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Le genre pastoral au 16e siècle: Sannazar et Belleau
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Year: 1974 Publisher: Paris Éditions universitaires

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Book
Remy Belleau et l'art de guérir
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Year: 2013 Publisher: De Gruyter

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This book fills a gap in the market as it ranges over the whole of Belleau's work, rather than concentrating solely on La Bergerie or Les Amours et nouveaux eschanges des pierres precieuses. It starts by asking why a group of doctors produced a French edition of Belleau in 1945. It moves on to consider sickness and healing in Belleau's work, studying the comedy, La Reconnue, and the macaronic poem, the Dictamen metrificum, alongside the better-known texts. Throughout, it emphasizes the importance of the political and religious background of the time. A miraculous stick that Belleau describes in La Bergerie is seen in the first chapter of L'Art de guérir as a symbol of therapeutic powers. The second chapter considers love and the poet's debt to other writers, such as Sappho or Ficino (Belleau was erudite and eclectic). Les Amours de David et de Bersabee is the focal point of Chapter 3; once again one sees the corrosive powers of love, and the ability of poetry and music to transform suffering into beauty. Mention is made of the various academies, which were important in Belleau's development. Chapter 4 traces the motif of illness in La Reconnue and links it to religious turmoil. This connection is even clearer in the Dictamen metrificum de bello huguenotico, a strange, savagely humorous text (Chapter 5). Chapter 6 concerns Belleau's poems on precious stones, surely the pinnacle of his achievement. In those, therapy is an explicitly articulated motif, while religious faith is crucial. The conclusion suggests parallels with writers such as Saint Augustine, Rabelais, Du Bellay and Montaigne.


Book
Remy Belleau et l'art de guérir
Author:
Year: 2013 Publisher: De Gruyter

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Abstract

This book fills a gap in the market as it ranges over the whole of Belleau's work, rather than concentrating solely on La Bergerie or Les Amours et nouveaux eschanges des pierres precieuses. It starts by asking why a group of doctors produced a French edition of Belleau in 1945. It moves on to consider sickness and healing in Belleau's work, studying the comedy, La Reconnue, and the macaronic poem, the Dictamen metrificum, alongside the better-known texts. Throughout, it emphasizes the importance of the political and religious background of the time. A miraculous stick that Belleau describes in La Bergerie is seen in the first chapter of L'Art de guérir as a symbol of therapeutic powers. The second chapter considers love and the poet's debt to other writers, such as Sappho or Ficino (Belleau was erudite and eclectic). Les Amours de David et de Bersabee is the focal point of Chapter 3; once again one sees the corrosive powers of love, and the ability of poetry and music to transform suffering into beauty. Mention is made of the various academies, which were important in Belleau's development. Chapter 4 traces the motif of illness in La Reconnue and links it to religious turmoil. This connection is even clearer in the Dictamen metrificum de bello huguenotico, a strange, savagely humorous text (Chapter 5). Chapter 6 concerns Belleau's poems on precious stones, surely the pinnacle of his achievement. In those, therapy is an explicitly articulated motif, while religious faith is crucial. The conclusion suggests parallels with writers such as Saint Augustine, Rabelais, Du Bellay and Montaigne.


Book
Remy Belleau et l'art de guérir
Author:
Year: 2013 Publisher: De Gruyter

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Abstract

This book fills a gap in the market as it ranges over the whole of Belleau's work, rather than concentrating solely on La Bergerie or Les Amours et nouveaux eschanges des pierres precieuses. It starts by asking why a group of doctors produced a French edition of Belleau in 1945. It moves on to consider sickness and healing in Belleau's work, studying the comedy, La Reconnue, and the macaronic poem, the Dictamen metrificum, alongside the better-known texts. Throughout, it emphasizes the importance of the political and religious background of the time. A miraculous stick that Belleau describes in La Bergerie is seen in the first chapter of L'Art de guérir as a symbol of therapeutic powers. The second chapter considers love and the poet's debt to other writers, such as Sappho or Ficino (Belleau was erudite and eclectic). Les Amours de David et de Bersabee is the focal point of Chapter 3; once again one sees the corrosive powers of love, and the ability of poetry and music to transform suffering into beauty. Mention is made of the various academies, which were important in Belleau's development. Chapter 4 traces the motif of illness in La Reconnue and links it to religious turmoil. This connection is even clearer in the Dictamen metrificum de bello huguenotico, a strange, savagely humorous text (Chapter 5). Chapter 6 concerns Belleau's poems on precious stones, surely the pinnacle of his achievement. In those, therapy is an explicitly articulated motif, while religious faith is crucial. The conclusion suggests parallels with writers such as Saint Augustine, Rabelais, Du Bellay and Montaigne.


