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Wade Mainer (b. 1907) is believed to be the longest-lived country entertainer ever. His banjo lessons began in childhood and he played informally into his adult years, when he joined his brother, fiddler J. E. Mainer (1898-1971), in Mainer's Mountaineers. Music became their ticket out of the cotton mills in 1934. At the time, country styles were swiftly evolving from community-based performance into mass-market broadcast via radio, records, and the silver screen. Mainer's Mountaineers attracted radio sponsors and touring opportunities, allowing the brothers to become full-time musicians. Event
Country musicians --- Banjoists --- Mainer, Wade,
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"A beloved member of the country music community, David "Stringbean" Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville's sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented. Taylor Hagood merges the story of Stringbean's life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country's early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later"--
Trials (Murder) --- Murder victims --- Banjoists --- Stringbean, --- Tennessee. --- Appalachian Region.
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"Less than three minutes long and involving no lyrics, "Foggy Mountain Breakdown" is a banjo-led song that changed the face of American music. Composed and recorded by Earl Scruggs in 1949, the song went on to transform and modernize folk culture of the early 20th century, its effects extending far beyond bluegrass. The captivating sound of the piece helped rejuvenate the banjo, an instrument that had been vanishing from the mainstream of American music; its unforgettable twang and cadence ushered the banjo and backwoods into American popular culture by providing the soundtrack for "The Beverly Hillbillies" and "Bonnie and Clyde"; its close relationship to "Blue Grass Breakdown," a song composed by Scruggs' one-time bandleader Bill Monroe, illustrates the fungible nature of intellectual property in the early days of country music; and the song's advanced compositional techniques and technical difficulty helped distinguish Scruggs as one of a small handful of principals of acoustic music. Relying on primary sources, including interviews with Scruggs and his wife and manager, Louise, as well as with Curly Seckler, the only surviving musician from the 1949 recording, this project examines the story surrounding "Foggy Mountain Breakdown." Along the way, Goldsmith reveals much about Scruggs's career and the evolution of his influential style. No such examination about Scruggs or his famous song exists, so this project is positioned to make a strong contribution to the history of bluegrass"--
Bluegrass musicians --- Banjoists --- Banjo players --- Plucked instrument players --- Country musicians --- Scruggs, Earl.
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Banjoists --- Country musicians --- Banjo players --- Plucked instrument players --- Macon, Uncle Dave, --- Macon, David, --- Macon, Dave,
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Bluegrass musicians --- Banjoists --- Country musicians --- Banjo players --- Plucked instrument players --- Monroe, Bill, --- Black, Bob, --- Monroe, William Smith, --- Munroe, Bill, --- Black, Bob
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"Neil V. Rosenberg met the legendary Bill Monroe at the Brown County Jamboree. Rosenberg's subsequent experiences in Bean Blossom put his feet on the intertwined musical and scholarly paths that made him a preeminent scholar of bluegrass music. Rosenberg's memoir shines a light on the changing bluegrass scene of the early 1960s. Already a fan and aspiring musician, his appetite for banjo music quickly put him on the Jamboree stage. Rosenberg eventually played with Monroe and spent four months managing the Jamboree. Those heights gave him an eyewitness view of nothing less than bluegrass's emergence from the shadow of country music into its own distinct art form. As the likes of Bill Keith and Del McCoury played, Rosenberg watched Monroe begin to share a personal link to the music that tied audiences to its history and his life and helped turn him into bluegrass's foundational figure. An intimate look at a transformative time, Bluegrass Generation tells the inside story of how an American musical tradition came to be."--
Bluegrass music --- Bluegrass musicians --- Banjoists --- Banjo players --- Plucked instrument players --- Country musicians --- Country music --- Old-time music --- History and criticism. --- Rosenberg, Neil V.
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From his birth in Owensboro, Kentucky, in 1947, to his 2020 album featuring the music of Lee Hammons, Wayne Howard has lived an exceptionally creative life. Howard seems to be eternally present at fiddle festivals, on the margins of old-time music gatherings, and ensconced in the circles of creative forces working to preserve and disseminate this archaic southern mountain music. In 1969, he relocated to West Virginia and, after being introduced to the Hammons family by Dwight Diller, Howard befriended the family and recorded Lee, Sherman, Burl, and Maggie Hammons playing music and telling stories. From there, Howard carved out a place for himself as a professional computer programmer, a vintage book collector and seller, and woodworker before turning his attention to writing about the Hammons family, and producing CDs from his reel-to-reel tapes of their stories and music for the Field Recorders' Collective. This biography follows the threads of music and folklore through Howard's life, celebrating his profound knowledge of the songs and songsters that does much to sustain the interest of those who seek out Appalachian tunes, songs, and stories--
Fiddlers --- Banjoists --- Old-time music --- Ethnomusicology --- History and criticism. --- History --- Howard, Wayne, --- Hammons, Burl, --- Hammons, Lee, --- Hammons, Sherman, --- Parker, Maggie Hammons, --- Hammond family.
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