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The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
English literature --- Black authors --- History and criticism. --- Asian authors
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American literature --- English literature --- Ethnic relations --- Gender identity --- Group identity --- Motion pictures --- South Asian authors --- History and criticism. --- South Asian authors --- History and criticism. --- India --- History --- Influence.
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Canadian poetry --- Canadian poetry --- Poésie canadienne --- Poésie canadienne --- Asian authors --- Auteurs asiatiques
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Literature --- Asian diaspora --- Asian Americans in literature. --- Asian authors --- History and criticism. --- Interviews.
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Alternatives Otherin the Mainstream: British Black and Asian Theatres is the first comprehensive collection of critical essays on the subject. Edited by Dimple Godiwala, the anthology is in six parts: A lengthy Introduction is followed by Part II (Histories and Trajectories) which contains chapters which survey the work of the Black Theatre Forum and the histories of Black and Asian theatres in Britain. Part III (Histories of Theatre Companies and Arts Venues) charts brief histories of the maj...
Black theater --- Theater, South Asian --- English drama --- Black authors --- History and criticism. --- South Asian authors
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In the wake of the steady expansion and more recent explosion of Anglo-Indian and Indo-Anglian writing, and following the success of Salman Rushdie's Midnight's Children , the literature of the Indian diaspora has become the object of close attention. As a body of literature, it simultaneously represents an important multicultural perspective within individual 'national' literatures (such as those of Canada or Australia) as well as a more global perspective taking in the phenomena of transculturalism and diaspora. However, while readers may share an interest in the writing of the Indian diaspora, they do not always interpret the notion of 'Indian diaspora' in the same way. Indeed, there has been much debate in recent years about the appropriateness of terms such as diaspora and exile. Should these terms be reserved for the specifically historical nature of problems encountered in the process of acquiring new nationality and citizenship, or can they be extended to the writing of literature itself or used to describe 'economic' migration arising out of privilege? As a response to these debates, Shifting Continents/Colliding Cultures explores the aftermath of British colonialism on the Indian subcontinent and Sri Lanka, including the resulting diaspora. The essays also examine zones of intersection between theories of postcolonial writing and models of diaspora and the nation. Particular lines of investigation include: how South-Asian identity is negotiated in Western spaces, and its reverse, how Western identity is negotiated in South-Asian space; reading identity by privileging history; the role of diasporic women in the (Western) nation; how diaspora affects the literary canon; and how diaspora is used in the production of alternative identities in films such as Gurinder Chadha's Bhaji on the Beach .
Angel --- English literature --- Literature for emigrants --- South Asian authors --- History and criticism
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Canadian poetry --- Canadian poetry --- American poetry --- American poetry --- Poésie canadienne --- Poésie canadienne --- Poésie américaine --- Poésie américaine --- Asian authors --- Asian authors --- Auteurs asiatiques --- Auteurs asiatiques
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Migration from the Indian subcontinent began on a large scale over 150 years ago, and today there are diasporic communities around the world. The identities of South Asians in the diaspora are informed by roots in the subcontinent and the complex experiences of race, religion, nation, class, caste, gender, sexuality, language, trauma, and geography. The literature that arises from these roots and experiences is diverse, powerful, and urgent. Teaching South Asian Anglophone Diasporic Literature embraces an intersectionality that attends to the historical and material conditions of cultural production, the institutional contexts of pedagogy, and the subject positions of teachers and students. Encouraging a deep engagement with works whose personal, political, and cultural insights are specific to South Asian diasporic consciousness, the volume also provokes meaningful reflection on other literatures in an age of increasing migration and diaspora.
South Asian literature. --- American literature --- Caribbean literature. --- English literature --- South Asian diaspora. --- South Asian American authors. --- South Asian authors.
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Authors, South Asian --- Indic fiction (English) --- Ecrivains sud-asiatiques --- Roman de l'Inde (anglais) --- Biography. --- South Asian authors. --- History and criticism. --- Biographies --- Auteurs sud-asiatiques --- Histoire et critique
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South Asian literature (English) --- Authors, South Asian --- English --- Languages & Literatures --- English Literature --- South Asian authors --- English literature --- South Asian literature --- Bio-bibliography --- Biography
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