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Banjoists --- Stoneman, Roni.

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Wade Mainer (b. 1907) is believed to be the longest-lived country entertainer ever. His banjo lessons began in childhood and he played informally into his adult years, when he joined his brother, fiddler J. E. Mainer (1898-1971), in Mainer's Mountaineers. Music became their ticket out of the cotton mills in 1934. At the time, country styles were swiftly evolving from community-based performance into mass-market broadcast via radio, records, and the silver screen. Mainer's Mountaineers attracted radio sponsors and touring opportunities, allowing the brothers to become full-time musicians. Event

Country musicians --- Banjoists --- Mainer, Wade,

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"Less than three minutes long and involving no lyrics, "Foggy Mountain Breakdown" is a banjo-led song that changed the face of American music. Composed and recorded by Earl Scruggs in 1949, the song went on to transform and modernize folk culture of the early 20th century, its effects extending far beyond bluegrass. The captivating sound of the piece helped rejuvenate the banjo, an instrument that had been vanishing from the mainstream of American music; its unforgettable twang and cadence ushered the banjo and backwoods into American popular culture by providing the soundtrack for "The Beverly Hillbillies" and "Bonnie and Clyde"; its close relationship to "Blue Grass Breakdown," a song composed by Scruggs' one-time bandleader Bill Monroe, illustrates the fungible nature of intellectual property in the early days of country music; and the song's advanced compositional techniques and technical difficulty helped distinguish Scruggs as one of a small handful of principals of acoustic music. Relying on primary sources, including interviews with Scruggs and his wife and manager, Louise, as well as with Curly Seckler, the only surviving musician from the 1949 recording, this project examines the story surrounding "Foggy Mountain Breakdown." Along the way, Goldsmith reveals much about Scruggs's career and the evolution of his influential style. No such examination about Scruggs or his famous song exists, so this project is positioned to make a strong contribution to the history of bluegrass"--

Bluegrass musicians --- Banjoists --- Banjo players --- Plucked instrument players --- Country musicians --- Scruggs, Earl.

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Bluegrass musicians --- Banjoists --- Country musicians --- Banjo players --- Plucked instrument players --- Monroe, Bill, --- Black, Bob, --- Monroe, William Smith, --- Munroe, Bill, --- Black, Bob

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From his birth in Owensboro, Kentucky, in 1947, to his 2020 album featuring the music of Lee Hammons, Wayne Howard has lived an exceptionally creative life. Howard seems to be eternally present at fiddle festivals, on the margins of old-time music gatherings, and ensconced in the circles of creative forces working to preserve and disseminate this archaic southern mountain music. In 1969, he relocated to West Virginia and, after being introduced to the Hammons family by Dwight Diller, Howard befriended the family and recorded Lee, Sherman, Burl, and Maggie Hammons playing music and telling stories. From there, Howard carved out a place for himself as a professional computer programmer, a vintage book collector and seller, and woodworker before turning his attention to writing about the Hammons family, and producing CDs from his reel-to-reel tapes of their stories and music for the Field Recorders' Collective. This biography follows the threads of music and folklore through Howard's life, celebrating his profound knowledge of the songs and songsters that does much to sustain the interest of those who seek out Appalachian tunes, songs, and stories--

Fiddlers --- Banjoists --- Old-time music --- Ethnomusicology --- History and criticism. --- History --- Howard, Wayne, --- Hammons, Burl, --- Hammons, Lee, --- Hammons, Sherman, --- Parker, Maggie Hammons, --- Hammond family.