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Cet ouvrage propose une réflexion sur la transmission culturelle et ses mécanismes en Afrique. Jadis, les Baga de Guinée-Conakry ont été de talentueux sculpteurs de masques et de puissants ritualistes connus pour leurs sociétés d'initiation masculines. Dimba, un buste féminin colossal en bois, et le masque serpentiforme Bansonyi témoignent, entre autres, de leur histoire religieuse et font aujourd'hui partie des chefs-d'œuvre de l'art africain. Avec la venue de l'islam et du catholicisme, ces sociétés de Guinée maritime ont été transformées en profondeur, mais elles restent aussi héritières de leur passé. En l'absence d'initiations et de forêts sacrées, de nombreux éléments de l'édifice rituel d'antan ont persisté jusqu'à ce jour. Au fil des pages de cet ouvrage, le lecteur est amené à explorer les usages passés des objets baga, mais aussi ce qui reste aujourd'hui de l'héritage de ces populations littorales.
Art, Baga --- Sculpture --- Baga (African people) --- Art Baga --- Baga (Peuple d'Afrique) --- Social life and customs --- Moeurs et coutumes
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Baga [culture or style] --- Nalu --- Guinea
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Guinea --- Art, Guinea-Bissauan --- Sculpture --- Art bissau-guinéen --- 702.3 --- Baga --- West-Afrika --- afrikaanse kunst --- cultuurgeschiedenis --- maskers --- mythen --- kunstgeschiedenis, primitieve volken --- Arts, Baga. --- Arts, Black --- Baga (African people) --- Rites and ceremonies. --- Art bissau-guinéen --- Arts, Baga --- Bago (African people) --- Ethnology --- Black arts --- Negro arts --- Baga arts --- Rites and ceremonies
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Folklore --- Sculpture --- sculpture [visual works] --- masks [costume] --- Baga [culture or style] --- Guinea
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Art --- philosophy --- ecology --- elections --- video art --- light art --- political art --- globalization --- Baga, Trisha --- United States of America
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The Politics of Religious Change on the Upper Guinea Coast offers an in-depth analysis of an iconoclastic religious movement initiated by a Muslim preacher among coastal Baga farmers in the French colonial period. With an ethnographic approach that listens as carefully to those who suffered iconoclastic violence as to those who wanted to 'get rid of custom', this work discusses the extent to which iconoclasm produces a rupture of religious knowledge and identity, and analyses its relevance in the making of modern nations and citizens. The book will appeal to a wide range of readers, particular
Iconoclasm --- Idols and images --- History --- Worship --- Guinea --- Ginia --- Guinée --- Gvinei︠a︡ --- Gvineĭskai︠a︡ Respublika --- Gvineja --- Republic of Guinea --- République de Guinée --- République populaire révolutionnaire de Guinée --- Гвинея --- ギニア --- French Guinea --- Religion. --- Iconoclasme --- Religion --- Guinée --- Religion et politique --- Baga (peuple d'Afrique) --- Islam --- Femmes
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This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.
Applied arts. Arts and crafts --- figurines --- decorative arts [discipline] --- maskers --- African [general, continental cultures] --- Bamana --- Baga [culture or style] --- Igbo [Southern Nigerian style, culture] --- Chamba [Nigerian] --- Fang [culture or style] --- Lega --- Maasai [culture or style] --- Aesthetics, African --- Aesthetics, African. --- Art africain --- Art, African --- Art, African. --- Esthétique africaine --- PHILOSOPHY / Aesthetics. --- Sculpture africaine --- Sculpture, African --- Sculpture, African.
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Mangrove rice farming on West Africa's Rice Coast was the mirror image of tidewater rice plantations worked by enslaved Africans in 18th-century South Carolina and Georgia. This book reconstructs the development of rice-growing technology among the Baga and Nalu of coastal Guinea, beginning more than a millennium before the transatlantic slave trade. It reveals a picture of dynamic pre-colonial coastal societies, quite unlike the static, homogenous pre-modern Africa of previous scholarship. From its examination of inheritance, innovation, and borrowing, Deep Roots fashions a theory of cultural change that encompasses the diversity of communities, cultures, and forms of expression in Africa and the African diaspora.
Baga (African people) --- Nalu (African people) --- Rice farmers --- Rice trade --- Rice --- Slave trade --- Slavery --- Agriculture --- History --- SOCIAL SCIENCE --- Anthropology / Cultural --- History & Archaeology --- Regions & Countries - Africa --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Lowland paddy --- Lowland rice --- Oryza sativa --- Paddy (Plant) --- Padi --- Palay --- Rice industry --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Oryza --- Grain trade --- Farmers --- Rice workers --- Enslaved persons
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motion pictures [visual works] --- video recordings --- private collections --- Art --- installations [visual works] --- new media art --- Denny, Simon --- Wekua, Andro --- Rottenberg, Mika --- Kelley, Mike --- Buckingham, Matthew --- Young, Aaron --- Gaillard, Cyprien --- Just, Jesper --- Allora and Calzadilla --- Lidén, Klara --- Oursler, Tony --- Boyd, Robert --- Trecartin, Ryan --- Alÿs, Francis --- Zielony, Tobias --- Aitken, Doug --- Bonvicini, Monica --- Baga, Trisha --- Bock, John --- Atkins, Ed --- Chan, Paul --- Jankowski, Christian --- Cytter, Keren --- Wedemeyer, von, Clemens --- Heijne, ter, Mathilde --- anno 2010-2019 --- anno 2000-2009 --- anno 1990-1999 --- video recordings [physical artifacts] --- private collections [object groupings]
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Ethnology. Cultural anthropology --- Sculpture --- sansas --- Bobo --- Mbembe [Cross River style] --- Bamum --- Bena [Central Tanzanian style] --- mintadi --- Banda [culture or style] --- Mau --- déblés --- Mbali --- Benin [ancient Nigerian style] --- Bamana --- Dogon [culture or style] --- Mossi --- Lobi --- Senufo [culture or style] --- Gurunsi --- Saô [Central Sudanese region style] --- Baga [culture or style] --- Dan [Mande style] --- Guro --- Kissi [culture or style] --- Mende --- Wee [culture or style] --- Asante --- Anyi --- Baule [culture] --- Yohure --- Fante --- Fon [culture or style] --- Urhobo [culture] --- Igbo [Southern Nigerian style, culture] --- Ibibio --- Ogoni --- Oron --- Ejagham --- Jukun [culture or style] --- Mambila [culture or style] --- Mumuye --- Goemai --- Bamileke --- Fang [culture or style] --- Kota [Kota-Mbete region style] --- Punu --- Massango --- Kuyu --- Vili --- Bembe [Kongo] --- Pende --- Teke [culture or style] --- Yaka [Kwango-Kwilu region style] --- Chokwe-Lunda --- Kuba [Democratic Republic of Congo style] --- Lulua --- Hemba [culture or style] --- Songye --- Lega --- Konso --- Sub-Saharan Africa
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