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Qu'il s'agisse du renouveau des bals populaires, de l'engouement pour les danses orientales ou africaines, de la multiplication des rave parties, les hommes semblent redécouvrir le plaisir de danser. L'auteure montre comment les danses d'amateurs se caractérisent par l'assujettissement à un rythme omniprésent et énergétique et font émerger une pulsion de vie refoulée. ©Electre 2020
Dance --- Balls (Parties) --- Folk dancing --- Psychological aspects
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Dance --- Research. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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The lights dim and soon the theatre becomes dark. The audience conversations end with a few softly dissipating whispers, and the movie begins. Nina Sayers, a young ballerina, dances the prologue to Tchaikovskyas Swan Lake, a ballet expressing a story drawn from Russian folk tales about a princess who has been turned into a White Swan and can only be turned back if a man swears eternal fidelity to her. However, this is not that ballet. This is the beginning of Black Swan, a controversial movie employing symbolism in a complex interweaving of dance and film to reveal the struggles and paradoxes of everything from a female rite-of-passage to questions about where artistic expression should demand self-sacrifice and whether such sacrifice is worth the price. - - The dance floor is the stage of life, the place where physical actions take on the symbolic meanings of mythology and express the deepest archetypes of the human mind. This book explores how dance gives shape to those human needs and how it reflects, and even creates, the maps of meaning and value that structure our lives. Though it attempts to cover all the forms of dance, it focuses on four main categories: religious, artistic, social, and artistic. Since the American Musical and subsequent Musical Videos have both reflected and influenced our current world, they receive the most spacesuch acclaimed performers as Fred Astaire, Gene Kelly, Judy Garland, Ricky Nelson, Elvis Presley and Michael Jackson, such important composers and lyrists as Gershwin, Rodgers-and-Hammerstein, Porter, Berlin, Webber, Bernstein, the Beatles, and the Who, and such choreographers as Graham, Balanchine, Robbins and Fosse are examined in particular detail. -
Dance --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Mythology.
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Balls (Parties) --- Ballroom dancing --- Dance --- Dance parties --- Human body
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Iconography --- History of civilization --- balls [parties] --- courts [social groups]
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choreografie --- ballet --- dansexpressie --- danstechniek --- Theatrical science --- Dance --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance.
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ballet --- Theatrical science --- Dance --- -Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Encyclopedias --- -Encyclopedias --- Dances --- Dictionaries
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Dance Research Journal, a biannual publication of The Congress on Research in Dance (CORD), is oriented primarily toward historical and critical theory of dance. DRJ features articles, book reviews, research, and dialogues which span disciplines including anthropology, education, pedagogy, gender and sexuality, criticism, intercultural studies, and somatics. The journal also reports on scholarly conferences, archives, and other projects of interest to the field. DRJ encourages interdisciplinary approaches to dance and welcomes scholars in dance studies and related fields.
Dance --- Research --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Research.
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