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American literature --- Drama --- anno 1900-1999 --- American drama --- Women --- Minority women --- Ethnic groups --- Minorities --- Théâtre américain --- Femmes --- Femmes issues des minorités --- Groupes ethniques --- Minorités --- Minority authors --- Drama. --- Women authors. --- Auteurs issus de minorités --- Théâtre --- Femmes écrivains --- Théâtre américain --- Femmes issues des minorités --- Minorités --- Auteurs issus de minorités --- Théâtre --- Femmes écrivains --- United States --- Women authors --- 20th century
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In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida's non-essentialist interpretation of the term "signature", this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories.In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few.In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.
Canadian drama --- American drama --- Collective memory in literature --- Minorities in literature --- Identity (Psychology) in literature --- Theater and society --- Théâtre canadien --- Théâtre américain --- Mémoire collective dans la littérature --- Minorités dans la littérature --- Identité (Psychologie) dans la littérature --- Théâtre et société --- History and criticism --- Minority authors --- Histoire et critique --- Auteurs issus de minorités --- Théâtre canadien --- Théâtre américain --- Mémoire collective dans la littérature --- Minorités dans la littérature --- Identité (Psychologie) dans la littérature --- Théâtre et société --- Auteurs issus de minorités --- Canadian drama - Minority authors - History and criticism --- Canadian drama - 20th century - History and criticism --- American drama - Minority authors - History and criticism --- American drama - 20th century - History and criticism --- Theater and society - Canada - History - 20th century --- Theater and society - United States - History - 20th century
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Borrowed Tongues is the first consistent attempt to apply the theoretical framework of translation studies in the analysis of self-representation in life writing by women in transnational, diasporic, and immigrant communities. It focuses on linguistic and philosophical dimensions of translation, showing how the dominant language serves to articulate and reinforce social, cultural, political, and gender hierarchies. Drawing on feminist, poststructuralist, and postcolonial scholarship, this study examines Canadian and American examples of traditional autobiography, autoethnography, and experimental narrative. As a prolific and contradictory site of linguistic performance and cultural production, such texts challenge dominant assumptions about identity, difference, and agency. Using the writing of authors such as Marlene NourbeSe Philip, Jamaica Kincaid, Laura Goodman Salverson, and Akemi Kikumura, and focusing on discourses through which subject positions and identities are produced, the study argues that different concepts of language and translation correspond with particular constructions of subjectivity and attitudes to otherness. A nuanced analysis of intersectional differences reveals gender, race, ethnicity, nationality, culture, and diaspora as unstable categories of representation.
Translating and interpreting --- Canadese letterkunde (Engels) --- Vrouwelijke auteurs --- Self-translation --- Migratie --- Minderheden in de literatuur --- Bilingualism --- Autobiography --- Women immigrants --- Identity (Psychology) --- Canadian prose literature (English) --- Prose canadienne-anglaise --- Prose américaine --- Immigrantes --- Écrits de femmes autobiographiques --- Traduction --- Social aspects. --- Canada --- geschiedenis en kritiek --- Verengide Staten --- Psychological aspects. --- Women authors --- History and criticism. --- Biography --- Minority authors --- Auteurs issus de minorités --- Histoire et critique. --- Auteurs issus des minorités --- Biographies --- Philosophie. --- Canadese letterkunde (Engels). --- Vrouwelijke auteurs. --- Self-translation. --- Minderheden in de literatuur. --- Identity (Psychology). --- geschiedenis en kritiek. --- American prose literature --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- Immigrant women --- Immigrants --- American literature --- Canadian prose literature --- Philosophy. --- History and criticism --- Technique --- Geschiedenis en kritiek. --- Histoire et critique --- Littérature --- Bilinguisme --- Autobiographie --- Écrits d'immigrés canadiens --- Écrits d'immigrés --- Identité (psychologie) --- Littérature canadienne de langue anglaise --- Aspect social --- Aspect psychologique --- Femmes écrivains --- États-Unis --- Auteurs appartenant à des minorités --- Philosophie
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Sociology of literature --- American literature --- Drama --- anno 1900-1999 --- United States --- Ethnic groups in literature --- Ethnische groepen in de literatuur --- Groupes ethniques dans la littérature --- Minderheden in de literatuur --- Minorities in literature --- Minorités dans la littérature --- Pluralism (Social sciences) in literature --- Pluralisme (Sociale wetenschappen) in de literatuur --- Pluralisme (sciences sociales) dans la littérature --- American drama --- Cultural pluralism in literature --- Theater and society --- Theater --- Théâtre américain --- Diversité culturelle dans la littérature --- Théâtre et société --- Théâtre --- Minority authors --- History and criticism --- History --- Auteurs issus de minorités --- Histoire et critique --- Histoire --- -American drama --- -Ethnic groups in literature --- -Theater and society --- -Actors --- Society and theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Minorities as a theme in literature --- -History and criticism --- -Social status --- Social aspects --- Cultural pluralism in literature. --- Ethnic groups in literature. --- Minorities in literature. --- History and criticism. --- -Minority authors --- Théâtre américain --- Groupes ethniques dans la littérature --- Minorités dans la littérature --- Diversité culturelle dans la littérature --- Théâtre et société --- Théâtre --- Auteurs issus de minorités --- -Pluralism (Social sciences) in literature --- Minority authors&delete& --- 20th century --- American drama - 20th century - History and criticism --- American drama - Minority authors - History and criticism --- Theater - United States - History - 20th century --- Theater and society - United States --- United States of America --- THEATRE (GENRE LITTERAIRE) AMERICAIN --- THEATRE --- PLURALISME (SCIENCES SOCIALES) DANS LA LITTERATURE --- THEATRE ET SOCIETE --- GROUPE ETHNIQUE DANS LA LITTERATURE --- MINORITES DANS LA LITTERATURE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- AUTEURS APPARTENANT A DES MINORITES --- ETATS-UNIS
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