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The central argument of the thesis, the representation and reception of otherness, is followed throughout White's novels with the support of a complex critical instrumentarium made up of postcolonial theory, reader response theory, cultural-critical frameworks, alterity theory, and narratology. Otherness in its manifold representations is a main component of Patrick White's fiction. It functions on several levels and this requires a deeper entanglement on the part of the reader. The different levels previously referred to are embodied in the various Others who people White's novels: ethnic Others as members of the Australian multicultural society and the Aborigines as colonial Others, as well as gender Others, who also play an important role in White's fictional world. Reading Patrick White is an exercise in tolerance, endurance and acceptance of alternatives. But the efforts of the reader do not remain unrewarded. In his endeavour to change what it meant to imagine Australia, the writer broke down the barriers of what it meant to imagine otherness.

White, Patrick (1912-1990) --- Autre (philosophie) --- Australie --- Critique et interprétation --- Dans la littérature

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La question de l'intersubjectivité constitue un des thèmes majeurs de la phénoménologie. C'est également un des aspects de la pensée de Husserl qui a été la cible des critiques les plus sévères et les plus nombreuses. Pourtant, aussi surprenant que cela puisse paraître, on ne s'est pratiquement jamais intéressé à l'origine de cette question chez Husserl. Le présent ouvrage entend combler cette lacune en étudiant les relations entre l'idéalité et l'altérité entre 1900 et 1913.

Husserl, Edmund --- Alter ego (Morale) --- Alteriteit (Filosofie) --- Alterity (Philosophy) --- Altérité (Morale) --- Altérité (Métaphysique) --- Altérité (Philosophie) --- Autre (Morale) --- Autre (Métaphysique) --- Autre (Philosophie) --- Autrui --- Fenomenologie --- Intersubjectiviteit --- Intersubjectivity --- Intersubjectivité --- Other (Philosophy) --- Otherness (Philosophy) --- Phenomenology --- Phénoménologie --- Résonance intersubjective --- Solipsism --- Solipsisme --- Solipsism. --- Intersubjectivity. --- Phenomenology. --- Altérité --- Husserl, Edmund, --- Academic collection --- Altérité --- Intersubjectivité --- Phénoménologie --- Other (Philosophy).

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General ethics --- Levinas, Emmanuel --- Alter ego (Morale) --- Alteriteit (Filosofie) --- Alterity (Philosophy) --- Altérité (Morale) --- Altérité (Métaphysique) --- Altérité (Philosophie) --- Autre (Morale) --- Autre (Métaphysique) --- Autre (Philosophie) --- Autrui --- Other (Philosophy) --- Otherness (Philosophy) --- Academic collection --- #gsdb5 --- Humanism --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- Moral and ethical aspects --- Lévinas, Emmanuel --- Criticism and interpretation. --- Lévinas, Emmanuel --- Lévinas, E. --- Leṿinas, ʻImanuʼel --- Levinas, Emani︠u︡el --- לוינס׳ עמנואל --- לוינס, עמנואל --- Līfīnās, Īmānwāl --- ليفيناس، إيمانوال

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By recasting instances of ‘German’ cultural production around the turns of centuries – 1800, 1900, 2000 – the essays in this volume examine the role that color has played in perceiving and representing ethnic difference. In innovative essays, literary scholars, historians, anthropologists and art historians support an overarching thesis: that the ‘origins’ of a modern, ‘ethnic’ imagination, inscribe patterns of seeing, whereas more recent developments involve processes of de-colorization and metaphorization. By preserving the difference in disciplinary approaches, methods and writing styles, the volume presents a genuinely interdisciplinary approach to German Studies, and is therefore of interest to Germanists, as well as to all others engaged in the study and scholarship of German Culture. Contributors: Christine Achinger, Nana Badenberg, Helen Cafferty, Fatima El-Tayeb, Gudrun Hentges, Uli Linke, Andreas Michel, Thomas Miller, Daniel Purdy, Assenka Oksiloff, Wendy Sutherland, Birgit Tautz. Der Band untersucht die Rolle der Farbe in Prozessen der Wahrnehmung und Darstellung ethnischer Unterschiede in der deutschsprachigen Kultur an drei Jahrhundertwenden: 1800, 1900, 2000. Die interdisziplinären Essays von Literaturwissenschaftlern, Historikern, Anthropologen und Kunsthistorikern bieten Lesarten, die sich auf vielfältige Phänomene beziehen und die These unterstützen, daß das Ethnische zunächst überwiegend visuell vorgestellt und versprachlicht wurde, bevor es einer zunehmenden Metaphorisierung und “Entfärbung” unterlag. Die angebotenen Deutungsmuster repräsentieren keine kohärente Wahrheit; vielmehr sind sie als Symptome unterschiedlicher Wissensformationen, d.h. unterschiedlicher Disziplinen, Methoden und “Schreibverfahren“, zu sehen. Mit Beiträgen von Achinger, Badenberg, Cafferty, El-Tayeb, Hentges, Linke, Michel, Miller, Purdy, Oksiloff, Sutherland, Tautz.

Alter ego (Morale) --- Alteriteit (Filosofie) --- Alterity (Philosophy) --- Altérité (Morale) --- Altérité (Métaphysique) --- Altérité (Philosophie) --- Autre (Morale) --- Autre (Métaphysique) --- Autre (Philosophie) --- Autrui --- Cogito --- Ethnicity in literature --- Ethnicité dans la littérature --- Etnisch bewustzijn in de literatuur --- Ik (Filosofie) --- Moi (Philosophie) --- Other (Philosophy) --- Otherness (Philosophy) --- Self (Philosophy) --- Ethnicity in literature. --- German literature --- Germans --- Whites --- History and criticism. --- Ethnic identity. --- Race identity --- Other (Philosophy). --- Self (Philosophy). --- History and criticism --- Ethnic identity --- Germany --- Philosophy --- White persons --- Ethnology --- Caucasian race --- White people