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Per corporalia ad incorporalia : spiritualità, agiografia, iconografia e architettura nel Medioevo agostiniano
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Year: 2000 Publisher: Tolentino (Macerata) : Biblioteca Egidiana,

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Gli Agostiniani a Sansepolcro e il beato Angelo Scarpetti
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Year: 2009 Publisher: Tolentino: Biblioteca Egidiana,

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Arte e spiritualità nell'Ordine agostiniano e il convento San Nicola a Tolentino
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ISBN: 8885897436 Year: 1994 Publisher: Tolentino Biblioteca Egidiana

Art and the Augustinian Order in Early Renaissance Italy
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ISBN: 9780754656555 0754656551 9781315262147 9781351957151 Year: 2007 Volume: *20 Publisher: Aldershot Burlington Ashgate

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The rise of the mendicant orders in the later Middle Ages coincided with rapid and dramatic shifts in the visual arts. The mendicants were prolific patrons, relying on artworks to instruct and impress their diverse lay congregations. Churches and chapels were built, and new images and iconographies developed to propagate mendicant cults. But how should the two phenomena be related? How much were these orders actively responsible for artistic change, and how much did they simply benefit from it? To explore these questions, Art and the Augustinian Order in Early Renaissance Italy looks at art in the formative period of the Augustinian Hermits, an order with a particularly difficult relation to art. As a first detailed study of visual culture in the Augustinian order, this book will be a basic resource, making available previously inaccessible material, discussing both well-known and more neglected artworks, and engaging with fundamental methodological questions for pre-modern art and church history, from the creation of religious iconographies to the role of gender in art.

Keywords

Christian religious orders --- Art --- Augustins --- anno 1400-1499 --- anno 1300-1399 --- Italy --- Augustinian art --- Art, Early Renaissance --- Church decoration and ornament --- Augustinians --- Art patronage --- -Augustinian art --- -Art, Early Renaissance --- -Church decoration and ornament --- -271.4 <45> --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Art, Renaissance --- Early Renaissance art --- History --- -History --- -Augustijnen--Italië --- Early Renaissance --- -Ordo Eremitarum S. Augustini --- Eremitani --- Scalzi di S. Agostino --- Augustinereremitenorden --- Hermits of St. Augustine --- Religiosos Ermitaños de San Agustín --- Augustiniáni --- Ordo Eremitarum Sancti Augustini --- Scalzi di Sant'Agostino --- Hermits of Saint Augustine --- Agustinos --- Order of Saint Augustine --- Augustinian Order --- Zakon Augustjański --- OSA --- Augustinian Friars --- Austin Friars --- Order of Hermits of St. Augustine --- Order of Hermits of Saint Augustine --- Orden de San Agustín --- Agostiniani scalzi --- OESA --- O.E.S.A. --- Ordo Heremitarum S. Augustini --- Ordem dos Eremitas de Santo Agostinho --- -Art patronage --- 271.4 <45> Augustijnen--Italië --- Augustijnen--Italië --- -Christian religious orders --- 271.4 <45> --- Ordo Eremitarum S. Augustini --- Art patronage. --- Augustinian art - Italy --- Art, Early Renaissance - Italy --- Church decoration and ornament - Italy --- Italie


Book
Augustinian art and meditation in Renaissance Florence
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ISSN: 09208607 ISBN: 9789004401143 9789004419896 9004401148 9004419896 Year: 2020 Volume: 42 308 Publisher: Leiden Boston

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"In The Choir Altarpieces of Santo Spirito, 1480-1510, Antonia Fondaras reunites the fifteenth-century altarpieces painted by Botticelli, Piero di Cosimo, Filippino Lippi, and other masters for the choir of the Augustinian church of Santo Spirito in Florence. Departing from a conventional focus on artist and patron, the author illuminates the engagement of the Augustinian Hermit friars with the composition and iconography of these pictures, and discusses how they were used to fashion the choir into a space suited to the friars' institutional and spiritual ideals. Fondaras includes a close reading of the choir's most compelling and original altarpieces, which were grounded in the writings of Augustine and provided a focal point for the friars' sophisticated meditative practices".

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