : Actions After Actions.
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ISBN: 1584420553 Year: 2006 Publisher: Philadelphia : Goldie Paley Gallery, Moore college of Art and Design Philadelphia,

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Artur Barrio : impropre à la consommation humaine.
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ISBN: 291268868X 9782912688682 Year: 2005 Publisher: Marseille : Paris : FRAC Provence-Alpes-Côte d'Azur : Isthme,

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Poéticas da cor.
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ISBN: 8587005014 Year: 1998 Publisher: Rio de Janeiro : Centro Cultural Light,

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Barrio - Beuys ........
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ISBN: 907567922X Year: 2005 Publisher: Gent MER

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The work of the Brazilian artist Artur Barrio consists mainly of situations or temporary synaesthetic installations made of perishable, fragile and organic materials such as coffee, bread, urine, charcoal, wine, cloth, texts and so on. The ephemeral character of Barrios installations compels the artist to seek alternative documentary techniques: photo, film, the artists book, etc. In this respect, as well as in his approach to material and what is known as the didactic mission, there are similarities in his work, in content and form, to that of Joseph Beuys (b. 1921 Krefeld d. 1986 Dusseldorf). The Barrio Beuys exhibition presents the work of these two artists for the first time in an imaginary dialogue. The S.M.A.K. will be the first museum where Artur Barrio has created a temporary installation so closely related to the museum, and parallel to the work of Joseph Beuys. Following this, Artur Barrio will visit several other European museums with a substantial Beuys collection where he will be able to continue his imaginary dialogue.&#13;&#13;&#13;Artur Barrio (b. 1945, Porto) and Joseph Beuys (b. 1921, Krefeld, d. 1985, Düsseldorf) are from completely different generations and have radically different cultural backgrounds. They never even met. So why this double exhibition? There are actually crucial similarities between the work of these two artists, affinities which each of them developed individually out of their own needs, and which in our opinion more than justify a double exploratory exhibition. There follows a short explanation of this mutual affinity. The Brazilian artist Artur Barrio, whose exhibitions include the Fortaleza Biennale and the last Documenta, curated by Okwui Enwezor, is one of the alternative pioneers of the contemporary Brazilian art scene. In the seventies, Barrios temporary, synaesthetic, highly individual and intuitive installations caused a stormy upheaval in Brazils then experimental artistic climate. The materials he used, including coffee, bread, charcoal, wine, material, writing and urine, radically repudiated any art that took the form of a permanent and classically aesthetic experience. The ephemeral nature of Barrios work obliged him to look for alternative ways of documenting it photos, videos, artists books and suchlike which also became an integral part of the work. His consistent choice of always working entirely in situ also has to do with the works temporariness. Another important aspect of Barrios work is the radical way he puts the art institution into perspective. He considers the curator in contrast to what is still accepted practice as superfluous to the idea of the work of art and the exhibition. In his view the curator is forced back into the role of a purely logistical coordinator.&#13;&#13;&#13;These crucial aspects of Barrios work make him one of the more important artists still living who most radically focus on and defend the ties between art and life (the intuitive-documentary aspect of art). It is not only in his use of intuitive and emotionally charged material that Barrio displays affinities with the work of Joseph Beuys, but also in his radical questioning of the function of art and its essential linkage to life. Here too just like Beuys he adopts a didactic-shamanistic position, as a sort of guru who pushes and pulls at the establishment and distils new ways of thinking and acting from this deconstruction. This explains the SMAKs plan to mount an exhibition on the oeuvre of these two artists, based explicitly on their similar mentalities. The Barrio Beuys exhibition brings the work of these two artists together for the first time in an imaginary dialogue. Entirely in keeping with his intuitive in situ mentality, Artur Barrio will create a temporary installation, based on the museum itself, in parallel with the work of Beuys, which forms a substantial presence in the museums collection. This project is part of a broader exploratory plan in which well-known artists from the West-European avant-garde are on each occasion related to an artist who, although important, has always kept to the margins. The possibility of setting up a series of exhibitions on this theme is currently being examined.


