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Daniele Barbaro (1514-1570), patriarche élu d'Aquilée, auteur de poèmes, de tragédies et de chroniques, commentateur d'Aristote et de Porphyre, exégète de Vitruve et des psaumes de David, est sans doute le dernier uomo universale de la Renaissance. Émule et successeur d'Alberti et de Vinci, il surpasse peut-être le premier par la diversité de sa production et se distingue du second par son statut et son investissement civil et politique. Curieusement il a été peu étudié contrairement à son illustre oncle Ermolao, son neveu Francesco, ou son frère Marcantonio, commanditaire avec lui de la célèbre villa Maser, réalisée par Palladio et décorée par Véronèse. Le cinquième centenaire de sa naissance est l'occasion de rendre hommage à une personnalité aussi riche et complexe. L'ouvrage pluridisciplinaire réunit 30 contributions et d'importantes annexes qui mettent en lumière tous les aspects de l'œuvre de Daniele Barbaro, y compris dans sa fortune critique, en restituant au mieux les conditions de sa création et de sa production tout en s'attachant aux divers aspects de sa vie privée et publique. La carrière de l'humaniste et de l'homme politique vénitien a été ainsi revisitée, la portée théorique de son œuvre imprimée reconsidérée, et son rôle dans la création artistique, musicale et architecturale de l'Italie du nord dans la seconde moitié du Cinquecento soulignée. Seule la diversité des approches pouvait tenter de révéler cette figure exceptionnelle dont les portraits de Titien et de Véronèse continuent à intriguer le spectateur.--

Barbaro, Daniele --- Humanisme de la Renaissance --- Architecture --- Écrits d'architectes --- Vitruve --- Palladio, Andrea --- Influence. --- Barbaro, Daniel, --- Venice (Italy) --- Intellectual life --- Barbaro, Daniel, - 1514-1570 --- Venice (Italy) - Intellectual life - 16th century --- Écrits d'architectes

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This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro. Due to the numerous scientific interests that Barbaro matured in the years he spent at the University of Padua, we have invited experts in these topics to discuss Barbaro in relation to his training. In particular, the book opens with the essays of the two editors to frame its general theme in relation to mathematics. Cosimo Monteleone addressed the relationship between Barbaro's perspective theory with Euclid's optics, the Aristotelian process of knowledge and the ophthalmological discoveries of the University of Padova in the Renaissance. Kim Williams underlines how Barbaro's arithmetic and geometry established `the most certain sciences' and set the base of the `primary sciences'. A series of essays concerning Barbaro's training at the University of Padua complete the theoretical framework analyzed by the two editors. These studies embrace the following subjects: mathematical instruments (Filippo Camerota), astronomy and sundials (Cristiano Guarneri), mathematics, geometry and polyhedral (Vera Viana), perspective and anamorphosis (Agostino De Rosa), botany and the foundation of the botanical garden (Stefano Zaggia), Vitruvius' architecture (Ekaterina Igoshina, Ilya Anikyev, Anna Markova) and Aristotelianism (Branko Mitrović). A foreword by Xavier Salomon sets the stage for this book, outlining the innovations that Barbaro brought to scientific knowledge. Barbaro's scientific efforts are sometimes dismissed in recent studies as a compilation of known principles. The aim of this present book is to reveal the truly innovative nature of Barbaro's experiments and results and restore him to his rightful place as an original scholar of Renaissance.

Geometry. --- Mathematics. --- History. --- Arts. --- Architecture—Mathematics. --- Applications of Mathematics. --- History of Mathematical Sciences. --- Mathematics in Art and Architecture. --- Teoria de l'arquitectura --- Barbaro, Daniel, --- Architecture

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72.03 --- 72 <09> --- 72.034 <45 VENEZIA> --- 72.033 --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: perioden en invloeden --- Architectuurgeschiedenis. Bouwgeschiedenis --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië--VENEZIA --- Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Architecture --- Architectural writing --- History --- Early works to 1800. --- Vitruvius Pollio --- Vitruvius Pollio. --- Barbaro, Daniel, --- Palladio, Andrea, --- Influence. --- Criticism and interpretation. --- 72.033 Bouwstijlen van de Middeleeuwen (ca 476-1492) --- 72.034 <45 VENEZIA> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië--VENEZIA --- 72 <09> Architectuurgeschiedenis. Bouwgeschiedenis --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Authorship --- Communication in architectural design --- Early works to 1800 --- Design and construction --- Palladio, A. --- Palladio, André, --- Palladio, --- Andrea, --- Barbaro, D. --- Barbaro, Daniele, --- Barbaro, Daniello, --- Barbarus, Daniel, --- Daniel, --- Marcus Vitruvius Pollio --- Vitruv --- Vitruve --- Vitruvio --- Witorūwiusu --- Architecture, Primitive --- Vitruvius --- Vitruvius Pollio, Marcus --- Mamurra, Lucius Vitruvius