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"The singular fantasia from Michael Powell and Emeric Pressburger is cinema's quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina torn between an idealistic composer and a ruthless impresario intent on perfection. Featuring outstanding performances, blazingly beautiful cinematography by Jack Cardiff, Oscar-winning sets and music, and an unforgettable, hallucinatory central dance sequence, this beloved classic, dazzlingly restored, stands as an enthralling tribute to the life of the artist."
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This book tells the recent history of this theater's role as a powerhouse of contemporary dance. Featuring lavish photographs and including text by Sadler's Wells artistic director Alistair Spalding, it offers a unique behind-the-scenes insight into the creation of some of the world's most exciting and critically acclaimed new dance.
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"Early Days, Early Dancers documents the first decade of the National Ballet, focusing on the dancers of the 1950s, especially principal dancers Lois Smith, David Adams, Angela Leigh, Donald Mahler, and Celia Franca, herself a dancer and later the Company’s Artistic Director. With an enthusiastic foreword by Karen Kain, and a moving afterword by Veronica Tenant, the book includes pieces by twenty-two dancers, plus memorial tributes to dancers who have passed away. Contributions explore the dancer's journey through St. Lawrence Hall, summer school, rehearsal, and life on tour, as well as life after a career in dance. Portraits includes comments by the dancers on such figures as Celia Franca, Betty Oliphant, and Kay Ambrose among others, and memorial tributes to those dance figures who have died are written by well-known writers contemporaries such as Michal Crabbe, John Fraser, Vanessa Harwood, and Veronica Tenant. These memories of the Company's early dancers provide a unique impression of the origins of the National Ballet, and the history of dance in Canada, and highlight the way the present dances on the shoulders of those who have gone before."--
Ballet companies --- Ballet --- History --- National Ballet of Canada --- History.
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This book discusses how an internationally renowned ballet company sustained itself without financial support for years because of the energy and manipulations of its charismatic founder, Serge Diaghilev, while also reshaping modern ballet and music.
Ballet companies --- Finance. --- Diaghilev, Serge, --- Ballets russes --- History.
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"Les Ballets C de la B was founded by Alain Platel in 1984. Since then it has become a company that enjoys great success at home and abroad. Over the years, Platel has developed a unique choreographic oeuvre. His motto, 'This dance is for the world and the world is for everyone', reveals a deep social and political commitment. Through the three topics of emotions, gestures and politics, this book unravels the choreopolitics of Platel's Les Ballets C de la B. His choreopolitics go beyond conveying a (political) message because rather than defending one opinion, Platel is more concerned about the exposure of the complexity within the debate itself. Highly respected scholars from different fields contribute to this book to provide an interdisciplinary perspective on the intense emotions, the damaged narratives, and the precarious bodies in Platel's choreographic oeuvre"--
Platel, Alain --- Criticism and interpretation. --- Ballets C. de la B. --- Choreographers --- Ballet companies --- Ballet --- Ballet companies. --- Choreographers. --- Themes, motives. --- Political aspects --- Social aspects --- Social aspects. --- Platel, Alain. --- Belgium.
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"La représentation du monde de la danse classique oscille entre fascination et condamnation. Fascination pour les danseurs et danseuses qui se consacrent "corps et âme" à la recherche de l'excellence artistique. Condamnation de la souffrance et des sacrifices d'une vie d'ascète dans un univers compétitif à l'extrême. Le cinéma, la littérature et les médias véhiculent sans cesse une telle tension, comme en témoigne le film à succès Black Swan. Le Ballet de l'Opéra de Paris est au coeur de cette représentation fantasmatique, au point d'en être le modèle. Dévoilement des coulisses de cette institution prestigieuse, cet ouvrage montre comment les désirs des jeunes aspirants sont façonnés, entretenus ou remis en cause au fil d'une vie tout entière consacrée à la danse malgré des chances de réussite très incertaines. L'enquête menée auprès des élèves et de leurs parents, des professeurs et des anciens danseurs permet de saisir sur le vif les mécanismes sociaux qui amènent les danseurs à donner du sens à leur engagement. En suivant les danseurs et les danseuses dès l'entrée dans la pratique, durant la scolarité et jusqu'à leur départ à la retraite, Joël Laillier donne à voir la fabrique d'une élite artistique."--Page 4 of cover.
Ballet dancers --- Ballet companies --- Dance --- Ballet companies. --- Ballet dancers. --- Dance --- Sociological aspects. --- Sociological aspects. --- Opéra de Paris. --- Opéra de Paris. --- France
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Ballet. --- Ballet companies. --- Ballet dancers. --- Ballet --- Compagnies de ballet --- Danseurs de ballet
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How ballet repertory adapts, evolves, and reflects contemporary culture
Ballet companies --- Ballet dancers --- Ballet --- Dance companies --- Dancers --- History. --- Theatrical science
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Ballet companies --- Dance companies --- Companies, Dance --- Dance ensembles --- Dance troupes --- Ensembles, Dance --- Troupes, Dance --- Associations, institutions, etc. --- History --- Theatrical science --- dansgezelschappen
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