Book
We Humans are Free : From the Collection of S.M.A.K., Museum of Contemporary Art Ghent.
Authors: --- --- --- --- --- et al.
ISBN: 4903205037 Year: 2006 Publisher: Gent ; Kanazawa : 21st Century Museum of Contemporary Art Kanazawa : SMAK (Stedelijk Museum voor Actuele Kunst) Gent,

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Documenta 11_Platform5: Ausstellung: Austellungsorte
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ISBN: 3775790888 9783775790888 Year: 2002 Publisher: Ostfildern-Ruit Hatje

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hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Maschmann, Werner --- Art, Modern --- -(069) --- 7.038 --- Beeldende kunst ; 1980-2002 ; Documenta XI (2002) --- Kassel ; Documenta XI ; curator Okwui Enwezor ; lokaties --- Kunsttentoonstellingen ; internationale --- 700 --- 7.039 --- 77.071 MASCHMANN --- Yang Fudong --- Ward NAri --- Wall Jeff --- Urbonas Gediminas --- Urbonas Nomeda --- Tuymans Luc --- Tuerlinckx Joëlle --- Tsumanii.net --- Trinh T. Minh-Ha --- Teno Jean-Marie --- Tayou Pascale Marthine --- Tan Fiona --- Small David --- Sivan Eyal --- Simpson Lorna --- Simparch --- Siekmann Andreas --- Shonibare Yinka --- Sekula Allan --- Saussier Gilles --- Samadian Seifollah --- Salcedo Doris --- Roth Dieter --- Petrescu Doina --- Riera Alejandra --- Raqs media collective --- Portabella Pere --- Ponger Luis --- Piper Adrian --- Pettibon Raymond --- Pernice Manfred --- Park fiction --- Ouattara Watts --- Ottinger Ulrike --- Osifuye Muyiwa --- Orozco Gabriel --- Neshat Shirin --- Munoz Juan --- Multiplicity --- Mofokeng Santu --- Miyamoto Ryuji --- Messager Annette --- Mekas Jonas --- Meireles Cildo --- McQueen Steve --- Marcaccio Fabian --- Manders Mark --- Lum Ken --- Ligon Glenn --- Kuluncic Andreja --- Kozaric Ivan --- Kopystiansky Igor --- Kopystiansky Svetlana --- Kinmont Ben --- Kingelez Bodys Isek --- van der Keuken Johan --- Kentridge William --- Kawara On --- Kanwar Amar --- Julien Isaac --- Jonas Joan --- Jaar Alfredo --- Ivekovic Sanja --- Igloolik Isuma productions --- Huyghe Pierre --- Huit facettes --- Horsfield Craigie --- Höfer Candida --- Hirschhorn Thomas --- Hatoum Mona --- Haaning Jens --- Le groupe Amos --- Grippo Victor --- Green Renée --- Gonzalez-Foerster Dominique --- Golub Leon --- Goldblatt David --- Geys Jef --- Genzken Isa --- Geers Kendell --- Garaicoa Carlos --- Gabellone Giuseppe --- Gaba Meschac --- Friedman Yona --- Feyzdjou Chohreh --- Feng Mengbo --- Evan Ceryth Wyn --- Ennadre Touhami --- Eichhorn Maria --- Eggleston William --- Edefalk Cecilia --- Douglas Stan --- Deacon Destiny --- Darboven Hanne --- Nieuwenhuys Constant --- Constant --- Coleman James --- Camnitzer Luis --- Bruguera Tania --- Brouwn Stanley --- Braila Pavel --- Bourgeois Louise --- Bruly Bouabré Frédéric --- Bonk Ecke --- Bock John --- Black audio film collective --- Bhimji Zarina --- Becher Hilla --- Becher Bernd --- Barrio Artur --- SERE, ltd. --- Levy Stacy --- D.I.R.T. studio --- Bargmann Julie --- The Atlas group --- Ataman Kutlug --- Asymptote --- Ashkin Michael --- Armaly Fareed --- Colectivo cine ojo --- Acelovici Gaston A. --- Akerman Chantal --- Ahtila Eija-Liisa --- Agarwal Ravi --- Adéagbo Georges --- kunst en fotografie --- Maschmann Werner --- fotografie --- Documenta --- eenentwintigste eeuw --- twintigste eeuw --- kunst --- 700.4 --- conceptuele kunst --- kunst ; 20e eeuw --- Modern art --- Exhibitions --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- beeldende kunst, musea - tentoonstellingen --- Nieuwe Ploeg (Group of artists) --- SERE, ltd --- Acelovici Gaston A

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