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Knipsels uit niet-literaire kranten en magazines over Nederlandse letterkunde.

Bal, Mieke,

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Aesthetics --- Aesthetics of art --- Art --- Art criticism --- Book --- Courses --- Bal, Mieke

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In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Sharing a lifetime of experience of writing about art, making films and installations, as well as curating exhibitions, she shows us how these may be brought into dialogue with insights from theory. Bal teaches us how to think with images, but also how to write and think - as artists and writers - about our own creative work. This is Mieke Bal at her most personal and her best.

Image (Philosophy) --- Thought and thinking --- Creation (Literary, artistic, etc.) --- Art critics --- Art --- Artistes --- Artists --- Creation (Literary, artistic, etc.). --- Critiques d'art --- Image (Philosophie). --- Image (Philosophy). --- Installations vidéo (Art). --- Pensée. --- Thinking. --- Thought and thinking. --- Video installations (Art). --- thinking. --- Philosophie. --- Philosophy. --- Bal, Mieke,

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John Akomfrah, CBE (né le 4 mai 1957) est un artiste, écrivain, réalisateur, scénariste, théoricien et conservateur britannique d’origine ghanéenne, dont « l’engagement pour un radicalisme à la fois politique et cinématographique trouve son expression dans tous ses films ». Fondateur du Black Audio Film Collective en 1982, il fait ses débuts en tant que réalisateur avec 'Handsworth Songs' (1986), qui examine les retombées des émeutes de Handsworth en 1985. Handsworth Songs a remporté le grierson Award du meilleur documentaire en 1987. Selon les mots du Guardian, il "s’est assuré la réputation d’être l’un des cinéastes pionniers du Royaume-Uni [dont] les œuvres poétiques ont été aux prises avec la race, l’identité et les attitudes postcoloniales pendant plus de trois décennies"

kunst --- film --- filmregisseurs --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- Akomfrah John --- Groot-Brittannië --- 7.071 AKOMFRAH --- Art --- ecology --- colonization --- migration [function] --- video art --- time --- montage [image-making technique] --- arrivals --- African diaspora --- Akomfrah, John --- Artists --- Colonialisme --- Akomfrah, John, --- Exhibitions --- Exhibition techniques. --- Technique. --- exhibitions [events] --- contemporary [generic time frame] --- philosophy of art --- Classical --- visitors --- Bal, Mieke --- Ausstellung --- Performance --- Videokunst --- Kunst --- Muséologie --- Art vidéo --- Artists - England - Interviews --- Akomfrah, John - Interviews --- Akomfrah, John, 1957 --- -Art --- -Ausstellung --- -Akomfrah, John --- dekolonisatie

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A survey of contemporary art and theory that proposes alternatives to outdated linear models of time. What does 'contemporary' actually mean? This is among the fundamental questions about the nature and politics of time that philosophers, artists and more recently curators have investigated over the past two decades. If clock time a linear measurement that can be unified, followed and owned is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed “anachronistic” or “heterochronic” readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question. This collection surveys contemporary art and theory that proposes a wealth of alternatives to outdated linear models of time.

hedendaagse kunst --- art theory --- time --- Contemporary [style of art] --- philosophy of art --- thema's in de kunst --- Art --- Dexter Sinister --- Starling, Simon --- Birnbaum, Daniel --- Nancy, Jean-Luc --- Steyerl, Hito --- Berardi, Franco --- Buckingham, Matthew --- Dogen --- Groys, Boris --- Archey, Karen --- Johannessen, Toril --- Deleuze, Gilles --- Bal, Mieke --- Batchen, Geoffrey --- Woodcock, George --- Filipovic, Elena --- Latour, Bruno --- Agamben, Giorgio --- Dillon, Brian --- Koester, Joachim --- Paglen, Trevor --- Bergson, Henri --- Stevenson, Michael --- Abramovic, Marina --- Gormley, Antony --- Calvino, Italo --- Ufan, Lee --- nova Milne --- Serres, Michel --- Kübler, Georg --- Krauss, Rosalind --- Verwoert, Jan --- Heathfield, Adrian --- Chan, Paul --- Borges, Jorge Luis --- Augustine of Hippo --- Raqs Media Collective [New Delhi] --- anno 2000-2009 --- anno 1900-1999 --- Time in art. --- Arts, Modern --- Temps dans l'art --- Arts --- Time in art --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.038/039 --- Sugimoto Hiroshi --- Steyerl Hito --- Starling Simon --- Sleigh Sylvia --- Raqs media collective --- Paterson Katie --- Parreno Philippe --- Paglen Trevor --- Milne Nova --- Marclay Christian --- Ufan Lee --- Koester Joachim --- Kawara On --- Johannessen Toril --- Hsieh Tehching --- Gormley Anthony --- Eilasson Olafur --- Sinister Dexter --- Davey Moyra --- Chan Paul --- Cardiff Janet --- Buckingham Matthew --- Alÿs Francis --- Aitken Doug --- Abramovic Marina --- tijdelijkheid --- tijd --- 7.049 --- Beeldende kunst ; het begrip TIJD in de hedendaagse kunst --- Thema's in de kunst ; tijd --- Beeldende kunst ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Temporalité --- Temps --- Kubler, George --- Kunst --- kunsttheorie --- kunstfilosofie --- Augustinus, Aurelius --- MAD-faculty 14 --- kunstkritiek --- Lee, Ufan --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- Histoire de l'art --- Philosophie --- Intemporalité --- Perception --- Rythme --- Économie politique