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Howard Barker est un écrivain anglais. Un poète vivant qui crée le remou partout où il passe. Les Anglais le brûlent ou le défendent à corps perdu. En Europe, les voix pour le faire connaître se multiplient. Nous avons tenté dans ce numéro de les rassembler en bouquet. Il s'agit de dresser un portrait de l'auteur en mêlant ses propres paroles à celles des gens qui le côtoient, ou qui se sont imprégnés de son œuvre, qu'ils soient acteurs, critiques ou metteurs en scène. Ce numéro contient aussi un cahier critique ainsi qu'un texte inédit de Jean-Marie Piemme.
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Barker, Howard (1946-...) --- Barker, Howard (1946-...) --- Critique et interprétation --- Mise en scène --- Barker, Howard --- Barker, Howard --- Criticism and interpretation. --- Dramatic production. --- Barker, Howard (1946-...) --- Barker, Howard (1946-...) --- Critique et interprétation --- Mise en scène
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In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions.This is a detailed exploration of the 'scene of seduction' - the challenge, the secret, the abject and the catastrophic, processes which dominate Barker's work. For Lamb, the power of Barker's plays is to be found in the exposure to the irrational and its promotion of a state of unknowing.This revised edition includes:* a new interview with Barker;* a revised introduction, * an updated bibliography
Dramatists, English --- Playwriting. --- Postmodernism (Literature) --- Playwriting --- Barker, Howard --- Criticism and interpretation --- Dramatists, English - 20th century - Interviews --- Postmodernism (Literature) - Great Britain --- Ecriture dramatique --- Barker, Howard - Criticism and interpretation --- Barker, Howard - Interviews --- Barker, Howard. --- Barker, Howard - Criticism and interpretation. --- Barker, Howard-- Criticism and interpretation. --- Dramatists, English - 20th century. --- Postmodernism (Literature) - Great Britain. --- Criticism and interpretation.
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"in this deceptively slight volume, Howard Barker writes with an unprecedented emotional immediacy and arc of conceptual ambition.... Death, the One and the Art of Theatre represents an important advance on Arguments for a Theatre ... surpassing even the range and depth of the earlier collection.... A landmark achievement" - David Ian Rabey, University of Wales Aberystwyth Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial and satirical explorations into contemporary tragedy, and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights which includes Sarah Kane and Mark Ravenhill. Death, the One and the Art of Theatre is the latest collection of Barker's distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic apercus, which cast a unique and unflinching light on the nature of tragedy, eroticism, "love" and theatre. Exploring the juncture between aesthetics and metaphysics, the books looks at the human experience of love and death as life at its most intrinsically theatrical. It is a profoundly unsettling and inspiring piece of writing which extends Barker's challenge to orthodox morality first presented in 'Arguments for a Theatre'-which he described as men and women's secret longing for the incomprehensible nature of pain.
Thematology --- Theatrical science --- Drama --- Theater --- Death in literature --- Love in literature --- Playwriting --- Philosophy --- Technique --- Barker, Howard --- Authorship --- Aesthetics --- Death in literature. --- Love in literature. --- Playwriting. --- Technique. --- Philosophy. --- Authorship. --- Aesthetics. --- Theater - Philosophy --- Drama - Technique --- Barker, Howard - Authorship --- Barker, Howard - Aesthetics
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DESPRATS Jean-Michel --- Bio-Bibliographie --- CV (Eléments) --- Barker, Howard --- Angel-Perez, Elisabeth --- Vaconsin, Marie-Lorna
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This volume equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicite and DV8 that rose to prominence at this time.
English drama --- History and criticism. --- Barker, Howard, --- Cartwright, Jim, --- Daniels, Sarah, --- Wertenbaker, Timberlake --- Criticism and interpretation. --- Théâtre anglais --- Histoire et critique --- Criticism and interpretation --- Houth, Eduardo --- Theatre studies --- Théâtre anglais --- 20e siècle --- 20e siècle
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