Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ballett. --- Schlemmer, Oskar,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Schlemmer, Oskar, --- Bauhaus. --- Triadisches ballett (Choreographic work : Schlemmer).

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production."-- "Unworking Choreography considers the construct of dance as space versus art and postulates an unworking. This is evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production"--

Ballett. --- Choreografie. --- Dance --- MUSIC --- PERFORMING ARTS --- Philosophy --- Philosophie. --- Aesthetics. --- Philosophy. --- Genres & Styles --- Dance. --- Notation. --- Mind & Body.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Long description: Durant la période de la Première Modernité, l’Europe entière danse avec passion – et le Saint-Empire romain germanique ne fait pas exception. Toutefois, le modèle français de civilité et d’élégance des corps qui s’y impose après la guerre de Trente Ans, à travers la reprise du ballet de cour en milieu aulique ou la promotion de l’art français de la « belle danse » par des maîtres à danser urbains, déclenche une réflexion identitaire contrastée quant au spectacle des corps qui s’y donnent à voir. La reconstitution de ce riche paysage culturel fait apparaître les clivages qui traversent alors la société allemande, puisque au-delà des pratiques, ce sont leurs prémisses esthétiques, éthiques, théologiques et anthropologiques qui font l’objet de vifs débats et controverses. Si le style et les formes de danse, d’origine française, sont des exemples d’acculturation infructueuse dans l’espace germanique, l’art lui-même vit triompher sa pleine légitimité. Biographical note: Marie-Thérèse Mourey est professeur émérite d’histoire littéraire et culturelle du monde germanique à Sorbonne Université, Faculté des Lettres. Ses travaux portent notamment sur l’histoire des spectacles, du théâtre et de la danse du xvie au xviiie siècle, dans une perspective interdisciplinaire, sur les transferts culturels, ainsi que sur les questionnements religieux et identitaires en contexte européen.

Kirche --- Europa --- Körper --- Europe --- Teufel --- Tanz --- Ballett --- Ballet --- Heiliges Römisches Reich --- Ball --- Bal --- Corps --- Danse --- Diable --- Église --- Archetyp --- Archétype --- Saint Empire

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Gerhard, Roberto --- Unamuno, Miguel de --- Gerhard, Roberto --- (Produktform)Electronic book text --- (VLB-WN)9593 --- Zwölftontechnik --- Musikwissenschaft --- Musikgeschichte --- Tonalität --- Roberto Gerhard --- quixotischer Code --- Don Quixote --- Miguel de Unamuno --- Ballett