Book
Le théâtre français au XVIe et au XVIIe siècle ou Choix des comédies les plus remarquables antérieures à Molière : avec une introduction et une notice sur chaque auteur
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Publisher: Paris Garnier Frères

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Lumières de la pléiade : neuvième stage international d'études humanistes, Tours 1965
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Year: 1966 Publisher: Paris : Librairie J. Vrin,


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Poètes du XVIe siècle
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Year: 1762 Publisher: Paris J'ai lu


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Anthologie de la poésie française
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Year: 1944 Publisher: Paris Le Carrefour

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Keywords

RUDEL Jauffré, --- Born, Bertran de --- de Coucy, Guy --- Brule, Gace --- Champagne, Thibaut IV de --- Muset, Colin --- Rutebeuf, --- Lorris, Guillaume de --- Froissart, Jean --- Deschamps, Eustache --- Villon, François --- Gringore, Pierre --- Navarre, Marguerite de --- Du Bellay, Joachim --- Belleau, Rémy --- BAIF, Jean-Antoine de --- Garnier, Robert --- Jamyn, Amadis --- De la Ceppede, Jean --- D'Aubigné, Aggripa --- Malherbe, François de --- Sponde, Jean de --- Saint-Amand, Marc-Antoine de --- L'Hermite, François-Tristan --- Le Moyne, François --- Corneille, Pierre --- Brebeuf, Georges de --- Boileau-Despreaux, Nicolas --- Racine, Jean --- Voltaire, François Marie Arouet dit --- Delille, Jacques --- Gilbert, Nicolas --- Chenier, André --- Hugo, Victor --- Sainte-Beuve, Charles-Augustin --- Nerval, Gérard de --- Musset, Alfred de --- Guerin, Maurice de --- Leconte de Lisle, Charles-Marie --- Banville, Théodore de --- Mistral, Frédéric --- Corbière, Tristan --- Verlaine, Paul --- Rimbaud, Arthur --- Nouveau, Germain --- Moréas, Jean --- Laforgue, Jules --- Régnier, Henri de --- Toulet, Paul-Jean --- Claudel, Paul --- Noailles, Anna de --- Fargue, Léon-Paul --- Muselli, Vincent --- Apollinaire, Guillaume --- Noel, Marie --- Supervielle, Jules --- Eluard, Paul --- La Tour du Pin, Patrice, de --- Guillaume IX, --- Ventadour, Bernard de --- Marseille, Foulque --- Clopinel, Jean --- Machaut, Guillaume de --- Pisan, Christine de --- Regnier, Jean --- Paris, Martial de --- Taillevent, Michault --- Le Maire de Belges, Jean --- Heroet, Antoine --- Marot, Clément --- Scève, Maurice --- Du Guillet, Pernette --- Thyard, Pontus de --- Ronsard, Pierre de --- Labé, Louise --- Tahureau, Jacques --- Bastier de la Peruse, Jean --- Jodelle, Estienne --- Passerat, Jean --- GREVIN, Jacques --- Bertaut, Jean --- Regnier, Mathurin --- Racan, Honorat de Bueil --- Viau, Théophile de --- Dalibray, Charles Von de --- La Fontaine, Jean de --- Molière, --- Le Franc de Pompignan, Jean-Jacques --- Chaulieu, Abbé de --- Rousseau, Jean-Baptiste --- Ecouchard le Brun, Ponce-Denis --- Parny, Evariste de --- Desbordes-Valmore, Marceline --- Vigny, Alfred de --- Barbier, Auguste --- Gautier, Théophile --- Mallarmé, Stéphane --- Heredia, José-Maria de --- Jammes, Francis --- Maurras, Charles --- Valéry, Paul --- Fort, Paul --- Peguy, Charles --- Jacob, Max --- Cocteau, Jean --- Audiberti, Jacques


Book
Le livre d'or de la poésie française : Des origines à 1940
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Year: 1967 Publisher: Verviers Gérard & Co

