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storytelling --- Fiction --- Literary semiotics --- Film --- Los Angeles --- A la poursuite d'Octobre rouge (Film) --- Alien (Film) --- Alien (Motion picture) --- Amadeus (Film) --- Amadeus (motion picture) --- Back to the Future (Film) --- Back to the Future (motion picture) --- Desperately Seeking Susan (Film) --- Desperately Seeking Susan (motion picture) --- Film authorship --- Groundhog Day (motion picture) --- Hannah and Her Sisters (Film) --- Hannah and Her Sisters (motion picture) --- Hunt for Red October, The (Film) --- Hunt for Red October, The (motion picture) --- Motion picture authorship --- Motion picture writing --- Parenthood (Film) --- Parenthood (motion picture) --- Retour vers le futur (Film) --- Silence des Agneaux, Le (Film) --- Silence of the Lambs (Film) --- Silence of the Lambs (Motion picture) --- Tootsie (Film) --- Tootsie (motion picture) --- Motion picture authorship. --- Motion picture plays --- Cinéma --- Scénarios de cinéma --- Technique. --- Art d'écrire --- Technique --- -#SBIB:309H1320 --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture scriptwriting --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Play-writing --- Cinéma --- Scénarios de cinéma --- Art d'écrire --- #SBIB:309H1320 --- United States --- Los Angeles [California]