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Zur Vorstellung des Terrors : die RAF-Ausstellung.
Authors: --- --- --- --- --- et al.
ISBN: 386521102X Year: 2005 Publisher: Göttingen Steidl

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Terrorists on Trial : A Performative Perspective
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ISBN: 9087283288 9400602359 9087282400 Year: 2016 Publisher: Leiden Leiden University Press

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Terrorism trials are an exceptional opportunity for better understanding and, hence, countering terrorism, since they are often the only place where most if not all of the actors of a terrorist incident meet again, and where the media report and broadcast their respective accounts. Seeing terrorism trials as a stage where legal instruments are used (and abused) to argue the validity of contested political constructs, this study presents a performative perspective to draw attention to the mechanisms and effects of terrorism trials in and outside the courtroom. With a special focus on how the power of these performances may in turn shape new narratives of justice and/or injustice, it offers vital insights into terrorism trials directed involving different types of terrorism suspects, from left-wing to ethno-nationalist and jihadist terrorists, in Spain, Russia, Germany, the Netherlands, and the US.


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Hitler's children.
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ISBN: 0586046658 Year: 1978 Publisher: Saint-Albans Granada

Gerhard Richter : October 18, 1977
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ISBN: 0870700235 9780870700231 Year: 2000 Publisher: New York The Museum of Modern Art

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Destined to rank among the most eloquent and thorough examinations of a major suite of paintings, Gerhard Richter: October 18, 1977 combines a lean, persuasively argued text with an elegantly sober design suited to the subject matter. Richter's 15 black-and-white paintings commemorate the day two leaders of the radical German Baader-Meinhof group, disillusioned men and women in their 30s and early 40s whose loyalty to the dogma of the Red Army Faction had led them to commit numerous terrorist acts, were found dead in their prison cells. Gudrun Ensslin appeared to have hung herself. Andreas Baader had been fatally shot. Jan-Carl Raspe was near death from a bullet wound. Two other members of the group had died in prison earlier in the '70s: Holger Meins after a hunger strike; Ulrike Menihof, by hanging. On the Left, there was widespread suspicion the dead had been murdered. Photographs of the Baader-Meinhof members were ubiquitous in newspapers of the day; their images were as familiar to Germans as machine gun-toting Patty "Tania" Hearst was to Americans. Using photographs as models, Richter painted the dead with a subtle technique--a blurring of certain details and an elegiac use of gray--that calls into question the murkiness of historical "knowledge" and emphasizes the uneasy mixture of compassion and horror evoked by the group's fate. Yet, even though Richter waited until 1988 to paint the series, he was denounced either for glorifying a bunch of killers or for using his international fame to exploit the Left. Author Robert Storr, a curator at MoMA, which now owns the series, answers these arguments by looking systematically at postwar German politics, the tradition of history painting, and the dilemmas and decisions of a leading contemporary painter. --(Cathy Curtis).

Bringing the war home : the Weather Underground, the Red Army Faction, and revolutionary violence in the sixties and seventies
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ISBN: 0520241193 Year: 2004 Publisher: Berkeley (Calif.) : University of California press,

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In this first comprehensive comparison of left-wing violence in the United States and West Germany, Jeremy Varon focuses on America's Weather Underground and Germany's Red Army Faction to consider how and why young, middle-class radicals in prosperous democratic societies turned to armed struggle in efforts to overthrow their states. Based on a wealth of primary material, ranging from interviews to FBI reports, this book reconstructs the motivation and ideology of violent organizations active during the 1960s and 1970s. Varon conveys the intense passions of the era--the heat of moral purpose, the depth of Utopian longing, the sense of danger and despair, and the exhilaration over temporary triumphs. Varon's compelling interpretation of the logic and limits of dissent in democratic societies provides striking insights into the role of militancy in contemporary protest movements and has wide implications for the United States' current "war on terrorism." Varon explores Weatherman and RAF's strong similarities and the reasons why radicals in different settings developed a shared set of values, languages, and strategies. Addressing the relationship of historical memory to political action, Varon demonstrates how Germany's fascist past influenced the brutal and escalating nature of the West German conflict in the 60s and 70s, as well as the reasons why left-wing violence dropped sharply in the United States during the 1970s. 'Bringing the War Home' is a fascinating account of why violence develops within social movements, how states can respond to radical dissent and forms of terror, how the rational and irrational can combine in political movements, and finally how moral outrage and militancy can play both constructive and destructive roles in efforts at social change.


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De waargebeurde verhalen van 's werelds beruchtste terroristen
Authors: --- ---
ISBN: 9077941061 Year: 2005 Publisher: Gent Borgerhoff & Lamberigts


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Mythos RAF : literarische und filmische Mythentradierung von Bölls "Katharina Blum" bis zum "Baader Meinhof Komplex".
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ISBN: 9783506773784 350677378X 3657773789 9783657773787 Year: 2012 Publisher: Paderborn Schöningh

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Die Frage nach dem Mythos RAF und seinen Bestandteilen geistert durch die Terrorismus-Debatten der letzten Jahre, ohne dass genauere Definitionen oder Erklärungen greifbar wären.Welche Mythen zirkulieren über die »Rote Armee Fraktion« und wer hat sie geschaffen? Welche Mythenbestandteile sind heute noch von Bedeutung und welche Bilder der RAF werden dabei vermittelt? Und nicht zuletzt: Welche Bedeutung haben die Wandlungen des Mythos RAF für die bundesrepublikanische Erinnerungskultur? Anhand von Motiven aus Spielfilmen und Romanen zeigt Cordia Baumann nicht nur Ansatzpunkte zur Mythenbildung auf, sondern verfolgt auch die Entwicklung und Veränderung einzelner Mythen um die RAF und ihre Protagonistinnen und Protagonisten.


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Der Gruppenstil der RAF im "Info"-System
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ISBN: 1281990655 9786611990657 3111735303 3110210827 9783110210828 9783110208108 3110208105 Year: 2008 Publisher: Berlin New York Walter de Gruyter

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In der Abhandlung wird der Stil der Texte aus dem Info-System untersucht. Das Info-System diente den inhaftierten Mitgliedern der RAF in den 1970er Jahren dazu, der Haftsituation zum Trotz die Kommunikation untereinander aufrechtzuerhalten. Da die in den Info-Texten verwendete Ausdrucksform als Gruppenstil zu kategorisieren ist, wird im Theorieabschnitt der Untersuchung der Forschungsstand zu diesem Stiltyp referiert, bevor ein systemtheoretischer Ansatz zur Erklärung gruppenstilistischer Phänomene entwickelt wird. Dafür wird die luhmannsche Kommunikationstheorie (sozio-)linguistisch reformuliert, indem die von Luhmann genannten kommunikativen Selektionen mit den sprechakttheoretischen Teilakten ins Verhältnis gesetzt werden. Damit wird es möglich, die Bedeutung von Stil für die Anschlussfähigkeit von Kommunikation systemtheoretisch zu erklären. Im Analyseabschnitt werden unter Berücksichtigung der verwendeten Textsorten und mit Hilfe eines über- und intertextuellen Vergleichsverfahrens die Stilelemente ermittelt, die sich zum Gruppenstil der RAF im Info-System synthetisieren. Auf Grundlage der detaillierten Beschreibung der Stilstruktur werden Sinnzuschreibungen formuliert, die u.a. die revolutionäre Sprachgewalt der RAF thematisieren.

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