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Bacchylides Carmina cum fragmentis
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ISBN: 3110977338 3598711166 3111872769 9783110977332 9783598711169 Year: 2003 Publisher: Monachii

Pindar's poetry, patrons, and festivals
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ISBN: 128115511X 9786611155117 0191537985 9780191537981 6611155112 0199296723 9780199296729 9780199296729 1383044090 Year: 2007 Publisher: Oxford New York Oxford Univ. Press

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Abstract

Presents a collection of essays about the praise ('epinikian') poetry of the classical poets Pindar and Bacchylides. The social and physical, as well as the literary, background to these poems celebrating athletic victory is explored in light of the archaeological and sociological insights.

Bacchylides : politics, performance, poetic tradition.
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ISBN: 9780199215508 0199215502 0191707015 9786611149437 1281149438 0191526967 Year: 2007 Volume: *41 Publisher: Oxford Oxford university press

The Victory ode : an introduction
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ISBN: 0815550456 Year: 1976 Publisher: Park Ridge Noyes Press

Dithyrambes
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ISBN: 2251004300 9782251004303 Year: 1993 Volume: 355 Publisher: Paris Belles Lettres

Pindar's poetry, patrons, and festivals : from archaic Greece to the Roman Empire.
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ISBN: 9780199296729 Year: 2007 Publisher: Oxford Oxford university press

Poetische Argumentation : die Funktion der Gnomik in den Epinikien des Bakchylides.
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ISBN: 3110181274 9786613396839 1283396831 3110204789 9783110204780 9783110181272 Year: 2004 Publisher: Berlin de Gruyter

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Abstract

Die Gnomai in den Epinikien des griechischen Chorlyrikers Bakchylides haben als vermeintlich konventionelles Beiwerk in der Forschung bislang wenig Interesse gefunden. Im Anschluss an ein zunächst entwickeltes Gattungsmodell des Epinikions weist Stenger in Einzelinterpretationen nach, welch zentrale Bedeutung den Gnomai für die Sinnkonstitution im Siegeslied zukommt. Da die Gnomik im Wesentlichen ethisch-moralische Werte vor einem größeren Publikum vertritt, ordnet er sie in einem zweiten Schritt in den zeitgeschichtlichen Kontext des jeweiligen Liedes ein. Erst diese konsequente Historisierung zeigt, dass Bakchylides seine Gnomai geschickt an die verschiedenen soziopolitischen Gegebenheiten und den Erwartungshorizont seines Auditoriums anpasst. Diese Beobachtungen lassen den Kommunikationsprozess chorlyrischer Dichtung zwischen dem Epinikiendichter, seinem Auftraggeber und dem Publikum in einem neuen Licht erscheinen. The Gnomai in the Epinician Odes and Dithyrambs of Bacchylides have hitherto been regarded as an allegedly conventional accompaniment and thus attracted little attention in research. Following the development of a genre model for the epinicion, individual interpretations demonstrate the central significance of the Gnomai in constituting the sense of the Epinicion. As the gnome essentially represents ethical and moral values to a large audience, a second stage of the study relates it to the contemporary historical context of the relevant text. It takes this rigorous contextualisation to show how Bacchylides skilfully fits his Gnomai to the various socio-political factors and the expectations of his audience. These observations cast new light on the communication process in lyrical choral poetry between the composer of the epinicion, his patron and the public.

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