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Book
Native sons : a critical study of twentieth-century Negro American authors
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Year: 1968 Publisher: Philadelphia New York Lippincott

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Canaan bound : the African-American great migration novel
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ISBN: 0252023048 9780252023040 0252066057 9780252066054 Year: 1997 Publisher: Urbana ; Chicago University of Illinois Press

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Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.


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Writers of the Black Chicago Renaissance
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ISBN: 9780252036392 9780252093425 0252093429 1283582864 9781283582865 0252036395 9786613895318 6613895318 0252079310 Year: 2012 Publisher: Urbana Chicago Springfield University of Illinois Press

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"This volume explores the contours and content of the Black Chicago Renaissance. A movement crafted in the crucible of rigid racial segregation in Chicago's "Black Belt" from the 1930's through the 1960's, its participants were also heavily influenced by--and influenced --the Harlem Renaissance and the Chicago Renaissance of white writers. Despite harsh segregation, black and white thinkers influenced one another particularly through their engagements with leftist organizations. In many ways, politically, racially, spatially, this was a movement invested in cross-pollination, change, and political activism, as much as literature, art, and aesthetics as it prepared the way for the literature of the Black Arts Movement and beyond. The volume begins with a look at Richard Wright, indisputably a central figure in the Black Chicago Renaissance with the publication of "Blueprint for Negro Writing." Wright sought to distance himself from what he considered to be the failures of the Harlem Renaissance, even as he built upon its aesthetic and cultural legacy. Subsequent chapters discuss Robert Abbott, William Attaway, Claude Barnett, Henry Blakely, Aldon Bland, Edward Bland, Arna Bontemps, Gwendolyn Brooks, Frank London Brown, Alice Browning, Dan Burley, Margaret Danner, Frank Marshall Davis, Katherine Dunham, Richard Durham, Lorraine Hansberry, Fenton Johnson, John Johnson, Marian Minus, Williard Motley, Marita Bonner, Gordon Parks, John Sengstacke, Margaret Walker, Theodore Ward, Frank Yerby, Black newspapers, the Chicago School of Sociologists, the Federal Theater Project, Black Music, and John Reed Clubs"--

Radical representations : politics and form in U.S. proletarian fiction, 1929-1941
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ISBN: 0822313944 9780822313946 0822397757 0822313618 1322067481 Year: 1993 Publisher: Durham London Duke University Press

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In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics.Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres.Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.

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