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Authorship in literature. --- Authority in literature. --- Art d'écrire dans la littérature --- Autorité dans la littérature --- Balzac, Honoré de, --- Criticism and interpretation. --- Art d'écrire dans la littérature --- Autorité dans la littérature --- Balzac, Honoré de,

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Russian literature --- Authority in literature --- Political science --- Politics and literature --- Lttérature russe --- Autorité dans la littérature --- Science politique --- Politique et littérature --- Themes, motives. --- Terminology --- Thèmes, motifs --- Terminologie

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This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700. Like texts, images partook of rhetorical forms and hermeneutic functions – typological, paraphrastic, parabolic, among others – based largely in illustrative traditions of biblical commentary. If the specific relation between biblical texts and images exemplified the range of possible relations between texts and images more generally, it also operated in tandem with other discursive paradigms – scribal, humanistic, antiquarian, historical, and literary, to name but a few – for the connection, complementary or otherwise, between verbal and visual media. The Authority of the Word discusses the ways in which the mutual form and function, manner and meaning of texts and images were conceived and deployed in early modern Europe. Contributors include James Clifton, John R. Decker, Maarten Delbeke, Wim François, Jan L. de Jong, Catherine Levesque, Andrew Morrall, Birgit Ulrike Münch, Carolyn Muessig, Bart Ramakers, Kathryn Rudy, Els Stronks, Achim Timmermann, Anita Traninger, Peter van der Coelen, Geert Warnar, and Michel Weemans.

History of civilization --- inscriptions --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe: North --- Symbolism in communication --- Authority in literature --- Authority in art --- Symbolisme dans la communication --- Autorité dans la littérature --- Autorité dans l'art --- Bible --- Evidences, authority, etc. --- Illustrations --- Conferences - Meetings --- Autorité dans la littérature --- Autorité dans l'art --- Communication --- Biblia --- BIOGRAPHY & AUTOBIOGRAPHY / Literary. --- Authority in literature - Congresses --- Authority in art - Congresses --- Symbolism in communication - Europe, Northern - Congresses --- Illustrations.

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Classical philology --- Authority in literature --- Authority in art --- Philologie ancienne --- Autorité dans la littérature --- Autorité dans l'art --- Reynolds, Joyce Marie --- Greece --- Grèce --- Civilization --- Civilisation --- Classical philology. --- Authority. --- Authority --- Reynolds, Joyce Maire --- Philology, Classical --- Classical antiquities --- Greek language --- Greek literature --- Greek philology --- Humanism --- Latin language --- Latin literature --- Latin philology --- Political science --- Authoritarianism --- Consensus (Social sciences) --- Reynolds, Joyce --- Reynolds, J. --- Autorité dans la littérature --- Autorité dans l'art --- Grèce --- Reynolds, Joyce Maire.

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From the Revolutionary War to the Civil War, a familiar scene appears and reappears in American literature: a speaker stands before a crowd of men and women, attempting to mitigate their natural suspicions in order to form a body of federated wills. In this important study of the relationship of literature and politics, Mark Patterson argues that this scene restates political issues in literary terms and embodies the essential problems of American democracy facing both politicians and writers: What is autonomy? How does representation work? Where does true authority lie? Beginning with the debate over ratification of the United States Constitution, Patterson follows out the complex literary consequences of these questions.A work of literary history and criticism, this study also offers valuable insights into matters of political and literary theory. In separate chapters on Benjamin Frankin, Hugh Henry Brackenridge, and Charles Brockden Brown in the post-Revolutionary period and on Fenimore Cooper, Emerson, and Melville in the antebellum period, Patterson provides a series of brilliant readings of major texts in order to describe how American writers have conflated political and literary concerns as a means to their own social authority.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

American literature --- Politics and literature --- Authority in literature --- Autonomy in literature --- Representative government and representation in literature --- Littérature américaine --- Politique et littérature --- Autorité dans la littérature --- History and criticism --- Histoire et critique --- United States --- Etats-Unis --- History --- Literature and the revolution --- Histoire --- Littérature et révolution --- 1783-1850 --- 19th century --- Revolutionary period, 1775-1783 --- Revolution, 1775-1783 --- Literature and the revolution. --- Representative government and representation in literature. --- Authority in literature. --- Autonomy in literature. --- History and criticism. --- Intellectual life