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Theatrical science --- Analyse --- Aufführung --- Theaterwissenschaft --- Theater --- Theater. --- Aufführung. --- Analyse. --- Theaterwissenschaft.

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This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: "ations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like "ations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, "ation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.

"ation methods --- Ancient Greek dramatic fragment --- Aufführung --- Rekonstruktion --- Theater --- Zitierweise --- performance --- reconstruction

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Theatrical science --- Drama --- anno 1900-1999 --- Aufführung. --- Avant-garde. --- Avantgarde. --- Experimental theater. --- Tekstinterpretatie. --- Textualität. --- Theater. --- Toneel. --- Theatre experimental

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This revised second edition of 'Othello' provides a detailed history of the play in production.

Aufführung. --- Othello, --- Othello, --- Shakespeare, William, --- Shakespeare, William, --- Shakespeare, William, --- Shakespeare, William. --- Stage history. --- Criticism, Textual. --- Othello (Shakespeare, William). --- Geschichte.

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"Dramaturgy and Architecture approaches modern and postmodern theatre's contribution to the way we think about the buildings and spaces we inhabit. It discusses in detail ways in which theatre and performance have critiqued and intervened in everyday spaces, modelled our dreams or fears and made proposals for the future. Cathy Turner examines the tensions that are inherent in considering the architectural aspects of dramaturgy, where the stage appears as a constellation of objects, figures and structures. She concludes that where theatre meets architecture in re-imagining the world, it tends to shimmer between criticism, warning and proposal. The book takes an inclusive approach, connecting the plays of Ibsen and Shaw to the concerns of later-devised and visual dramaturgies. It digs into the history of site-based and visual theatre in a postdramatic mode, articulating the ways in which it is informed by the work of the Russian Constructivists, Bauhaus artists, Situationists and others. New material on theatre in British Garden Cities is set alongside a discussion of the more famous work by Jacques-Dalcroze in Germany's Gartenstadt Hellerau. The well-known site-specific work of Brith Gof is unusually approached through the contribution of co-director Cliff McLucas. Recent and in some cases little known works by The Builders Association, Ant Hampton and Tim Etchells, Krzyztof Wodiczko, Robert Wilson, NVA and Wrights & Sites are described in detail"-- Provided by publisher.

Theater --- Drama --- Theater architecture. --- Site-specific theater. --- History --- Production and direction. --- Technique. --- PERFORMING ARTS --- Theater. --- Dramaturgie. --- Architektur. --- Aufführung. --- History & Criticism. --- 1900-1999 --- 1900-1999. --- Performing arts --- History & criticism.