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Athalie --- Racine, Jean
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Saint-Cyr --- Education des filles --- Athalie --- Dix-septième siècle --- Esther --- Racine, Jean
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GONCOURT Edmond et Jules --- ROTROU Jean de --- Célébration --- Le Cid --- Cinna --- Tartuffe --- L'école des maris --- Phèdre --- Le Jeu de l'amour et du hasard --- Les Fausses Confidences --- Le barbier de Séville --- Angelo, tyran de Padoue --- Ruy Blas --- Le verre d'eau --- Mercadet --- Lorenzaccio --- On ne badine pas avec l'amour --- François le champi --- Marseille --- Toussaint Louverture --- Saint Genest, comédien et martyr --- Don Juan --- La critique de l'Ecole des femmes --- L’école des femmes --- Psyché --- Athalie --- Bérénice --- Oreste --- Le Mariage de Figaro --- La mère coupable --- Hernani --- La Reine Margot --- Un mariage sous Louis XV --- Chatterton --- Corneille, Pierre --- Racine, Jean --- Lesage, Alain René --- Marivaux, Pierre Carlet de Chamblain de --- Voltaire, François Marie Arouet dit --- Dumas, Alexandre --- Musset, Alfred de --- Dumas, Alexandre --- Molière, --- Beaumarchais, Pierre Augustin Caron de --- Hugo, Victor --- Vigny, Alfred de --- Scribe, Eugène --- Balzac, Honoré de --- Gautier, Théophile --- Sand, George --- Lamartine, Alphonse de --- Augier, Emile
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Théâtre Libre (Paris) --- Théâtre Libre (Paris) --- OSTROWSKI --- GANDERAX --- Marionnettes --- Erynnies --- Le Malade imaginaire --- L’école des femmes --- Conférence --- Athalie --- Conférence --- L'épreuve --- Arlequin poli par l'amour --- Isabelle grosse par vertu --- Le divorce --- Les filles de marbre --- Les faux bonshommes --- Maître Guérin --- Monsieur Alphonse --- Jalousie --- L'Orestie --- DANDIN George --- Tartuffe --- Henri III et sa cour --- Révoltée --- François le champi --- Les jocrisses de l'amour --- Germinie Lacerteux --- La patrie en danger --- Crime et Châtiment --- LEROUX Hugues --- L'orage --- Barbe-Bleue --- L'ingénue --- DARZENS R. --- DEMAY Victorine --- Molière, --- Coquelin, --- Lemaître, Jules --- Sand, George --- Augier, Emile --- Vacquerie, Auguste --- Goncourt, Edmond de --- Ginisty, Paul --- Halevy, Ludovic --- Eschyle, --- Racine, Jean --- Marivaux, Pierre Carlet de Chamblain de --- Dumas, Alexandre --- Barrière, Théodore --- Dumas, Alexandre --- Dostoïevski, Fédor Mikaïlovitch --- Meilhac, Henri --- Gyp,
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Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
LITERARY CRITICISM / Drama. --- Bernhardt, Sarah, --- Acting. --- Adrienne Lecouvreur. --- Amoureuse. --- Andromaque. --- Arthur Symons. --- Athalie. --- Bajazet (play). --- Blanche Marchesi. --- Camille Saint-Saëns. --- Cavatina. --- Charles Gounod. --- Classicism. --- Clement Scott. --- Contralto. --- Cyrano (musical). --- Declamation. --- Dinorah. --- Dion Boucicault. --- Dramaturgy. --- Edmond Rostand. --- Eleonora Duse. --- Eric Bentley. --- Ernani. --- Fairy tale. --- Five Plays. --- Francesca da Rimini. --- Giacomo Meyerbeer. --- Gianni Bettini. --- Gismonda. --- Giuseppe Verdi. --- Goethe's Faust. --- Grand opera. --- Harper's Bazaar. --- Harry Baur. --- Hernani (drama). --- Hesketh Pearson. --- His Wife's Lover. --- Hyperbole. --- Ingenue (stock character). --- Jean Giraudoux. --- Jean Richepin. --- Jean-Louis Barrault. --- Jules Barbier. --- Jules Massenet. --- King Lear. --- Le Cid (opera). --- Le Figaro. --- Les Femmes Savantes. --- Libretto. --- Liebestod. --- Lillie Langtry. --- Lorenzaccio. --- Louis Jouvet. --- Lyric soprano. --- Mad scene. --- Marcel Schwob. --- Marcella Sembrich. --- Marguerite (musical). --- Mathilde Marchesi. --- Maude Adams. --- Max Beerbohm. --- Melodrama. --- Mephistopheles. --- Mise-en-scène. --- Mithridate. --- Molière. --- Mrs. Patrick Campbell. --- Opera and Drama. --- Oreste. --- Pantomime. --- Parody. --- Passepied. --- Passion and Purity. --- Quibble (plot device). --- Rachel's. --- Revue. --- Reynaldo Hahn. --- Rodgers and Hammerstein. --- Romanticism. --- Sacha Guitry. --- Sarah Bernhardt. --- Sardou. --- Shylock. --- Six Acts. --- Soubrette. --- Sound effect. --- Superiority (short story). --- Tartuffe. --- The Actress. --- The Duenna. --- The Human Voice. --- The Lady from the Sea. --- The Marriage of Figaro. --- Title role. --- Tragedy. --- Travesti (theatre). --- Two Women. --- Victor Hugo. --- Victorien Sardou. --- William Shakespeare.
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