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Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-

Avant-garde (Music) --- Postmodernism --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Experimental music --- Musical avant-garde --- Sound art --- Ars acustica --- Audio art --- Art --- Music --- Time-based art

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Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind.Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary o

Affective and dynamic functions --- Auditory perception --- Sounds --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Geluid ; geluiden ; klanken --- Sound studies --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- Sound effects --- Manners and customs --- Sound --- Sound perception --- Hearing --- Perception --- Word deafness --- Philosophy. --- Kunst ; theorie, filosofie, esthetica --- zebra --- Philosophy

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Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility. A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow. Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.

Aesthetics --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Curgenven, Robert --- Gasson, Clare --- Federer, Benjamin --- Artaud, Antonin --- Feldman, Morton --- Cage, John --- Cardiff, Janet --- Fontana, Bill --- Parmegiani, Bernard --- Merzbow --- Geluid en stilte --- Kunst ; theorie, filosofie, esthetica --- Silence in art --- Sound in art --- 798.3 --- 781.5 --- 665 --- geluid --- kunst --- muziek --- filosofie (wijsbegeerte) --- Cultuurfilosofie --- film, esthetiek en kritiek --- muziekwetenschap, psychologie der muziek --- audio-video

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Overview. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established Sound Art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive 2012-2013 exhibition at ZKM/Center for Art and Media, Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor and ZKM CEO Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and Internet-based sound art. Experts then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, and Scandinavia. The texts are accompanied by hundreds of color images drawn from the ZKM exhibition.

Art --- sound art --- Sound in art. --- Music in art. --- Musical instruments in art. --- Musical notation in art. --- Son dans l'art --- Sound in art --- Sound --- Equipment and supplies. --- Recording and reproducing --- Digital techniques. --- Recording and reproducing. --- Sound art --- 781.1 --- Audio equipment --- Audio equipment industry --- Digital audio --- Digital sound recording --- Digital electronics --- Disk recording --- Recording of sound --- Reproducing of sound --- Sound recording and reproducing --- Sounds --- Ars acustica --- Audio art --- Music --- Digital techniques --- Equipment and supplies --- Geluidskunst --- Apparatus --- Time-based art

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"The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--

Sound --- Hearing. --- Listening. --- Son --- Ouïe --- Ecoute (Psychologie) --- Recording and reproducing --- History. --- Social aspects --- Enregistrement et reproduction --- Histoire --- Aspect social --- Hearing --- Listening --- History --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Sound studies ; handboeken --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 78 --- Kunst ; theorie, filosofie, esthetica --- Music --- Social science --- Social aspects. --- Recording & Reproduction. --- Media Studies. --- Ouïe --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Auding --- Attention --- Comprehension --- Educational psychology --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound - Recording and reproducing - Social aspects