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Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Avant-garde (Aesthetics) --- Popular music --- Aesthetics --- Modernism (Art) --- History and criticism

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Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Apollinaire, Guillaume --- Criticism and interpretation --- Influence --- Literature [Experimental ] --- History and criticism --- Apollinaire, Guillaume, - 1880-1918 - Criticism and interpretation. --- Apollinaire, Guillaume, - 1880-1918 - Influence.

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Drawing --- Painting --- Iconography --- photography [process] --- textile materials --- drawing [image-making] --- Photography --- painting [image-making] --- Applied arts. Arts and crafts --- Albers, Anni --- Albers, Josef --- anno 1900-1999 --- United States --- Germany --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Albers, Josef & Anni --- Albers, Jozef --- Europa --- Amerika --- Art collections --- Indian art --- Private collections --- Albers, Jozef. --- Albers, Anni. --- Europa. --- Amerika. --- kunstenaarspaar --- United States of America

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This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned ready-mades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.

7.01 --- Kunsttheorie ; Avant-Garde ; Neo-Avant-Garde --- Kunst ; theorie, filosofie, esthetica --- Arts, Modern --- Avant-garde (Aesthetics) --- History --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Art --- Arts --- Avant-garde (Esthétique) --- Histoire --- Aesthetics --- Modernism (Art) --- Arts [Modern ] --- 20th century --- 21st century

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In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends.

Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Progress --- Progrès --- Vooruitgang --- Aesthetics. --- Avant-garde (Aesthetics). --- Progress. --- Aesthetics --- Avant-garde (Aesthetics) --- Philosophy --- Philosophy & Religion --- Social progress --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Modernism (Art) --- Civilization --- Regression (Civilization) --- Social stability --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- philosophy --- kunst en kunstgeschiedenis --- filosofie --- historical treatment of fine and decorative arts