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Keywords

Poésie française --- Ceppède, Jean de la --- Guillaume IX, --- Rudel, Jaufre --- Ventadour, Bernard de --- Froidmont, Hélinand de --- Marcabru, Pierre --- Beaumanoir, Philippe de --- Pisan, Christine de --- Chartier, Alain --- Orléans, Charles d' --- Flamant, Guillaume --- Rabelais, François --- Marot, Clément --- Espine du Pont-Alletz, Jean de --- Periers, Bonaventure des --- Scève, Maurice --- Thyard, Pontus de --- Magny, Olivier, de --- Ronsard, Pierre de --- Labé, Louise --- Jodelle, Estienne --- Baïf, Jean-Antoine de --- Sponde, Jean, de --- Régnier, Mathurin --- Chassignet, Jean-Baptiste --- Racan, Honorat de Bueil --- Saint-Amant, --- L'Hermite, Tristan --- Fourcroy, Bonaventure de --- Benserade, Isaac de --- La Fontaine, Jean de --- Le Petit, Claude --- Chérrier, Abbé Claude --- Bertin, --- Parny, Evariste de --- Chateaubriand, --- Nodier, Charles --- Desbordes-Valmore, Marceline --- Vigny, Alfred de --- Bertrand, Aloysius --- Lisle, Charles Marie Leconte --- Baudelaire, Charles --- Cros, Charles --- Mallarmé, Stéphane --- Hérédia, José Maria de --- Lautréamont, --- Roux, Saint-Pol --- Elskamp, Max --- Le Roy, Grégoire --- Jammes, Francis --- Valéry, Paul --- Fagus, Georges --- Fort, Paul --- Péguy, Charles --- Levet, H. J-M --- Jacob, Max --- Lubicz-Milosz, Oscar Venceslas de --- Segalen, Victor --- Larbaud, Valéry --- Hellens, Franz --- Vildrac, Charles --- Carco, Francis --- Perse, Saint-John --- Cocteau, Jean --- Dy, Melot du --- Sauvage, Marcel --- Aragon, Louis --- Thiry, Marcel --- Morand, Paul --- Péret, Benjamin --- Audiberti, Jacques --- Michaux, Henri --- Lecomte, Marcel --- Fombeure, Maurice --- la Tour de Pin, Patrice de --- Comtesse de Die, --- Thaun, Philippe de --- France, Marie de --- Troyes, Chrétien de --- Born, Bertran de --- Coucy, Le Chatelain de --- Brulé, Gace --- Lorris, Guillaume de --- Meung, Jean de --- Muset, Colin --- Brunet, Latin --- Rutebeuf, --- Couvin, Watriquet Brassenel de --- Deschamps, Eustache --- Herenc, Baudet --- Meschinot, Jean --- Villon, François --- Molinet, Jean --- Collerye, Roger de --- Gringore, Pierre --- Blosseville, --- Navarre, Marguerite de --- Plantin, Christophe --- Guillet, Pernette du --- Du Bellay, Joachim --- Belleau, Rémy --- Grévin, Jacques --- Jamyn, Amadis --- Salluste, Guillaume de --- Desportes, Philippe --- la Bergerie, Gilles Durant de --- Sigogne, Charle-Timoléon de --- Aubigné, Agrippa d' --- Papillon de Lasphrise, Marc de --- Malherbe, François de --- Viau, Théophile, de --- Corneille, Pierre --- Cyrano de Bergerac, --- Pavillon, Etienne --- Boileau-Drespréaux, Nicolas --- Racine, Jean --- Diderot, Denis --- Joubert, --- Chénier, André --- Hugo, Victor --- Nerval, Gérard de --- Forneret, Xavier --- Musset, Alfred de --- Verlaine, Paul --- Corbière, Tristan --- Bruant, Aristide --- Nouveau, Germain --- Rimbaud, Arthur --- Rodenbach, Georges --- Clément, Jean-Baptiste --- Verhaeren, Emile --- Moréas, Jean --- Laforgue, Jules --- Barrès, Maurice --- Maeterlinck, Maurice --- Tellier, Jules --- Merrill, Stuart --- Régnier, Henri de --- Fourest, Georges --- Schwob, Marcel --- Toulet, Paul-Jean --- Claudel, Paul --- Spire, André --- Gide, André --- Bataille, Henry --- Klingsor, Tristan --- Noailles, Anna de --- Fargue, Léon-Paul --- Larguier, Léo --- Deubel, Léon --- Muselli, Vincent --- Apollinaire, Guillaume --- Salmon, André --- Mac Orlan, Pierre --- Noël, Marie --- Duhamel, Georges --- Supervielle, Jules --- Allard, Roger --- Romains, Jules --- Cendrars, Blaise --- Jouve, Pierre Jean --- Reverdy, Pierre --- Goll, Yvan --- Eluard, Paul --- Breton, André --- Tzara, Tristan --- Soupault, Philippe --- Norge, Georges --- Périer, Odilon-Jean --- Follain, Jean --- Queneau, Raymond --- Char, René --- Daumal, René --- Venturini, Jean

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